I take photos of buildings, but I don’t share many of them, not many people seem to be interested in those types of photos. Originally this was going to be a photo of a building, and then the warmth of the late afternoon sun lit up the grasses in the area, and also the pontoons around the pump station, and I thought that it would make a better landscape image.
I was originally shooting in landscape (horizontal) orientation, but then I noticed the moon, and tried a portrait oriented version that I came to like.
After a slight crop, I decided that I wanted it for the Deck Project, even though I still think that there are others from this walk that I think are better. I had shot this with the Sigma Ultra-wide 10-20mm on the Canon 60D.
This is the pump station on the seawall along the Lusignan – Anandale area, I’m sure the fishermen in the area must be getting accustomed to seeing people with cameras in the area by now 🙂
This was one of the few times I approached a scene with a preconceived idea of what I wanted, and as usually happens, I usually never get what was in my mind’s eye, but keeping my mind open to the possibilities around, I came away with good images none-the-less, simply because the scene itself gave to the process.
I hope you like it.
Click on the image to see it in the Gallery along with other images from this Year’s Deck Project.
Getting the subtle colours out of a sky opposite the now setting sun isn’t easy…. but I think I caught this one at the right time…
In the distance is a Koker and boat offsetting the foreground rock, the rock shows some of the warm light of the setting sun coming through the clouds to the back of me.
I often think to myself that if I keep revisiting the same spots then I’ll not find new photos to add to my collection, but although I do come away with many similar photos that often never see the light of day, I do get one or two that are different and worth sharing 🙂
Easter Week. I suppose that the easiest thing to try to get photographs of for Easter Week is of children flying their kites (at least in Guyana, anyway). On Easter Monday we went to the seashore near Annandale (someone referred to the spot as “Friendship”), on the Easy Coast of Demerara.
I was taking a photo of a spot where an old Koker (sluice) once stood, and my daughter and her cousin came over to play/annoy/get in the way and so I made good use of them as they were already in the scene 🙂
For a better view of the photo, please click on the image above to see it in the Gallery.
Just a little ramble from me, this is not instructional in the literal sense. A fellow blogger and photographer, Nigel (or greysqrl) always asked me to write a tutorial on my monochromes and specifically my black and white photographs, but I’ve never felt that I had an “art” to it or a specific sequence of steps in the methodology to really do a tutorial type of blog, so I thought that at least I can do some rambling or musing on the subject.
Back when I shot with the Canon S5 Super-Zoom bridge camera (basically a hyped-up point-and-shoot) there were several colour modes including black and white and sepia, so I had disciplined myself to taking the scenes that appealed to me in these aspects in those modes, so I never had a full-coloured version of the photograph for any sort of comparison. So for me, the idea of a scene being in monochrome always started out before I pressed the shutter-button.
After I started using a DSLR (for now the Canon T1i or 500D) I learnt about post-processing further, using RAW images, etc. Now, I still consider many scenes in monochrome and earmark them for that specific type of processing later, but I also change my mind about some scenes that were not considered for monochrome initially.
What makes a good monochrome image? I really never thought about it, I just “feel” that some scenes make better monochromes than others. I am sure that as I continue my photographic journey I will learn more about what actually makes a good monochrome, to me it’s a “old” looking scene, or a scene with high contrasts, or in many of Nikhil’s cases one with lots of texture 🙂
How do I process a monochrome image? Since all my current images start out as full coloured, it is usually that “feel” that helps me select the ones for monochrome, either that or the new method of processing as colour and then it doesn’t quite come out the way I want and I send it over to monochrome just to see what would happen 🙂
I use Lightroom as my primary image processing and workflow application, but the majority of my monochromes are done in Nik Silver Efex (after some processing in Lightroom). I take each photo on its own merit, some need to be treated softly while others need to be more contrasty and structured. Nik Silver Efex has a range of presets that you can view easily and then do your own fine-tuning.
With scenes that have clouds (I seem to have many of those now) I always go for bringing out or enhancing the detail in the clouds. The dynamic range captured using a single exposure is not (always) a true representation of what the human eyes saw or can see. Often I would look at the scene and see the nice detail in the foreground, then look up and see the layering in the clouds, but when the photograph is taken I lose some detail, and In post=processing I try to retain that detail that I saw.
This particular photo was not intended as a monochrome image, the upper portion of the boat (or lower portion in the image, since the boat is upside down) was yellow and I had initially intended to emphasize that, but it didn’t work out as planned.
I’m still playing “catch-up”, still a week behind in the blog, and months behind in reading 🙂 Today marks one year since I actually registered as a WordPress user, although I didn’t start blogging until one week later, so I feel compelled to at least update the blog today, so I’ve managed to choose a photo from Week 18 of this year, processed it in one of my favourite ways, HDR, and even uploaded it 🙂
On the 5th of May, Cinco de Mayo, Arrival Day, or whatever you want to call it, I went with Naseem and Nikhil for a drive and photo-jaunt between Good Hope on the East Coast of Demerara and Rosignol at the mouth of the Berbice River (West Coast Berbice), needless to say we took a lot of photographs.
Our first stop was at the village of Enmore, we were going to go see the Enmore Martyr’s Monument, but the bridge we were planning on using was unusable, opposite that bridge there was a nice scene, so we took some time to “grok” it (as Nik would say) and even took some photos, I took a set of bracketed shots to use for an HDR rendition, and that’s what I present to you today. All the original images came out dark and desaturated as I expected, since I was shooting into the sun, but since I planned on using them in an HDR, that was OK 🙂
As an HDR, I really suggest you click on it to see it at the Gallery!
The sky that day was a photographer’s dream, nice variety of clouds, a slowly setting sun, as Nikhil mentioned once “even a monkey could have gotten good photos that day”. I’m not entirely sure about the monkey, but I know we came away with some good ones.
For me, I liked this one because of the clouds, and then there’s the lone man walking along the wall, and the lone bird soaring in the sky.
There’s an old Koker (or sluice) on Camp Road outside of the Guyana Technical Institute that I have been keeping an eye on for months, I always want to stop and photograph it, but most times there are some homeless men or just loafers around it, then at other times, the scene just wasn’t appealing to me. I was accompanying Nikhil as he headed up to David Street to photograph a scene his wife had pointed out to him when I noticed the lighting and the overall scene and asked him to stop so that I could get it at least this once.
I was a bit pressed for time this week, I haven’t processed any of my other images for the week, I took the easy route and did some minor “light” editing in Oloneo for this week’s image.