Mashramani. A Guyanese Celebration that has taken on the overtones of Carnival. The name, derived from an Amerindian word (Arawak) meaning “Celebration after hard work” has been synonymous with Guyana’s Republic Day celebrations for many many years. Although the original activity began in the mining town of Linden (known as Mackenzie back in those days), it spread quickly around the country.
It is probably hard to have grown up in Guyana (or at least one of the towns in Guyana) and not have attended and have memories of Mashramani celebrations, especially the “Float Parade”. But after reading Krysta’s blog post “Mash in Guyana, People going crazy”, my mind did that funny thing where it takes you back to remembering what it was like when you were a child.
Just for the record, her title was a reflection of a popular song for the Mashramani celebrations going back many years, it was written and performed by Rudy Grant and is yet to be replaced as “The” song for Mashramani.
So, back to my memories of Mash (faulty though they may be)!
I won’t go into any detail (since that is very much lacking in my memory) but I’ll tell you what I miss… the Low-bed trailers. I remember there being two very distinct types of “Floats”, one was the very mobile (often times extravagant) personal Float Costume, handled by one man or woman, who expertly maneuvered it down the streets, spinning and dancing and giving a very exuberant display, the second was the low-bed display, a very low (two or three feet of the ground low) trailer with an extravagant display on it, these were usually pulled by a tractor (I even remember a Tapir pulling one once).
These days I see the larger trucks which make seeing all the components of a well-detailed display hard to see. So, I miss the low-bed trucks or trailers that were used back then.
As a photographer on Mash Day, it’s a nightmare, the police have no control over the crowds, who fill up the street where the bands are supposed to pass, and when the Bands\Floats are passing they also walk alongside, in-front and behind, and sometimes even within! In doing so they obscure others from seeing and enjoying the beautiful costumes and other design works in the Floats and trucks. Of course, that also makes it really hard for a photographer to get “easy” shots, but we persevere and press on to get what we can 🙂
I’ve put aside (with Nikhil’s help) a Select set which is about a quarter of the whole gamut, you can click HERE for that, but I do encourage you to check out the whole Gallery by clicking the image below.

This photo for me is very much “Mashramani”, this is Slingshot, a Guyanese singer / Calypsonian, a few years ago he fell of the horse-cart and was injured, this year he was back, undaunted, and back on the horse-cart! Hats off to you Slingshot!
Loved the write up 🙂
Thanks for clarifying the name of my post 😀 I had it running through my head Mash morning!
That Slingshot photo is excellent. Love the colours. Also, where did you see a man on stilts? How did I miss that?
Thanks Krysta! No problem, and there were actually two men on stilts at different times, this one was early in the proceedings 🙂
yes Michael, I do remember… and now it has degraded from what Guyanese Mash used to be. We tend to copy those other countries similar celebrations and loose everything that was “Guyanese” in the process. a real shame. however, it is pleasing to see that you have not forgotten “what” to photograph. the pic is truly Guyanese.
Thank you Michael!
Thanks Andrew! I think Slingshot has the right idea 🙂
But I do remember the Floats in those days being very creative as well 🙂
Hmmmm, this post reminds me of someone else’s writing . . . name’s on the tip of my tongue . . . Chun? Chip? No, that’s not right . . . What was his name again??? Why do I keep thinking of God and Free?
Great post Mike, I enjoyed it.
Thanks, but I don’t have the memory of Godfrey Chin, nor his adept method of putting into writing his amazing stories 🙂
Everything in time.
well, I may have lost the interest of the target audience by being so late 🙂
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