Out There

Some thoughts on the photographic process.

For me, the Photographic Process encompasses several stages, some think of it as simply taking a photograph with a device such as a camera or a phone, but I’d like to just mention the stages that I consider part and parcel of the Photographic Process, all of this just to speak specifically about one part that has to do with some of my black and white images.

The photographic process begins with the Photographer’s Eye, seeing that which is intended to be captured, since we all see things differently, this first part starts the differentiation of one image from the next and “my image” from “your image”.  Secondly, our camera adjustments, for many this is done using the automatic settings, but for others it may entail making several adjustments to modes and setting values for shutter speed, aperture and ISO;  these settings are usually determined by the lighting conditions and the desired “look” of the resulting image.  Next comes the composition, determining what to include in the frame, what to exclude, and a variety of other compositional techniques.  Then we click the shutter button.

In our current digital age, this is usually the end of the process, it gets shared on social media, etc., some may pass the image through a simple software for preset filters etc before sharing.  For photographers, this has only been half the work, the next stage is to process the image, depending upon the ultimate use of the image this can be done in a myriad of ways; for me, I seldom do weddings or portraits, so generally the image is intended as ”art”, yes, it sounds pretentious, but that’s what I usually intend, so I would often process the image through Adobe Lightroom, and for many of my black and white images, I also use DXO Nik Silver Efex for the black and white processing.  Once the image is processed to my satisfaction, it is then shared to my site or to social media.  For me, however, the process ends at another stage, when I actually have the image printed.

Out There - 14-5265
Out There – 14-5265 | Oniabo Lusignan, East Coast Demerara, Guyana | 2014

The size of the printed image is usually limited by a few factors, including the size (usually in megapixels) of the original capture, the content of the frame (composition) and the type of processing done to the image.  Some of my black and white processing can result in things that would not look well if printed large, such as today’s image.  I used a high contrast process and worked to heighten the structure and clarity of the image, in so doing there is a resultant “haloing” in existing high contrast areas of the image, when enlarged this can lend the impression that the image was “edited” that portions were spliced in, when in fact they were not.  So, in short, I most likely would not print this image large, possibly 16” x 24”’ as the largest print, this would retain the integrity of the image for me.

This is not a new photograph, it lay unprocessed in my files since 2014, I went scanning through the archives again this morning and spotted it, wondering why I never processed it (as usual).  It is not the latest addition to the Oniabo Collection.

Click on the image to see it in the Gallery along with other images in the Black and White album.


Presbytery

Not much of a blog post really, just a few photos of the old Presbytery building of the Cathedral of the Immaculate Conception, Georgetown, Guyana.

I think they began tearing it down this year (or it may have been last year, I don’t recall exactly), just the small portion to the back remains now.





Click on the images to see them in the Gallery.


At Day’s End

I don’t want to be the one telling you a story in words, I want to be the one telling you a story in a photo, but who’s story is it?

Are you seeing and interpreting the scene in the same way I do?  Does it matter?

The photograph as it was taken tells one story, what that story is may be entirely up to the viewer, after I have processed it, there are some subtle and some not so subtle changes to the finished image (not edited, nothing has been taken out or added), in this manner, I hope to direct the line of thinking in a certain way, whether it works or not is another matter, but in this way I am interpreting the scene my way, and lending to it my feelings; how the viewer sees it is still up to the viewer.

Many people take scenes literally, others concoct long tales based on the elements in the frame,  others may just have an emotional reaction but not know precisely why;  if it affects you, then I am happy.


At Day’s End – 14-3289  |  Lusignan, East Coast Demerara  |  2014


Click on the image to see it in the Gallery along with other images in the Black and White Collection.


