St George’s Cathedral

On October 26, 2018October 26, 2018 By themichaellamcollectionIn thoughts4 Comments

This impressive edifice has likely been branded upon the memories of ninety per cent of all Guyanese (if not all), it stands centrally in the commercial district of Georgetown, encircled by roads and dwarfing most of its neighbours in size and in stature. It is probably one of the most photographed buildings in Georgetown alongside other buildings along what is called the Heritage Trail, which stretches from Parliament Building (which incidentally is where Anglicanism first began making an impact here, in the late 1700s the ground floor of a building on that site was used to hold services) all the way up Avenue of the Republic into Main Street and High Street, ending at the Umana Yana.

The current St George’s Cathedral is the second church to sit on that spot, the first not lasting very long due to structural faults and subsequent cracking, although there were plans for a replacement stone structure, a wooden building was settled upon using mainly local timber.

What makes a cathedral? Although most people tend to associate the term with grand structures in the Latin cross style, complete with naves and transepts, a cathedral is simply the church within a diocese that houses the seat of the Bishop, in this case the Anglican Bishop of Guyana. Guyana has two notable cathedrals, the second being Brickdam Cathedral or as it is officially known, the Cathedral of the Immaculate Conception (a Roman Catholic church).

The current building was opened in 1892, and is among the tallest wooden structures in the world, as well as often being called the tallest wooden church in the world. Over the decades there have always had to be major renovative and restorative works to the building. While it is an Anglican Cathedral, it is also a source of pride to all Guyanese, and as such we should all try to help in keeping it beautiful and maintaining it.

I remember during my high-school years, there was a massive drive to raise fund for its restoration, a specific memory centre around some pens that they sold, the pens were shaped like a large nail, I remember using that pen in school, and while my own faith is Roman Catholic and the school I attended was a former Catholic school, heading up my page with that pen meant something, especially when I wrote the letters “A.M.D.G” at the top of the page as I still did at the time; it was a remnant of the old school habits, St. Stanislaus College having been run by the Jesuit priests required the students to head the page with that, it stands for “Ad maiorem Dei gloriam” – For the greater glory of God.

St. George’s Cathedral is again currently in the middle of massive restoration project, this post contains some photos I took of it a few weeks ago. The northern face has been completed and is impressive in its finish, currently the western face / south western corner is being tackled. I understand that there is currently a short-fall of funds, and they are asking for any assistance to continue and complete the entire building, to restore its beauty, and preserve part of our national heritage.

All images copyright protected © Michael C. Lam (www.TheMichaelLamCollection.com)

All images taken with Canon EOS 6D | Canon 24-105mm

2015 Deck – Week 50

On December 31, 2015 By themichaellamcollectionIn 2015 Deck, Photography1 Comment

Not everyone believes in a supreme being, a creator of all that was, that is and that is to come; even fewer believe in the power of prayer to such an entity.

There are many religious beliefs and belief systems, but most followers in those believe in the power of prayer and in the idea that as humans we should choose to be good rather than evil.

I would never seek to force my belief upon another, express it, yes, try to explain it, maybe.

I dedicate this photo to those of my family and friends who have suffered this year, I hesitate to call names, but three stand out right away for me; from my alma mater, Saints Stanislaus College, I think that prayer and fellowship worked wonders, if not physically, then certainly mentally for people like Racquel and Dara, and hopefully for our friend Mercer. To all of you, stay strong, and even if you don’t believe in prayer, believe in the friends and family who are there for you every step of the way.

In tacitus volverem apparuit – 15-8945 | 2015

Click on the image to see it in the Gallery

2015 Deck – Week 37

On December 22, 2015 By themichaellamcollectionIn 2015 Deck, Photography1 Comment

Street photography is not something I pursue, but some days, you can’t help but see some scenes that seem worth taking a shot at. This was one of them; a bit busy, but I think it was worth the shot.

