Walkabout

Just a photo.

I’ve had it processed for about a month now, but after waiting for the right words to say, I figured I’d just share it 🙂


Canon EOS 60D, Sigma 10-20mm  |  2016


Click on the image to see it in the Up East Gallery, along with some other choice images  🙂


Yakarinta

I generally don’t do many Panoramas, this is probably the first in a very long while, but there was this vista before me, and I wanted to remember it.

This is a combination of 17 individual portrait oriented images, they were taken from left to right, from the hill overlooking Charlie’s Place at Yakarinta.


Yakarinta 16-1875-1891  |  Composite Panoramic Image of 17 individual images

Canon EOS 6D, Canon 24-105 L  |  2016


Click on the image to see it in the Gallery


Coastal

Just a photo.


Lusignan, East Coast Demerara, Guyana.

Click on the image to see it in the Gallery.


Homeward Bound

A photo taken from a moving vehicle of a tree standing against the mountain backdrop.

Nothing special, just that I liked it 🙂


Homeward Bound 16-1649  |  Canon EOS 6D, Canon 24-105L  |  2016


Click on the image to see it in the Black and White Gallery

Whither We Wander

I’m not sure what it is, but I sometimes sit and wish I were back on the trail, out in the open with a dust cloud behind me, potentially unseen or unphotographed vistas before me, a cold beer in my hand and the wonder of creation to explore.  I’m a town-man, I doubt I’d survive too long out there… but the calling is there.

Here’s a scene from Kato 🙂


Whither We Wander 16-1652  |  Kato, Potaro-Siparuni, Guyana  | 2016


Click on the image to see it in the Gallery


At Day’s End

I don’t want to be the one telling you a story in words, I want to be the one telling you a story in a photo, but who’s story is it?

Are you seeing and interpreting the scene in the same way I do?  Does it matter?

The photograph as it was taken tells one story, what that story is may be entirely up to the viewer, after I have processed it, there are some subtle and some not so subtle changes to the finished image (not edited, nothing has been taken out or added), in this manner, I hope to direct the line of thinking in a certain way, whether it works or not is another matter, but in this way I am interpreting the scene my way, and lending to it my feelings; how the viewer sees it is still up to the viewer.

Many people take scenes literally, others concoct long tales based on the elements in the frame,  others may just have an emotional reaction but not know precisely why;  if it affects you, then I am happy.


At Day’s End – 14-3289  |  Lusignan, East Coast Demerara  |  2014


Click on the image to see it in the Gallery along with other images in the Black and White Collection.


Spray

I like my camera, whatever it happens to be at the time, and I think I care it as I would any piece of equipment I use regularly.  I’m not one of those photographers who treats it like a paper-thin piece of porcelain; its a camera, something I use, but I have to tell you that when it comes to salt water, I get a little nervous.   I like the waves at the seawall, I enjoy the spray on my face, and the sound of the crash upon the rocks.  I really love some of those amazing photos of the waves towering over the wall (I don’t like the resulting flooding though), but I am very hesitant to be anywhere near the actual water with my camera, and since I like my seascape photos to be wide, getting a good photo would mean being right up there in the spray, so for now, I’ll just keep being cautious and get the ones I’m comfortable with 🙂


Spray 14-3416  |  Canon EOS 6D, Canon 24-105mm  |  Thomaslands, Georgetown, Guyana  |  2014


Click on the image to see it in the Seawall Gallery