2014 Deck – Week 16


The evolution of each photographer never really stops, and by this I mean their knowledge of the craft, their view on what makes a good composition, their approach to colour, their use of tools… it is a process that each of us goes through, and it really doesn’t stop.

We may settle into a favoured style, and we may be known for things such as capturing facial expressions, or the use of colour in portraits, or known as a black and white street photographer, but often these are not things a photographer does to the exclusion of all else, but merely a focal point (pardon the pun) at a given period in his/her evolution as a photographer.

While I have read about this before, the realization was brought home to me when I was preparing images for my recent presentation at Moray House, and I went in a somewhat unexpected direction (for myself, anyway), I presented all black and white images of areas along Guyana’s coast, and I liked what I chose… I really did (although the worry was still there that no one else would like it).

So, after all that rambling, today I veer in the opposite direction, to an image that I think helps define how I think colour should be used in a photograph, not just to be there as part of the whole, but to make a point.


Canon EOS 60D  |  Canon EF40mm  |  1/100s, f/3.5, ISO100


Click on the image to see it in the Gallery along with other images from this year’s Deck Project.

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2 thoughts on “2014 Deck – Week 16

  1. Any time I hear anyone talk about composing with colour I always think of Saul Leiter. A lot of people think composing with colour means smashing as much colour into a frame as possible, but that isn’t it. Like in this photo (and Leiter’s) the colour is used to tell the story. And while it isn’t always about prettiness, you have managed to combine the story and the prettiness in one frame. Well done.

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