Photography; I shoot what I like, and sometimes people like what I shoot. All photos are copyright to Michael C. Lam unless explicitly stated otherwise.
When I got my hands on the first DSLR that I could say was “mine to use”, you know; not borrowed for a short time, I decided that I wanted the first exposure (or the first frame) to count, to mean something, or at the very least, to be a special photo 🙂
I had just gotten my hands on the Canon Digital Rebel T1i (500D), and I had not too recently been viewing some photos by Dwayne Hackett, and there was one that had inspired me, it was of St. George’s Cathedral, and I decided that I wanted that to be my first shot. As it turned out, even though I tried to time it right, a vehicle sped into the frame just as I clicked, so the second actuation was my photo instead.
I have now gotten my hands on an upgrade, so I thought I’d do the same thing, try for a special photograph. Week after week I pass the St Philips’ Green and think about how I would photograph the Church there (under renovation), but I am usually afraid to stop because of the type of desolate area it is. They had just finished clearing the area close to the road and the Church was quite visible from the road across the cleared land, and the branches from the trees helped to frame it nicely, so that was to be my first actuation on the Canon 60D.
Although Mashramani fell in the eight week of the year, I did not necessarily want to use a photograph from that event, fortunately I had gone on a walk with Nikhil around St George’s Cathedral and I had tried out an HDR, although it has some issues, I rather liked the outcome.
I was a mere four feet from the door, but other than standing in mid-air to get the shot, this was my only option. Although I did some correcting to the distortion caused by the Sigma 10-20mm lens (and the close proximity to the subject), I still got some distortion that I couldn’t get rid of.
My aim with this HDR, was to get the doorway, but also to get as much detail on the inside that I could. Nikhil wanted to go and adjust the mat, but I thought that the angle that it was at worked fine for me.
Oh, and as usual, I neglected to lug the tripod with me, so this was handheld.
Mashramani. A Guyanese Celebration that has taken on the overtones of Carnival. The name, derived from an Amerindian word (Arawak) meaning “Celebration after hard work” has been synonymous with Guyana’s Republic Day celebrations for many many years. Although the original activity began in the mining town of Linden (known as Mackenzie back in those days), it spread quickly around the country.
It is probably hard to have grown up in Guyana (or at least one of the towns in Guyana) and not have attended and have memories of Mashramani celebrations, especially the “Float Parade”. But after reading Krysta’s blog post “Mash in Guyana, People going crazy”, my mind did that funny thing where it takes you back to remembering what it was like when you were a child.
Just for the record, her title was a reflection of a popular song for the Mashramani celebrations going back many years, it was written and performed by Rudy Grant and is yet to be replaced as “The” song for Mashramani.
So, back to my memories of Mash (faulty though they may be)!
I won’t go into any detail (since that is very much lacking in my memory) but I’ll tell you what I miss… the Low-bed trailers. I remember there being two very distinct types of “Floats”, one was the very mobile (often times extravagant) personal Float Costume, handled by one man or woman, who expertly maneuvered it down the streets, spinning and dancing and giving a very exuberant display, the second was the low-bed display, a very low (two or three feet of the ground low) trailer with an extravagant display on it, these were usually pulled by a tractor (I even remember a Tapir pulling one once).
These days I see the larger trucks which make seeing all the components of a well-detailed display hard to see. So, I miss the low-bed trucks or trailers that were used back then.
As a photographer on Mash Day, it’s a nightmare, the police have no control over the crowds, who fill up the street where the bands are supposed to pass, and when the Bands\Floats are passing they also walk alongside, in-front and behind, and sometimes even within! In doing so they obscure others from seeing and enjoying the beautiful costumes and other design works in the Floats and trucks. Of course, that also makes it really hard for a photographer to get “easy” shots, but we persevere and press on to get what we can 🙂
I’ve put aside (with Nikhil’s help) a Select set which is about a quarter of the whole gamut, you can click HERE for that, but I do encourage you to check out the whole Gallery by clicking the image below.
Slingshot!
This photo for me is very much “Mashramani”, this is Slingshot, a Guyanese singer / Calypsonian, a few years ago he fell of the horse-cart and was injured, this year he was back, undaunted, and back on the horse-cart! Hats off to you Slingshot!
This week’s Deck Photo is taken from the Children’s Mashramani Parade this year, I previously blogged about that. (If you haven’t checked it out as yet, I think its a good view, the children really did well!)
Although this photograph may not have been the best of that set, there was just something, that “je ne c’est quoi” quality in it that I thought was more appealing to me. It was a beautiful costume, and a lovely young lady showing it off, and her smile lit up her face nicely too.
The costume wasn’t as colourful (you know, the full range of the Guyana flag, plus a few more) as others, but in its simplicity of colours it enhanced the beauty and detail of the design.
I have to begin by apologising for the amount of photographs in the album on the site… I normally go just for fairly close shots, but I thought that this year I’d try to get some of the whole shots with the costumes, I’m not too good at it, but I’ve been asked many times about why I don’t have the nice big costumes. Also, the Children’s parade this year was very engaging and the costumes very nice, and I think there were more of them too 🙂
Every year I think that the Children’s Parade is better to attend than the Adult’s Parade, it is shorter, even though the amount of entrants might be on par, even though they don’t speed down the road, they seem to be more organised and better managed, and this results in a very good flow of groups and floats down the street.
The sides of the street is also less crowded so as a spectator, I can enjoy it more and as a Photographer, I can get the photographs easier 🙂 without being elbowed and shoved, and possibly trampled.
