I am scheduled to do a presentation of some of my select works on October 9th at Moray House (part of the Moray House Trust’s foray into encouraging local photographer to express their vision of their art), and I am very nervous about the whole thing, I am not sure what to say.
I often don’t mind sharing my work, but to talk about it makes me feel queasy; I’m usually afraid I’ll either come off as not knowing what it is I’m talking about, or as being pretentious, trying to pass off what I do as “art”…
But, I’ve committed to it and I’ll either make a complete mess of the whole thing or come out the other end, not much worse for wear 🙂
The title I chose for my Seascape collection is “Oniabo”, an Arawak word meaning water, I’ve decided to use an extended version of this title for this presentation at Moray House, which will include most or all of the 6 photos in the Oniabo series as well as other images at the seawall.
That being said, the photo I offer for this week was one under consideration to be part of that presentation, but was subsequently side-lined. Although it in no way resembles Hiroshi Sugimoto’s work, it reminded me that Sugimoto’s Seascapes collection is the reason I had decided to begin a Seascape project in the first place,
Sugimoto begins his description of his series like this:
Water and air. So very commonplace are these substances, they hardly attract attention―and yet they vouchsafe our very existence.
My seascapes invariably often include some “land” or earth (a third element?), but this one I titled “Born of Air and Water” as a reminder to myself of Sugimoto’s words.
Canon EOS 60D | Sigma 10-20mm | 10mm, f/4.0, ISO100
Click on the image to see it in the Gallery along with other images from this year’s Deck Project