Joyride

Growing up in Guyana, a joyride meant what it sounded like, jumping on a bicycle/ motorcycle and going out for a ride with friends and having fun, but it seems that up north it means and meant a completely different thing… I guess we were wrong.


Joyride – 16-1823  |  Canon EOS 60D, Sigm 10-20mm  |  2016, Lusignan, E.C.D, Guyana


Click on the image to see it in the “Out and About” Gallery, a rather quirky collection of images.


Georgetown, Guyana

It’s been 50 years since some forward thinking people declared Independence for this little nation we now call Guyana.  They were looking forward to their futures, some idealistic land of self-rule and happiness for the masses I suppose.

I think by now, most of them have all gone and left many of us wishing we were still under colonial rule, it wouldn’t have been that bad, would it?  We’ll never know, and doing the whole “what if” dance is not going to help anyone.

Sadly, even though many of the idealist have gone, there remains some of the followers who can’t seem to open their eyes and realise that the old way can’t work and that the path the country is on is not the right one, that implementing old ideas, once discarded, will not bring about new changes.

I babble…  I’ve been staring at this photo for weeks and didn’t know what to write and now I write something quite out of character and from way out of left-field.

Here’s a photo 🙂


Wrong-way Rider 16-1092 |  Canon EOS 6D, Canon EF24-105mm f/4L |  Croal St, Georgetown.


Click on the image to see it in the gallery along with other images in the Black and White Gallery

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Between 15 and 50

There’s much that could be said, but little that I feel like sharing.

In the meantime, enjoy a photo that has my mind crossing space, time and emotions.   I’ve also included this into the extended Oniabo Collection.

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Canon EOS 60D  |  Between 15 and 50  |  February 2016


Click on the image to see it in the Gallery

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Home

Where is your home?  Is it an apartment, a flat, a house, a condo, a boat, a trailer, a bench in the park?  For many, the word home simply means a dwelling place, for me, it is a place where I am comfortable.

My family is my home.

Guyana is my home.

At work, I’m at home.

Certainly, on the seawalls, I am at home.


Home  |  Canon EOS 60D  |  Sigma 10-20mm  |  January 2016


Click on the image to see it in the Gallery

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Knowledge

As August comes to an end and the new school term begins, and with September being “Education Month” in Guyana, it is fitting that I just processed this photo.

Knowledge is powerful, and while we can be intelligent and knowledgeable without being literate, it is the written word that has the power to cross miles and years to communicate ideas of forward thinking and to reflect on historical events.

Read a book, give a book, encourage our children to read.


Canon EOS 60D  |  Sigma 10-20mm  |   Knowledge – 16-1242  |  January 2016


Click on the image to see it in the Gallery

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The Carpenter’s Daughter

When I had taken this photo a year ago, I knew that I would like the final result, not perfect, but it has that bit of “soul” that I always want in a photo.   Originally I had stopped to take a photo of just the shack, then my daughters and niece came along playing around it, as Christine climbed in and sat, I decided that this was going to work even better.

The title came from some random thoughts jumping around my head, originally I wanted there to be a reference to the type of hut; it’s a fisherman’s hut by the ocean, but no title immediately popped to mind.

As I thought about it, the phrase “Fishers of Men” came to mind (a phrase used by Jesus in the Gospel of Matthew), but with the girl in the photo, that didn’t work, then her name correlated somewhat with that idea, Christine, from the word Christ (as in Jesus Christ), and then it suddenly dawned on me that Jesus was often referred to as the son of a Carpenter, and Christine’s father is a Carpenter, so voila!

It’s a stretch, but it works for me.

This is also one of the photos that sat on an SD card for a year, to think I almost lost it…


The Carpenter’s Daughter  |  2015  |  Canon EOS 60D, Sigma 10-20mm  |  Lusignan, East Coast Demerara, Guyana, South America.


Click on the image to see it in the Gallery


The Fourth

Apparently, I took this photograph on the Fourth of July, last year.   I remember taking the photo, but the date doesn’t ring a bell; I only know it was the 4th because the metadata says so.  Metadata is handy, you can tell a lot about an image from the metadata, from the type of camera used, to the focal length, ISO, speed and aperture settings, to a host of other miscellaneous  fields, these days, even the GPS coordinates.  The Canon 60D doesn’t have built-in GPS though, so that wasn’t included.

Across cultures we find that the importance or significance we place upon one thing may not be the same that those who live in another country place up a similar thing.  Take the Fourth for example;  Americans (as in those who live in the United States of America, and not just anyone who lives in the Americas) are very proud of their Independence Day, the 4th of July, it’s a big deal, so much so, that by just saying “the Fourth” anyone in that country knows what you’re referring to.  In Guyana, it used to be the case that our Independence Day passed largely unheralded, with more emphasis being place on Republic Day, or as it is more commonly known here, Mashramani.  That has changed over recent years, but the emphasis is still skewed that way.

I suppose photography is similar, as a parent taking quick photos of their children, the emphasis is centred on the child (most times literally centred in the frame); as a fashion photographer, the subject is the model and the articles being displayed by said model;  as a wedding photographer, the bride better be the main subject or somebody’s not getting paid; I get asked sometimes about my seawall photos, why do I shoot them?, what is it I see that makes me take so many?   I figure I have to be a lousy photographer to be asked what it is in the frame that I’m trying to show.

The subjects of my photos are not always front and centre (hardly ever actually, unless it’s people on Mash Day, or that kind of thing), the subject is often the entire scene; the lines, the textures, the tonal variations, the clash or harmony of nature and man; If a photo doesn’t make an impact on you, just move on; if it made you stop for a second, then it was good, if it made you feel something, anything, whether good or bad, then it was a great photo for me.


Meander – 15-9718  |  Canon EOS 60D, Sigma 10-20mm  |  Georgetown Seawall, Guyana


Click on the image to see it in the Collection, along with others in the Black and White Gallery

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