Tag: water

Yellow

On By themichaellamcollectionIn Photography1 Comment

I had started processing this photo about two weeks ago, then left it off.  I had cropped, rotated, and dropped the saturation a bit, but wasn’t satisfied.  I pulled it up this morning, tweaked the highlights a bit and decided that it was done… that simple!  Sometimes, all it needs is a little time 🙂

I noticed these at the side of the trench when I parked my vehicle, they were lower than the road, and the side of the trench was slippery, so I couldn’t get a foothold to get down to the level I wanted, so I adjust my settings on the camera and held it down to try to get the composition I wanted… never got the perfect one, and quite  few were unusable, but this one I liked (after rotating to correct my badly angled dangling camera  🙂

Click on the Image to see it in the Flora Gallery in the Collection

2013 Deck – Week 10

On By themichaellamcollectionIn 2013 Deck, Photography, Seascape3 Comments

My priorities in life must most definitely be askew, since I seem to have less time for photography than ever before…  But even if I have to take a photo of the same thing every week, I will finish this project  🙂

As I was driving along the seawall, I noticed the white-capped waves as they rushed to shore and thought to just stop and catch a few.  It was a bright afternoon, but lacking any fancy filters or gadgetry I thought that I’d just bring out the focus of my intent in post-processing.

I used an orange filter in Post-processing to deepen the hue of the sky and emphasize the white caps of the waves.

Click on the image to see it in the Gallery.

2013 Deck – Week 06

On By themichaellamcollectionIn 2013 Deck, Photography2 Comments

I was taking some photos out by the seawall at Lusignan, and although I think I came away with some nice ones, there was one that I really wished I had taken a different approach to.  I saw a dramatic sky behind a stand of Jhandi flags, and I took a few photos, then moved on, then the thought struck me that I should have tried multiple exposures for an HDR.  By that time it was a little late since the clouds had changed significantly.

When I downloaded my images I was still struck by that scene so I decided to try an Pseudo HDR Technique on it, and this was the result.

Click on the image for a better view in the Gallery

2013 Deck – Week 05

On By themichaellamcollectionIn 2013 Deck, Photography1 Comment

Maybe it’s because I am a coast-lander that I feel the draw of the sea, but I keep going to the seawalls, if not for a photograph then just to feel the breeze, and hear the sounds of the waves.

This photo was taken at Ebb Tide, when the tide was beginning to recede from the shores, and as I stood there I could feel the wind around me, hear the sound of the waves as the crashed upon this rock and smell the salt in the air (which was probably not good for the camera)

As always, click on the image to see it in the Gallery

A walk on the beach

On By themichaellamcollectionIn Photography12 Comments

A few Fridays back, I joined a few other photographers on a walk down to the large jetty (pier/groin) that marks the end of the Kingston seashore and the beginning of the Demerara River mouth.

As with all walks with photographers you go hoping to come back with a good image, or even a great one, yet when I downloaded my haul I was very disappointed, maybe I was hoping for too much.

Does this mean that the walk was not a success?  No.  It was what it was… a walk on the beach.  To be with friends, people with a similar pursuit, and enjoy the conversation, the breeze… that was enough.

All the photos were not horrible, but not jumped out at me, yet I decided to process at least one to make a show of reaping something from the toil of the harvest.

As I look at the image I processed, I wonder if this scene will get worse or better with the development of the new Hotel on the seashore.

Click on the image to see it in the Gallery along with other Seawall related photos

A Good Photo

On By themichaellamcollectionIn Commentary, Photography, thoughts6 Comments

For my Deck Photo last week I used a black and white image of a bird walking across a wet expanse, one of my friends and fellow photographers told me that she didn’t like the photo, because it made her feel sad and lonely

When she told me that she didn’t like the photo, I was a little disappointed to tell the truth, but when she told me that it was because it made her feel sad and lonely, I was elated.

One of the things that makes a good photograph is the conveyance of some sort of emotion to the viewer.  For most photos, we look at them and move on, it was a photo of a sunset, or a flower, or an insect, or a door, or a building, or a bird, or any other subject you can think of, but when someone can say that a photo of mine made them reminisce or feel happy or sad, of any other emotion, then I feel that the photo was not only good, but better than I’d hoped for.

Each photo has the potential to reach past the optics of the viewer and into their emotions, when it does, then the photo was worth taking, it was worth the pixels that were spent on it, and the time it took to take and process.

None of these photos are new, but each one has had an emotive response from a viewer, it may not do it to everyone, but to me, that is what makes photography a challenge, to reach into as many of the viewer’s hearts as possible, but to even reach one, is usually enough for me.

As usual, click on the images to see them in their respective Galleries in the Collection.

