Photography; I shoot what I like, and sometimes people like what I shoot. All photos are copyright to Michael C. Lam unless explicitly stated otherwise.
There was a competition in the Guyana Photographers’ Facebook Group on Colonial Architecture, it was getting very close to the deadline and there were very few entries, I “hurriedly” entered one that I took in passing, not a good shot by any standards, and regretted it immediately after.
Even if I am putting up a photo to “fill up space”, I should pay more attention, I have been less focused recently (no pun intended) , I can’t seem to get myself, the camera and the subjects to comply, to align properly.
I was out with Nikhil on a walk to get a photo for his 365 (366) Project and as we were wrapping up I saw this house and thought I should get a few snaps of it, and I knew right then that I had a better photograph than what I had recently dropped into the competition.
It was heavily overcast, and I deliberately composed it with lots of headroom.
As always, click on the image to see it larger in the Gallery 🙂
I try not to do single image HDRs, that is, using a single exposure and tone-mapping it for greater detail throughout the scene, but sometimes I can never quite seem to get the processing on an image quite right in colour, and sometimes its an image that I would prefer not to use as a monochrome, so then I tone-map it in an HDR software to bring out that detail that I know is there.
This photo is of the Moravian Church in Queenstown, Guyana. It is more than a hundred years old.
It stands at the junction of Anira Street and New Garden Street, and there are utility posts and wires on two sides of it, I composed this to minimise the effect of those wires.
The mighty Kaieteur, the largest single drop waterfall (by volume) in the world. Let’s not get confused, it’s NOT the tallest single drop waterfall in the world, but when you’re comparing the sheer volume of water flowing over it, it is the largest single drop waterfall in the world, make note of that distinction. It has a single drop of 226 meters (741 feet), and averages about 663 cubic meters of water per second (23,400 cubic feet per second). It is awesome!
For you Canadians and Americans, it’s about five times the height of Niagara,
You can read more about the falls and its history on other sites, I’m not about to go regurgitating all that data here 🙂
For years I’ve always avoided flying into Kaieteur because I could always say that my money would be better spent (in terms of distance and longevity) in going to one of the Caribbean Islands, it was cheaper to go to Trinidad (and stay for a week or two) than to go to Kaieteur and spend two hours.
My first visit to Kaieteur was in 2009, and if I could give up my day-job and become a guide for a tour company just so I could see Kaieteur every week, I’d do it, but then again, I like my job 🙂
This photo was resurrected from my files recently, I had taken three exposures for an HDR, and I decided to re-process those files and see what happens. It won’t be great (especially to enlarge it), it was taken with the Canon PowerShot S5 IS bridge camera with a Raynox 0.66x wide angle adapter attached, You can probably see some of the lens distortion at the edges.
This is my favourite view of Kaieteur (other than the views from the airplane, of course) This is known as Johnson’s View, it’s the furthest view from the falls and gives a beautiful view on the vista.
Definitely, click on the image here to see it better in the gallery.
Although Mashramani fell in the eight week of the year, I did not necessarily want to use a photograph from that event, fortunately I had gone on a walk with Nikhil around St George’s Cathedral and I had tried out an HDR, although it has some issues, I rather liked the outcome.
I was a mere four feet from the door, but other than standing in mid-air to get the shot, this was my only option. Although I did some correcting to the distortion caused by the Sigma 10-20mm lens (and the close proximity to the subject), I still got some distortion that I couldn’t get rid of.
My aim with this HDR, was to get the doorway, but also to get as much detail on the inside that I could. Nikhil wanted to go and adjust the mat, but I thought that the angle that it was at worked fine for me.
Oh, and as usual, I neglected to lug the tripod with me, so this was handheld.
There are some weeks when you have a number of photographs, many that are technically better than others, yet you keep going back to one in particular which, although not the best composed, or the best exposed, nor the best focused image, it seems to demand from you that extra bit of attention.
This image is one such image for me, I had a few that were better, nicer, prettier, more appealing generally, but this one I liked more. The focus was not on the “obvious” subject, and for that reason I almost decided not to use it, but it appeals to me, it is an image that says something more than the others that I took this week.
If it speaks to you, then I am happy, if it doesn’t, then I fully understand 🙂
Often enough, I happen to see a beautiful sunset when I’m in the middle of a housing area or similar, with lots of utility posts and wires mangling the view, or a very plain area with nothing of interest other than the sky itself.
Last week, it happened again, and as I was driving out I decided to stop at the closest thing approximating to a “nice” scene, and get a shot including part of the sunset that day. 🙂
This week’s photo is not a great one or even a good one in my opinion, but as I began writing this post, some news was delivered to me and the photo somehow seemed… appropriate.
Revealed in shadow
Recently my friend (if she permits me to call her that) Reshi, wrote a post titled “Colour me Pretty”, and it had me thinking about many things, one was the effect of darker colours on a photo, the effect of shadows and light in photographs as Nikhil so masterly does them, and about the duality of emotions, and the different faces that we show people.
This post is dedicated to Godfrey Chin, many or most Guyanese will know him as the prolific writer of his “Nostalgias”, he numbered them. I came to know Godfrey only in recent years, and he has made an impact on me. He did so much in his life that I think someone will have to write a Nostalgia about him. I don’t know enough to do that to any degree of adequacy.
I know of his costumes and “floats” for the Mashramani Celebrations during his more youthful days, and I saw a bit of his style when he did some decorating for a party, and as I explained to someone, it was all about the look, it was a façade just to give the impression of the intent and not to be something that lasts forever, just for that party for those moments, yet his “Nostalgias” were vastly different, trying to scour the depths of his memories of his times in Guyana and write them down for others to share and reminisce, trying to capture those, maybe not for eternity, but at least that they live on for some time more.