Canon EOS 60D | Sigma 17-50mm

Click on the image to see it in the Gallery along with other images from this year’s Deck Project

2015 Deck – Week 15

On July 14, 2015July 14, 2015 By themichaellamcollectionIn 2015 Deck, Photography1 Comment

Other than being in the Guyana Photographers’ Facebook Group, I’m also a member of a few other Facebook photography groups… one of them is the Guyana Mobile Photographers, which focuses on photographs taken with mobile devices, such as my phone. There was a suggestion of there being “challenges” for the members to push themselves, I had just walked out of the Cathedral of the Immaculate Conception on a Sunday morning when Avinash suggested to the group to use “worship” as the theme, I quickly ran back inside with the phone in hand to see what I could snap… I couldn’t believe my luck at this scene.

From the time I uploaded it I knew that I’d be using it as the Deck Photo for that week…

Samsung Galaxy S5 Mini Duos | Instagram

Click the image to see it in the Gallery, you can also check out how my experiment with mobile photography is going over on Instagram.

Every Tool

On August 28, 2013August 29, 2013 By themichaellamcollectionIn Photography, thoughts6 Comments

I’m not a purist; I don’t hold the belief that whatever JPG comes out of the camera is the reality that existed in front of the lens. I do, however, believe that there is a certain amount of “truth” in my photographic work. Friends and colleagues, other photographers and budding photographers in the Guyana Photographers’ Facebook group have heard me make the distinction between Processing and Editing many times. And I will briefly make it here again…

Since I shoot in RAW format, the camera does no processing to the file (whenever you shoot JPEG the camera applies certain adjustments to the image, contrast, brightness, etc.) so I have to Process it in software, often referred to as Post-processing. This usually involves adjusting sliders in a software like Aperture, AfterShot, Lightroom, LightZone, etc., things that are adjusted range from brightness and contrast, to hue and saturation, cropping, temperature, white balance, noise levels and more. Although this is usually applied over the entire image, some software allows you to do it to parts as well.

Where I draw the distinction between Processing and Editing, is when the image is altered so as to become a new image, distinct from the original in content. Simply put, if I add something or remove something from the original photograph, then it is no longer the same, it is now a work of graphic design, not only photography.

Do I Process my images? Always. Do I Edit my images? Sometimes. I’ve cloned out trash that otherwise marred the scene (the lone plastic bottle on a grassy stretch), but have often left in loads of trash because it was part and parcel of the scene. I don’t have anything against editing, but I don’t think its fair to call it a photograph after you’ve added in entire clumps of trees, removed several utility posts and added muscles to an individual… that is definitely in the realm of photo-illustration or Graphic Design.

I am also a big proponent of using every tool that you need to get the image that you saw with your eyes, and in your mind across to the viewer. Whether its special filters on the lens to get a mood or effect, an angled lens in the developer of a dark room to create a distorted view, using Black and White (Film or processing) for an aged or structured look, using long and super-long exposures for light trails or flowing water, external flashes and reflectors for extra lighting on a subject, gels and filters for colour enhancements, or even doing some of this on the software end, I am for it, but I believe in being true to the original vision as much as possible.

Fancy processing and editing is no substitute for a good original image. I am no expert or professional, many of my images come out of the camera looking very disappointing, and I often discard or simply not process them. Yes, you can “save” them, I have even done so on some occasions, simply because I believe that they were worth saving, but they had to have something good in them to begin with; a good composition, a relatively good exposure, and maybe even compelling elements to the composition.

I’ve rambled enough… time for a photo. This is one of those photos that I “saved”… The original was good, maybe better than good, but it was not what I wanted…. I wanted more detail in the sky, more of a structured appearance than the original coloured version, and (because of an architectural quirk) more symmetry.

Canon EOS 60D | Tamron 18-270mm | 21mm, 1/160s, f/7.1

I used Lightroom to create five different exposures from the original, each 2 stops apart in exposure, then I used Nik HDR Efex Pro to merge my new exposures and coax the detail I wanted from the overall scene, then I used Photoshop (I know, I’m a horrible person) to skew the perspective ever so slightly to gain some symmetry.