I know it may be a lot of photographs, but I think you may find at least a few that appeal to you 🙂 Click on the image below to see the entire collection in the Gallery. Or just click this TOP 25 link for a select 25 images.
After years of trying to avoid the label, I have to accept what I am, and I can say I am proud of the journey and what I have achieved so far with the help of everyone I know, not a single person has ever tried to tell me that my photographs are bad, many said they were good (and worth improving many times), mostly these were family and friends, so they are expected to say that 🙂
Today, 16th February 2012, I will stand beside one of my best friends and fellow Photographer, Nikhil, as our work goes on display at the National Gallery, Castellani House. It will be a month-long show, ending on March 17th, 2012. The Gallery will feature at least 20 pieces from each of us, and we are proud of our work. (he exhibition is open to the public from tomorrow through the 17th March)
Although in the beginnings of my photographic journey I seldom saw the call of monochrome photos, I seem to have changed quite a bit in that respect, the majority of my photographs on display are monochromatic. Many years ago I was well known by my friends for detesting heavy cloud coverage in the skies as I loved blue skies in my photographs, that has also changed, most of the landscape images on display show dramatic clouds and tumultuous skies.
I encourage anyone with a few minutes to spare to stop in at Castellani House and take a look, I’d hate to be known as the exhibition that no one bothered to go see 🙂
This week, I give you an image taken on a PhotoWalk with the Guyana Photographer’s Group, my more spectacular images were posted to the group (I hope to share them here later), this one I saved for use here, I was planning a post on the effective use of vignettes, but I don’t have that much to say on the subject yet, so here’s how I used a vignette in post-processing an image, and it’s a sepia (monochrome) image, and there are clouds in the sky, no true blue skies for me that day either 🙂
There are some weeks when you have a number of photographs, many that are technically better than others, yet you keep going back to one in particular which, although not the best composed, or the best exposed, nor the best focused image, it seems to demand from you that extra bit of attention.
This image is one such image for me, I had a few that were better, nicer, prettier, more appealing generally, but this one I liked more. The focus was not on the “obvious” subject, and for that reason I almost decided not to use it, but it appeals to me, it is an image that says something more than the others that I took this week.
If it speaks to you, then I am happy, if it doesn’t, then I fully understand 🙂
One of the “Four Great Inventions” of China was the invention of Paper, credited to a Court Eunuch named Ts’ai Lun sometime around 105BC, now more than two thousand years later, China still produces numerous paper-products including the subject of this week’s photograph.
Not only is the Invention of Paper one of the “Four Great Inventions of China”, but another of those four inventions is “Printing”, and coincidentally, the subject of today’s photograph combines them both. 🙂
As the Chinese New Year celebrations which began the Year of the (Sea) Dragon, came quite close to my daughter’s birthday, we had essentially a three day celebration for her, and we hung a few Chinese decorations, including these tiny Paper Lanterns that are lit by a string of “Fairy Lights”
May everyone have a fruitful and prosperous Year of the Dragon!
Often enough, I happen to see a beautiful sunset when I’m in the middle of a housing area or similar, with lots of utility posts and wires mangling the view, or a very plain area with nothing of interest other than the sky itself.
Last week, it happened again, and as I was driving out I decided to stop at the closest thing approximating to a “nice” scene, and get a shot including part of the sunset that day. 🙂
This week’s photo is not a great one or even a good one in my opinion, but as I began writing this post, some news was delivered to me and the photo somehow seemed… appropriate.
Revealed in shadow
Recently my friend (if she permits me to call her that) Reshi, wrote a post titled “Colour me Pretty”, and it had me thinking about many things, one was the effect of darker colours on a photo, the effect of shadows and light in photographs as Nikhil so masterly does them, and about the duality of emotions, and the different faces that we show people.
This post is dedicated to Godfrey Chin, many or most Guyanese will know him as the prolific writer of his “Nostalgias”, he numbered them. I came to know Godfrey only in recent years, and he has made an impact on me. He did so much in his life that I think someone will have to write a Nostalgia about him. I don’t know enough to do that to any degree of adequacy.
I know of his costumes and “floats” for the Mashramani Celebrations during his more youthful days, and I saw a bit of his style when he did some decorating for a party, and as I explained to someone, it was all about the look, it was a façade just to give the impression of the intent and not to be something that lasts forever, just for that party for those moments, yet his “Nostalgias” were vastly different, trying to scour the depths of his memories of his times in Guyana and write them down for others to share and reminisce, trying to capture those, maybe not for eternity, but at least that they live on for some time more.
Godfrey Chin was found this morning at his home in Guyana, he died sometime this weekend. Stabroek News called him a “Social History Icon” and a “Culture Enthusiast”, both descriptions are possibly very accurate, but I can attest to the second one better.
Why did I think that this photo was somehow appropriate for him? like the pointer-broom in the photo, Godfrey would sweep up and tidy up his memories and give us the sparkling finished product as a “Nostalgia”, like the light and shadows, he would help to reveal aspects of the past hidden to one or the other; if it is too bright you can’t see clearly, nor if it is too dark can you see at all.
Godfrey had asked me to give him some photos for an exhibition he was to do this Mashramani, they are on my desk, but now he will never see them, he was a fan of my work, maybe because we both thought of ourselves as family, I am thankful for his encouragement.
Godfrey came into our office during the Christmas Season and made his rounds, had a few “gaffs” and before he left, dived into his bag, took out some gold tinsel and proceeded to further decorate our Christmas Tree.
For Godfrey Chin, may his soul rest in peace, and if Heaven has a Parade we know what he’ll be doing. In Godfrey’s words “Ya think it easy?”
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