Photography; I shoot what I like, and sometimes people like what I shoot. All photos are copyright to Michael C. Lam unless explicitly stated otherwise.
I was wondering why I found this particular photo appealing… not great, just appealing… then realized my eyes kept following the branches all over the place like a maze, or one of those optical illusion drawings that keep looping back impossibly onto itself.
It’s just a tree, one that was uprooted on the seawalls, and even though the roots are above ground, it just refuses to die 🙂
Canon EOS 60D, Sigma 10-20mm | 10mm, 1/160s, f/8.0, ISO 100
Click on the image to see it in the Gallery
Whether it is the soft roar of the waves as they rush to shore, the melodic crash as they break upon the rocks along the seawall or the almost deafening calm that engulfs you when the tide is at its lowest, there is a serenity that reaches deep within and soothes like a herbal balm, and sets your mind, your soul, your very being at ease.
I remember the afternoon I took this, there was a girl walking a dog along the seawall, a few boats were moored at the usual spot near the Lusignan/Anandale outflow canal, my daughter and her cousin were playing among the rocks, then later they played on a swing (old tyre on a rope), the tide was so far out that it would take quite some time to walk to the tideline, I was out there hoping for a nice sunset or interesting clouds to make a good scene… I took quite a few photos, this one being among the earliest, not because it jumped out and screamed “take me”, but just because I was there, the scene was there and I felt like shooting something… it happens sometimes.
Revisiting the image after two years, I saw the potential that my subconscious saw… or I only now have a different detached perspective on it, whichever excuse works for you, I think I finally got what the scene was saying to me. 🙂
Canon EOS 60D, Tamron 18-270 | 84mm, 1/160s, f/5.0, ISO 160
Click on the image to see it in the Black and White Gallery, that gallery now holds quite a number of my monochromatic images that I am very fond of..
The evolution of each photographer never really stops, and by this I mean their knowledge of the craft, their view on what makes a good composition, their approach to colour, their use of tools… it is a process that each of us goes through, and it really doesn’t stop.
We may settle into a favoured style, and we may be known for things such as capturing facial expressions, or the use of colour in portraits, or known as a black and white street photographer, but often these are not things a photographer does to the exclusion of all else, but merely a focal point (pardon the pun) at a given period in his/her evolution as a photographer.
While I have read about this before, the realization was brought home to me when I was preparing images for my recent presentation at Moray House, and I went in a somewhat unexpected direction (for myself, anyway), I presented all black and white images of areas along Guyana’s coast, and I liked what I chose… I really did (although the worry was still there that no one else would like it).
So, after all that rambling, today I veer in the opposite direction, to an image that I think helps define how I think colour should be used in a photograph, not just to be there as part of the whole, but to make a point.
Canon EOS 60D | Canon EF40mm | 1/100s, f/3.5, ISO100
Click on the image to see it in the Gallery along with other images from this year’s Deck Project.
The Michael Lam Collection's Blog 