Spray

I like my camera, whatever it happens to be at the time, and I think I care it as I would any piece of equipment I use regularly.  I’m not one of those photographers who treats it like a paper-thin piece of porcelain; its a camera, something I use, but I have to tell you that when it comes to salt water, I get a little nervous.   I like the waves at the seawall, I enjoy the spray on my face, and the sound of the crash upon the rocks.  I really love some of those amazing photos of the waves towering over the wall (I don’t like the resulting flooding though), but I am very hesitant to be anywhere near the actual water with my camera, and since I like my seascape photos to be wide, getting a good photo would mean being right up there in the spray, so for now, I’ll just keep being cautious and get the ones I’m comfortable with 🙂


Spray 14-3416  |  Canon EOS 6D, Canon 24-105mm  |  Thomaslands, Georgetown, Guyana  |  2014


Click on the image to see it in the Seawall Gallery


Discovery

– 1499 –
Imagine that somewhere on the horizon is a line of three Galleons…
okay, fine, Galleons are more impressive looking, but we’ll revert to the truth;
there’s a line of Caravels, three of them, heading from the north-west, somewhere where the clouds disappear into the distance.

If you grew up as I did, you were taught that many of “our” countries were discovered by that fellow Chris, but the leader of that flotilla on the horizon was not Chris, but Alonso.

If you can see the flotilla, imagine now that one of those caravels has separated and is heading our way, in a more south-easterly direction along the coast, the remaining two are heading further west and stopping at the mouth of the Essequibo;  Alonso is now the first European to be recorded as seeing and touching our shores… and in that south-easterly heading caravel is Amerigo, who is on his first voyage (second, if you believe a disputed letter), and it is after this explorer that the joint continents of “America” are named.

As for that fellow Chris, this voyage by Alonso, his pilot Juan and navigator Amerigo quite displeased his followers, which resulted in quite a fracas in Hispaniola 🙂

If you stand on our shores and stare toward the horizon, you will not now see those caravels, but in the wake of those voyagers, using the trade-winds and ocean currents, are many ships; and I wonder, what are those sailors thinking as they look towards land?  Are they thinking of those days of discovery?  Are they thinking of the journey home?  Do they see the stars as did those long-ago conquistadors did?

I was processing this image when thoughts of the actual “discoverers” came to mind, hence the long messy thought process above 🙂


“And both that morning equally lay

In leaves no step had trodden black.”

Robert Frost – The Road not taken

Canon EOS 60D, Sigma 10-20mm  |  Kingston, Georgetown, Guyana


Click on the image to see it in the Gallery


Chimney

I’ve taken a few photos of the Chateau Margot chimney over the years, but I’ve always been looking for better ones, something less “touristy”or “documentary” and a little more towards the artistic side.

I think I finally got one, of course, as things happen I took it after the Guyana Visual Arts Competition was already closed to entries, so I just put it aside and left it there… now, a year and three-quarters later, I am sharing it.

This one is special, it is one of those images that I loved as soon as I pressed the shutter button, I even knew how I’d be processing it in the end, which I didn’t for almost a year… It has been one that has always been in the back of my mind to use, but just never found the right time.  I hope you like it.


Chateau Margot – 14-6542  |  Canon EOS 60D, Sigma 10-20mm  |  Chateau Margot, E.C.D, Guyana


Click on the image to see it in the Gallery along with many other Monochrome images


500

The Art of Photography and Photography as Art


2015 – Canon EOS 60D, Sigma 10-20mm


This blog post is a milestone of sorts, it marks my five hundredth blog post.  It began on a sad note, with a photo from my maternal grandmother’s funeral, it has been more of a photo journey rather than a photo blog, more about myself and the photos than about the photos themselves I suppose, so it’s rather like a journal…almost… of sorts.

On this journey I’ve learnt a lot, with still much more to learn, I’ve met many other people with a passion for photography, and many who love to look at beautiful imagery.

I have learnt that there is a difference between the Art of Photography and Photography as Art, and I believe that it is a realization that comes to most of us who pursue it with an aim for creating “art”.


2010 – Canon T1i, Sigma 18-270mm


It sounds presumptuous even to my own ears to refer to anything that I produce with the camera as “art”, but people like my friend Nikhil would thump me behind the head for even saying that.  Not everything I take can be considered as art, so I humbly submit that I have a few that may be taken into consideration by those who are more knowledgeable than myself and more in-tune with the art world to be judged and pronounced as art.

Nikhil would also tell me that I have had work exhibited once at the National Gallery of Art (Castellani House) and have also been among the finalists in two of the recent Guyana Visual Arts Competitions, so I can’t get away with trying to play modest about being called an “artist”.


2011 – Canon Rebel T1i – Tamron 18-270mm


I began as most of us probably did with learning to use the camera and just snapping away at anything and everything that caught my eye.