Working With Wides

On By themichaellamcollectionIn Photography12 Comments

Well, I wanted to say “Playing with a Wide-angle Lens”, but I couldn’t resist the alliteration. 🙂

The word wide is relative, so I’ll describe how I use the terms, these are probably not industry accepted descriptions, so don’t quote me 🙂   Your basic entry-level DSLR usually comes with a kit lens that has a range of focal lengths from 18mm to 55mm, this I consider to be a wide telephoto lens, at the widest end (18mm) you get a nice wide view and at 55mm you get closer to close up of the subject, I consider somewhere around 33mm (on the crop-sensors) to be somewhere around “normal” (mind you, I’ll be talking from the stand-point of an APS-C sensor or crop sensor, a full frame or micro-four-thirds is an entirely different scenario)

Since this is the standard kit lens that most people get, we don’t often see it as wide, so that’s when we go Ultra-wide.

My favourite wide-angle lens (OK, the only one I have in the Ultra-wide category) is the Sigma 10-20mm, this produces pleasing images for me, and I love working with it.  You get some amount of distortion at the wider end (understandable) but this tends to be good in certain circumstances.

Often, in architectural photography, you can use wides and ultra-wides to capture more of the interior, and convey more of the sense of space and more of what encompasses the room.

At other times, you can use them closer to the subject to give an increased sense of distance, even accentuate the distortion by being close (do this with people’s faces, and you’ll get some weird effects)

I used the ultra-wide to capture the corner of this building (New Building Society), along with parts of the sidewalk and sky (and a pedestrian) 🙂

There are many things you can do with a wide, many of which I don’t do, I don’t normally put it right up to people’s faces and click, but I’ve seen those photos, and it’s a neat effect  🙂

What I did in this next image was to use the ultra-wide to adjust the sense of scale, I used a fire-hydrant in the foreground to dwarf a three-story building in the background.  One thing that I liked about this shot was that I didn’t have to worry about electricity wires!

The best way to see what your wide-angle lens or your ultra-wide angle lens can do is to put it on the camera and go have fun.  Sometimes it makes compositions tricky as it tends to include everything, even things you may not want, but like working with any focal-length, it’s up to the photographer to adjust framing and composition for these things.

I mentioned using wide-angle lenses for interior architecture, well I doubt if a tent falls under the category of architecture, but I suspect the engineers who came up with the idea for this tent would appreciate the use of the wide-angle for impact  🙂  And would you look at the view!  🙂

All images above were shot with the Sigma 10-20mm on a Canon body, Click on the images to see them in the Collection along with others in their respective Galleries.

Pro – defining and refining

On By themichaellamcollectionIn Commentary, Photography, thoughts10 Comments

Twice in recent times, I’ve been accused of being a “Pro”, as in a Professional Photographer, and both times I’ve been taken aback by it.  Me? a Pro?  Surely they don’t think so!

The first time was on a public discussion on the Guyana Tourism Authority’s Facebook page where we were discussing their Photography Competition, the unfairness of one of the “rules” and the general direction of the competition, the individual calling me a Pro thought that because I was a known name in Photography in Guyana I should not be questioning the rules of the competition (open only to amateur photographers), and stay out of it.  I humbly submit that I am not a known name… stop ten people on the street and ask them if they know Michael Lam, and they’ll all probably ask “Who?”  In the small, but growing, Photography world locally, yes, my name is known alongside those of Nikhil Ramkarran, Dwayne Hackett, Fidal Bassier, Ryan Dos Santos, Amanda Richards, Roshanna Mahadeo, Compton Sarabo, Vishnu Persaud, Philip Williams, Avinash Richard and countless others (sorry if I missed anyone).

The second time was in a newspaper article that covered the recently concluded Guyana Visual Arts Competition and Exhibition, in which I gained the Bronze Medal in the Photography category, the reporter referred to me as “Pro photographer Michael Lam”, again I felt that it was a distinction I could not accept or live up to.

Who is a Professional?  Generally you need to meet certain criteria to be a Professional:

“Expert and specialized knowledge in field which one is practicing professionally” I don’t possess that knowledge, certainly not to a degree to be teaching it or express an “expert” opinion on it, so that one is out.

“Excellent manual/practical and literary skills in relation to profession”, same as the first, not me!

“High quality work in Photography”, OK, if it’s good enough for the National Art Gallery at Castellani House to exhibit, then I suppose I have to acquiesce to this one

“A professional is an expert who is a master in a specific field”, definitely not me, oh no!

Let’s get specific to a Professional Photographer:  A professional photographer uses photography to earn money; amateur photographers take photographs for pleasure and to record an event, emotion, place, or person.  I have a day job, I’ve always described myself as a Photo-hobbyist, and I still see myself that way.  Photography isn’t my primary income, if it were I’d be starving.  Have I made money off of photography?  No, I spent more than I made.   I’ve been fortunate to have some of my images licensed for use in a few calendars, I’ve also had a few images sold for display, does this make me a Professional?  Simply because I’ve had some income from my hobby?

I have to admit, that this view was the one I had originally taken of Professional Photographers, those who have sold their services or products, so now I fall into that category, but I still can’t see myself as a Professional.

I look at Robert (Bobby) Fernandes, whose years of experience and his natural Photographer’s Eye, can capture a scene with a certain “Je ne sais quoi” that tells you its a great photo, and I think that’s a Professional!