Although I did not add or remove anything, I normally would consider this edited since I used Photoshop to change the original proportions of the image, but in this case I’d let that slide 🙂

Click on the image to see it in the Gallery along with others in the Black and White series.

Goodbye Uncle Harry

On March 18, 2013March 18, 2013 By themichaellamcollectionIn Photography19 Comments

Growing up, my maternal grandfather was seldom seen in the congregation of the church, he was always at the back “helping out” Uncle Harry. I grew up knowing Uncle Harry as Uncle Joe, then others called him Harry, when I asked my grandfather about it he said that he is Harry Joe! You never question wisdom like that!

Uncle Harry would be there to open the church, he’d be there to close the church, he was the man to go to to get your weekly Catholic Standard, or the tickets for the next Festival of Carols. He would hand out the collection baskets to the people who would be needing them for each mass, and he’d have Bibles, Hymnals and other little books on sale too.

He was as grumpy as he was jovial. He was a New Year baby, born on the 1st of January, worked for many years at Banks DIH, from all the way back when it was known as D’Aguiar’s, and he worked at the Cathedral of the Immaculate Conception for as long as my memory serves, up until he was retired a few years ago.

After retirement from his duties in the church he’d try to attend either the early morning 6:00 am mass, or the next one at 7:30 am on Sundays, rain or shine, in his long pants, dress shoes, shirt-jac, umbrella, hat and his spectacle case and pen in his top pocket.

He died on Sunday 17th March 2013, St Patrick’s Day, at around 2am; it was his time. May his Soul Rest in Peace.

I had taken that photograph of him (candidly) two days before my own birthday in 2011, and he was sitting there staring towards this altar below:

Working With Wides

On January 11, 2013January 11, 2013 By themichaellamcollectionIn Photography12 Comments

Well, I wanted to say “Playing with a Wide-angle Lens”, but I couldn’t resist the alliteration. 🙂

The word wide is relative, so I’ll describe how I use the terms, these are probably not industry accepted descriptions, so don’t quote me 🙂 Your basic entry-level DSLR usually comes with a kit lens that has a range of focal lengths from 18mm to 55mm, this I consider to be a wide telephoto lens, at the widest end (18mm) you get a nice wide view and at 55mm you get closer to close up of the subject, I consider somewhere around 33mm (on the crop-sensors) to be somewhere around “normal” (mind you, I’ll be talking from the stand-point of an APS-C sensor or crop sensor, a full frame or micro-four-thirds is an entirely different scenario)

Since this is the standard kit lens that most people get, we don’t often see it as wide, so that’s when we go Ultra-wide.

My favourite wide-angle lens (OK, the only one I have in the Ultra-wide category) is the Sigma 10-20mm, this produces pleasing images for me, and I love working with it. You get some amount of distortion at the wider end (understandable) but this tends to be good in certain circumstances.

Often, in architectural photography, you can use wides and ultra-wides to capture more of the interior, and convey more of the sense of space and more of what encompasses the room.

At other times, you can use them closer to the subject to give an increased sense of distance, even accentuate the distortion by being close (do this with people’s faces, and you’ll get some weird effects)

I used the ultra-wide to capture the corner of this building (New Building Society), along with parts of the sidewalk and sky (and a pedestrian) 🙂

There are many things you can do with a wide, many of which I don’t do, I don’t normally put it right up to people’s faces and click, but I’ve seen those photos, and it’s a neat effect 🙂

What I did in this next image was to use the ultra-wide to adjust the sense of scale, I used a fire-hydrant in the foreground to dwarf a three-story building in the background. One thing that I liked about this shot was that I didn’t have to worry about electricity wires!

The best way to see what your wide-angle lens or your ultra-wide angle lens can do is to put it on the camera and go have fun. Sometimes it makes compositions tricky as it tends to include everything, even things you may not want, but like working with any focal-length, it’s up to the photographer to adjust framing and composition for these things.

