Sons of Stribog

For most people who have followed my photography for any time, they know that I have a penchant for seascapes, and especially for high contrast black and white images of those scenes. This one falls right in to those. As a matter of fact this one is the latest addition to the ongoing Oniabo series of such images.

This was taken with the Canon 60D using a Sigma 10-20 ultra-wide angle lens, this combination was my favourite; I had gotten quite attached to it, quite familiar with the ultra-wide aberrations that I could use to advantage, and I even became quite fond of some of the softness I got from multi-layered scenes.

My processing is by no means unique, and I have no secrets about it; this one was cropped ever so slightly to adjust for the horizon, it was processed in Lightroom for brightness, contrast, texture, etc., then I took it into DXO’s Nik Silver Efex for the final black and white treatment, using a High Structure harsh approach with some localised adjustments in the sky and near the koker (sluice), with a red-filter applied for the darkening of the sky. Nothing was added or removed (aka Edited), just processed for the final look.

Sons of Stribog – 20-7135 | Abandoned Koker, Lusignan, East Coast Demerara, Guyana. 2020

…the winds, the sons of Stribog, blew as keen daggers.
The earth groaned, the waters thickened, a pall of mud
lay over the fields and the very folds of
Igor’s standards shook in agony.

The Tale of Igor’s Campaign

Those kokers that just sit there off the shoreline always fascinate me, they remind me that our shoreline was once further out, and that mother nature (or the Gods, whichever ones you care to blame for it) has reclaimed it. The quote above is from a Slavic poem, the mention of the winds, the Sons of Stribog were synchronous with the look of this image, with the seemingly forceful dispersal of clouds by the winds. Weird associations and thoughts often happen with me 🙂

Click on the image to see it in the Black and White Gallery, along with many other images there. Keep Shooting!

Walkabout

Just a photo.

I’ve had it processed for about a month now, but after waiting for the right words to say, I figured I’d just share it 🙂


Canon EOS 60D, Sigma 10-20mm  |  2016


Click on the image to see it in the Up East Gallery, along with some other choice images  🙂


Boats at Better Hope

Once in a while, I’m fortunate to be on a PhotoWalk with some fellow photographers, last Sunday was one of those days, and while I think my total take in terms of absolute exposures for the afternoon was about 30, I think I came away with about three photos that I liked, and more that are usable, and that’s a good percentage for me.

This one I chose to share as a blog post rather than in the group album, in which I have shared two others 🙂


Boats at Better Hope – 17-3100  |  Canon EOS 60D, Sigma 10-20mm  |  2017


Click on the image to see it in the Black and White Gallery in the Collection.


© Photograph copyright to Michael C. Lam, all rights reserved.

The Deacons’ Dozen, plus one

 

I don’t do event photography usually, primarily because its not my style, but also because there is less control than, say, a wide open scene on the coast where everything is in its place and nothing’s about to jump in front of me and suddenly obscure the shot.  And it seems that often when there is an important event that I do concede to shoot, there’s some dude in a hot pink shirt who just does not understand “space” limitations and to respect the other people also doing a job there (although I seriously doubt they were ever there “doing a job”).

OK, digression aside, I don’t do Events because I want to capture every moment, and I want every one to be good, but that just isn’t possible, and with my style of shooting, very much next to impossible to satisfy those expectations.

I recently took some photographs at the Ordination to Deacon-hood of Berchmans Devadass & Joel Rathna at the Cathedral of the Immaculate Conception, Brickdam, Georgetown.  I did process some 82 images to give over to the Diocese, but at the end of doing so I was not happy, so I then pared those down to 12 images, that would more reflect the moments I would chose to share and would be more in keeping with my particular style of photography.

The full set is on my Facebook profile, but I wanted to share the set I chose, which I named the Deacons’ Dozen, over on my site here.

And just to be difficult, instead of just having the 12 chosen Black and White images, I also added one extra; I had left one image back to process separately, this one is in colour.  I had noticed at one point during the Bishop’s address that the sunlight had began to stream into the western windows of the cathedral, so I left my spot and went to the rear of the altar to capture that and as much of the rest of the scene as possible.  (Chronologically, it falls in the middle of the other images in the set.)


Untitled – 17-3077  |  Canon EOS 60D, Sigma 10-20mm  |  2017


Click on the image to see it in the Gallery, also in the Gallery are the 120 Black and White Images of the ceremony that I called the Deacons’ Dozen.


Exposed Coast

Being on the northern coast of South America… I suppose that’s what we have… an Exposed Coast… facing the mighty Atlantic Ocean.  Luckily for us, hurricanes never seem to come close to shore here… Smile


Exposed Coast – 13-0514  |  Canon EOS 60D  |  Sigma 10-20mm  |  2013


Click on the image to see it in the Gallery.


Tower

Back when it was still called Hotel Tower.

There has been a Hotel with the word “Tower” in its name on this spot for more than a century.  I can’t find enough online historical evidence, but before the current name “Tower Suites”, it was the Hotel Tower for many years, and prior to that it was the Tower Hotel.  I saw an 1909 Ad that claimed that “The Tower is the oldest and Best Hostelry on the Northern Coast of South America”.  🙂

Hotel Tower  |  2009  |  Canon EOS Rebel T1i, Sigma 10-20mm


Click on the image to see it in the Gallery.


Big Sky

I wonder… when the old poets and song-writers wrote of the wide-open spaces in the Wild West if they resembled the savannahs and mountainous areas of our own Guyana in any way…

It’s probably hard to imagine, but I used a wide-angled lens on this, cropped slightly on the left for composition purposes.  I figure unless you’re standing there you wouldn’t feel it…

Those are two small trees on the hillside (mountaintop) and all around them are rocks of varying sizes and the tough mountain grass that grow between the rocks in the hard top-soil.  And just a large expansive sky above.  The scene was bathed in the after-noon sunlight.


Big Sky 16-1679  |  Canon EOS 60D. Sigma 10-20mm  |  2016


Meanwhile, in the opposite direction, looking more West, it was a bit more cloudy, but with the sun still glaring through the clouds, and the valleys and mountains rolling into the distance.  Same Camera, same lens.  🙂


Big Country 16-1677  |  Canon EOS 60D, Sigma 10-20mm  |  2016


Click on the images to see them in their respective Galleries.


Jhanda

Possibly the last post of the year.   It seems that there will often be Jhanda (or Jhandi flags) in many of my compositions, that’s because they’re like Kiskadees on Guyana’s coast, everywhere!


Jhanda – 16-2644  |  Canon EOS 60D, Sigma 10-20mm  |  2016


Click on the image to see it in the Gallery


The Sea

Every time I say something about the Sea, I have to wonder how many people think about the fact that what we see beyond our shores is not a sea, but an ocean…  but it would sound really silly calling the barrier the Ocean-wall.

Anyway, back to my fascination with the sea (or ocean) and our coastline, here’s a photo 🙂


Sea – 16-2637  |  Canon EOS 60D, Sigma 10-20mm  |  2016


Click on the image to see it in the Black & White Gallery along with many other Black & White images in my collection