I look at Delano Williams, who has been doing portrait and wedding photography in Guyana for many years, and I think that’s a Professional!

I remember Mark Yhap, who took portrait photos on Camp Street, he used SLR film cameras and light meters, and had everyone wanting their photos looking ethereal because of a “soft lens” that he used, and I think that’s a Professional!

I look at Dwayne Hackett, one of the only trained photographers that I know of, who does spectacular work for everyone from Corporations down to studio portraits, and I think that’s a Professional!  He knows more about lighting, depth of field, and most everything else, than I ever will.

I look at Fidal Bassier, who has taken wedding photography and portrait photography to a level Guyana has not seen before, and I think that’s a Professional!

I look at John Greene, who in a short space of time has carved out for himself a space in the Portrait photography world and is steadily expanding his repertoire, and I think that’s a Professional!  I certainly don’t have that business sense or attitude.

I look at my friend Nikhil Ramkarran, Gold Medal winner in the Photography Category of the Guyana Visual Arts Competition and Exhibition, whom I always thought “never had an artistic bone in his body”, but who read and looked at every single thing he could find about Photography and Photographers, and tutored himself (and me along the way) in the art of photography, and I think to myself that’s a Professional!  You could ask him almost anything on the subject, and you’ll not only get expert knowledge, but an expert opinion.

Do I rank with these people, or with so many others in the field now?  I am not sure, I’m happy to call them my peers, my fellow Photographers, and I am proud to be among the talented people of The Guyana Photographers.  Can you book my time for a portrait shoot? No.  Can you book my time for a wedding shoot? No. Will I ever do that?  I don’t know, it’s just not my thing right now, and I have a day job  🙂

Why do people think I am a professional?  I don’t know and it really does not matter in the long run.  I know a few things about photography, and I’m willing to share what I know, and learn from others in the process, but in the end, I merely shoot what I see, and sometimes people like what I shoot.

To the Photographs in this post…. both photos were taken during the first week of the year, and both were shortlisted along with two others for the first photo for the Deck Project, but I chose another, just because I felt like it.  The ;little icon of the Newspaper is the article which I mentioned, clicking on it will give you the full PDF version from the Newspaper’s website (Sunday Times Magazine).

Both of the photos are technically composites, that is they are High Dynamic Range (HDR) images each using three exposures.  Of the two, the seascape that I titles “The Lonely Sea” is my favourite.  HDRs are one of my favourite photographic techniques, but as with all techniques it can be misused.  Click on the images for a better view in the Gallery, along with other HDR images in my Scenic Experiments Gallery on my site.

Definitions highlighted in bold taken from Wikipedia.org

2013 Deck – Week 01

On By themichaellamcollectionIn 2013 Deck, Photography8 Comments

As an exercise to keep my photography going, I’m continuing my Deck Project, hopefully in 2013 I will be able to expand more on my photography.

I almost started off with a photo of the inside of a tent, then I changed my mind and began on a seascape, but for some reason neither felt right; although I prefer to start with a coloured image, I think that this image felt better to me, it’s a Black and White processed in Lightroom and Nik Silver Efex, those of you who have followed me know that when I say processed I don’t mean “Edit”, nothing has been added or taken away from this image.

Let the New Year of Photography continue!

2012 Deck – Week 52

On By themichaellamcollectionIn 2012 Deck, Photography6 Comments

I don’t know about anyone else, but I think this is the way to spend the last weekend of the year, with family and family friends, relaxing near a pool, sleeping under the stars (in a tent), far away from town, and I have my camera, spare batteries and spare memory cards  🙂

Click on the image above to see it in the Gallery along with all the other images for the 2012 Deck Project.

Reflecting on the year, it’s been great in some areas, specifically Photography.  Even though my personal photography has not been great this year, and by that I mean I am not happy with the overall amount and scope of the photos that I have taken this year, it’s been a great year for my photography in the following ways;

Neil Marks lobbied and secured for Nikhil and myself the opportunity to exhibit some of our work in a joint exhibition at the National Art Gallery (Castellani House) early this year; our involvement in the Guyana Photographer’s group has brought us into contact with many many talented local photographers, and we have seen the group blossom and grow under the guidance of the Admins and our fearless leader Fidal; the Ministry of Culture, Youth and Sport revived the biennial art competition (after a 20 year absence) and included Photography as one of the new categories, in which Nikhil won Gold, Sharon won Silver and I won the Bronze medal, I had a photo of mine selected to be used as the Cover Image for Caribbean Beat, the official magazine of Caribbean Airlines (an MEP Publication), and three local firms are using a few of my images in their 2013 Calendars.

If my count is correct this is my 300th Blog post, also an achievement, since I never thought I’d have anything to write that anyone would want to read…of course, the photos help!  🙂  Now, I just have to make 2013 count!  🙂

Have a great Old Year’s Night, and a very happy and prosperous New Year in 2013.