I mentioned using wide-angle lenses for interior architecture, well I doubt if a tent falls under the category of architecture, but I suspect the engineers who came up with the idea for this tent would appreciate the use of the wide-angle for impact 🙂 And would you look at the view! 🙂

All images above were shot with the Sigma 10-20mm on a Canon body, Click on the images to see them in the Collection along with others in their respective Galleries.

2012 Deck – Week 17

On June 5, 2012June 5, 2012 By themichaellamcollectionIn 2012 Deck, Photography8 Comments

Fortunately for me, during the 17th Week of the year (or starting it, more precisely) was a mass celebrating the opening of the 56th Plenary Meeting of the Antilles Episcopal Conference in Guyana. Months prior to it, I was asked to help cover the event photographically, specifically the group photograph of the Bishops attending, while I usually don’t do portrait photos, I finally acquiesced to give it a try, and was permitted to call in some help.

I was fortunate to have helping me, for the mass coverage, four other photographers, who volunteered their time and expertise; Troy Parboo, Fidal Bassier, Derek Rogers and Joseph Lewis. I was truly glad for their assistance as I don’t do “people” and event photography too well, Troy and Fidal have had much experience in these areas and truly came through for me, and Derek Rogers has covered many events for more years than the rest of us combined, he also did my Wedding 🙂 Joseph came with less experience but much eagerness and a good knowledge of the proceedings that was invaluable.

It was agreed upon beforehand that the clergy of the church would prefer to have very few people “gallivanting” around the upper walkways, so I volunteered to be the one doing the running around (okay, I hogged it!)

This week’s deck photo I chose from that set. After taking a group photo of the Bishops, I ran across the road, hurried through the church and scampered all the way up to an overhead walkway that allowed a very high vantage point (Bishop Francis had expressed a desire to have a photo from up there after I had mentioned the view).

Although I have a liking for many of the others that I took, I chose this one for the Deck, it shows the High Altar of the Cathedral from above, with all the Bishops, Monsignor, Priests, Deacon and Altar Servers. It also shows a bit of the “Our Lady” altar behind, the passage (to the left) that I took around the altar and the pipes of the old Pipe Organ on the right.

Click on the photo for a better view in the Gallery, also in the album there are a few others from the event that I chose to share.

Ma

On March 25, 2012March 26, 2012 By themichaellamcollectionIn Commentary, Photography10 Comments

I can’t speak for others, I can only speak for myself, and I want to mention how I remember someone who died this morning. To me she was always Ma Cheong, not Mrs. Cheong, or Aunty Martha, but Ma Cheong.

For as long as I’ve known her in our parish community at the Cathedral, she has been a mother to many, her home (not her house) was always filled with young people, her children. Whether they were her own flesh and blood, adopted, fostered, or just happen to be there as friends, church member or passing through, she treated all the same.

Although she may never be immortalized in stone, she will live on in those she was a mother to, her ideals, her thoughts, her wisdom will shine through those that she imparted them to. To all of her children (and there are many of us who counted ourselves among them) I extend my condolences.

Like the statue of Our Lady that survived the fire which destroyed the original cathedral and now stands proudly at the Entrance to the current cathedral, I say to you her children and anyone who has known her, stand proud to have known and to have been loved by Ma Cheong.

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Please Click on the Image to see it larger in the Gallery.

2012 Deck – Week 8

On March 5, 2012March 5, 2012 By themichaellamcollectionIn 2012 Deck, Photography10 Comments

Although Mashramani fell in the eight week of the year, I did not necessarily want to use a photograph from that event, fortunately I had gone on a walk with Nikhil around St George’s Cathedral and I had tried out an HDR, although it has some issues, I rather liked the outcome.

I was a mere four feet from the door, but other than standing in mid-air to get the shot, this was my only option. Although I did some correcting to the distortion caused by the Sigma 10-20mm lens (and the close proximity to the subject), I still got some distortion that I couldn’t get rid of.

My aim with this HDR, was to get the doorway, but also to get as much detail on the inside that I could. Nikhil wanted to go and adjust the mat, but I thought that the angle that it was at worked fine for me.

Oh, and as usual, I neglected to lug the tripod with me, so this was handheld.