Godfrey Chin was found this morning at his home in Guyana, he died sometime this weekend. Stabroek News called him a “Social History Icon” and a “Culture Enthusiast”, both descriptions are possibly very accurate, but I can attest to the second one better.
Why did I think that this photo was somehow appropriate for him? like the pointer-broom in the photo, Godfrey would sweep up and tidy up his memories and give us the sparkling finished product as a “Nostalgia”, like the light and shadows, he would help to reveal aspects of the past hidden to one or the other; if it is too bright you can’t see clearly, nor if it is too dark can you see at all.
Godfrey had asked me to give him some photos for an exhibition he was to do this Mashramani, they are on my desk, but now he will never see them, he was a fan of my work, maybe because we both thought of ourselves as family, I am thankful for his encouragement.
Godfrey came into our office during the Christmas Season and made his rounds, had a few “gaffs” and before he left, dived into his bag, took out some gold tinsel and proceeded to further decorate our Christmas Tree.
For Godfrey Chin, may his soul rest in peace, and if Heaven has a Parade we know what he’ll be doing. In Godfrey’s words “Ya think it easy?”
There was a challenge recently in the Guyana Photographer’s FaceBook page, it was about silhouettes, while there seemed to be various interpretations on the theme, I noticed that not everyone had the same idea of a silhouette.
Although many dictionaries seem to have similar definitions, they usually go back to the original meaning, referring to “cut-outs”, the explanation that I like the best I came across on Wikipedia (yes, I know, not always the most reliable of sources, but its accurate here), “A silhouette is the image of a person, an object or scene consisting of the outline and a basically featureless interior, with the silhouetted object usually being black”. I think this explanation covers the idea of a silhouette regardless of the medium used to illustrate it.
This image I intentionally under-exposed when I took it to capture more detail in the sky and less in the foreground and objects between myself and the horizon, although I did under-expose I apparently didn’t do so enough since I still had to adjust the black levels to get what I wanted 🙂
Although the tree-line takes prominence in this image, the real interest is the child on the wall walking into the sunset. Intentionally under-exposing the photograph is one way I know of getting the silhouettes that we try for in images like this. Getting the right exposure is important, goodness knows I’m still trying with that, but learning when to over-expose the photograph and when to under-expose it can create those moments that are more memorable than an average exposure 🙂
The Walk Home
For a better look, click on the image to see it in the Gallery.
The final week of the year, and the final photo for the Deck Project for this year. This one I can say I like, it has been “edited” a bit in addition to the standard processing, I added a “purplish” gradient to the sky for effect.
Another year has ended, I am a bit disappointed with myself, and I think I need to refocus for the new year, I plan on restarting the Deck Project, it gives me a sense of purpose for my photography, so I wouldn’t want to stop it. I think that Nikhil may be re-starting his 365 Project that he did a year ago, I look forward to that.
As we end this year and look forward to 2012, I present a photo that I think represents many Coastland Guyanese, a typical afternoon on the coast, enjoying the winds of the Atlantic and just “Shooting the Breeze” (chatting, talking, gaffing!)
Monuments. That is basically what a tombstone or tomb-marker is, whether it’s a simple slab with a name on it or an obelisk, it’s a monument to the person interred, a reminder to the living of a person now dead.
These markers fade with time, and people forget, generations pass and the dead are lost to the living. Some are forgotten entirely, some are just names on a family tree. Do we all want to fade from memory like dawn fades to day, once there, once unique, never to be seen again, never to be remembered and referred to?
Most of us will do just that, but the few who are exceptional will live on as legends and icons of History. Whether we are remembered as tyrants or dictators, philanthropists or inventors, pioneers or adventurers, famous artists or infamous criminals depends on the decisions we make daily.
At times like this, when my thoughts stray to these realms, I remember two phrases from my early High School days. I attended St. Stanislaus College, it was a Catholic School before the government took everything over under early PNC rule in Guyana. Some things had remained as part of the teaching and tradition of the school.
The two phrases I remember were from different sources.
One was given to us as four letters to be written at the top of every page, I believe it was handed down from the Jesuits who taught at the school when it was a Catholic School; the letters were AMDG, a shortened form for Ad maiorem Dei gloriam, which meant “For the Greater Glory of God”, it was meant to encourage you to try to make everything you do, everything you say be geared towards that goal.
The second phrase was the school’s motto, Aeterna non Caduca, literally translated to “eternal non perishable”, but we were told that the motto translated to “Not for this Life, but for Eternity”. Whatever we do should not be just to have an effect now, in our lifetime, but for eternity.
Taken together they can be a driving force for a truly spectacular life, a life of meaning, unfortunately, not many would adhere to such a strict code.
Many people who happen to drop in to read my blog-posts are fellow aspiring photographers (in one way or another), we may never be an Ansel Adams or a Nick Brandt, a Frank Horvat or Mario Testino, an Irving Penn or a Steve McCurry, a Joe Rosenthal or a Don McCullin, an Henri Cartier Bresson or a Vivian Maier, but what we can do is aspire to show to anyone who will look, how we see the world through our eyes, our view-finders, our lenses, make them feel what we feel through visual stimulation (and if necessary a few words) 🙂
Can I do that? Can we do that? I don’t know, but I am sure going to give it a try!
Monument
This was taken during a photo-walk arranged by the Guyana Photographers Facebook group, lots of people thought it strange to arrange a walk in a cemetery 🙂
Click on the photo to see it larger in the Gallery.
The Michael Lam Collection's Blog 