After a while it began to be more important to learn and understand the art of photography, to understand how light plays an important part, where paying attention to composition results in a much better photo of the same subject.  The art of photography is to know your camera (whether it’s a mobile device such as cellphones or a larger DSLR) to learn what it can and cannot do, and to know how to use it to accomplish what you want.  Like any craftsman worth his salt, the art of the craft is the union of the person and the tools at hand.

It is good to learn different techniques, different approaches, different styles; that can be part of your arsenal, but it need not define the photograph you take.


2012 – Canon T1i, Tamron 18-270mm


The photograph is an extension of your self, it is a product of your own thoughts and skills, when the photograph stops being just a snapshot and becomes an expression of an idea, a concept, more than just a moment frozen in time, then it is possible that you have created a piece of art.

Photography as Art has to be more than just a pretty photo of a pretty scene or even a technically perfect photo of a dilapidated house, for a photograph to be Art it should have soul, it should convey an idea, elicit a reaction from the viewer, it has to be seen, talked about, appreciated or ridiculed even.


2013 – Canon EOS 60D, Tamron 18-270mm


Not many of us in Guyana can successfully claim to be original in our photographs, most of it has been done before and by better artists than ourselves, Photography as an Art has to overcome the fact that everyone now has access to a device that captures images, and in the maelstrom of images swirling around the internet we have to produce a piece that stands out, that makes people stop and look, but also to have them remember it afterwards, to recall it and speak about it.

Art is subjective, that’s basically saying that beauty is in the eye of the beholder, and it is not enough for the creator of the piece to want it to be art, the viewer has to appreciate the piece, not necessarily from the perspective of the creator but from how it affects them.


2014 – Canon EOS 6D, Canon 24-105mm


All the images in this post are “new to you”, they are from the six years than span this blog, 2010 to 2015, one from each calendar year.  I went through the files looking for images that I have overlooked, or just not processed,  not looking for any subject in particular, but for images I think worth processing, worth sharing and reflect what I would like to show others.

I hope that at least one strikes your fancy.

Click on each one to see them in their respective galleries in the Collection.  Thank you for being a part of my journey so far.


Men at work

Psychologists and psychiatrists make big deals out of “association”…

I saw this scene and thought to myself that the reflective safety vests reminded me of the song YMCA by the Village People, then that led me to thinking about Men at Work, the band that sang “Land Down Under”… do you think the pipes being put “under the ground” is an inference as well?

Don’t know what psychologists or psychiatrists would make of me, but for now I’ll avoid seeing any.  and I should probably avoid the Canje area for a little while too 😀

This isn’t a great photo, but ever since I took it I’ve been thinking that I still like it for some reason… so I finished the processing and uploaded.


Canon EOS 60D, Sigma 17-50mm  |  Uncomposed moving shot.


Click on the image to see it in the Gallery.

My Jhandi addiction

I was going through a few photos from last year, and I can across a set that I had not processed, and I thought “no one wants to see another Jhandi flag photo”… but I couldn’t resist it, I just had to choose one of the set and process it.

There’s just something about a flag fluttering in the wind that draws the attention… who am I fooling? Even when it’s hung limp with the wind abated I’d probably still take a photo.

This one appealed to me because of the contrast that the rich red flag had against the sky, the line of the seawall and it’s curve towards the koker made it a better composition than just a plain flag 🙂

OK, yes… I did seriously think about doing it in BW (still pondering it) but I rather like this version 🙂


2014  |  Canon EOS 60D, Sigma 10-20mm  |  Ogle, East Coast Demerara, Guyana


Click on the image to see it in the Gallery along with other images from when I’m “Out and About”


Pear on the Pavement

Last year, I walked a short distance from my office to see what I could snap for International Street Photography Day, I had used one of those images and posted it on my site.  Yesterday, Fidal was asking if I had ever used the Canon 40mm pancake lens on the Canon EOS 6D, I knew I had, but couldn’t remember the circumstances… and it turned out that on that short walk I did use that combination, as I was checking the images, I decided to process and share a second one of those… same scene different take on it (much much closer to the subjects)


Canon EOS 6D, Canon 40mm


Click on the image to see it in the Gallery