Walkabout

Just a photo.

I’ve had it processed for about a month now, but after waiting for the right words to say, I figured I’d just share it 🙂


Canon EOS 60D, Sigma 10-20mm  |  2016


Click on the image to see it in the Up East Gallery, along with some other choice images  🙂


Coastal

Just a photo.


Lusignan, East Coast Demerara, Guyana.

Click on the image to see it in the Gallery.


2015 Deck – Week 28

I’m about to mention some things of which I am quite ignorant about, so anyone wishing to clarify, extrapolate, correct or otherwise educate me on it are welcome to do so.

I usually like to say something about the photo I am presenting, so here goes:

On the coast of Guyana, we see large shipping vessels (trawlers) heading out to sea for fishing, some smaller boats do so closer to shore (but often out of sight us of land), we see men (and women) cast-net fishing, we see some fishermen using rods and lines, and there are likely more methods than I know of, but one type was explained briefly to me because of a photo I took in which I was trying to identify the craft/vessel/device being used by the fisherman, this was the pin seine method.

Pin Seines are usually about 6 feet high and vary in width, the seine or fishing net usually carries a mesh size of three and a half inches or less; the seines are usually pinned to vertical stakes/poles, they are set up at high tide in the intertidal zone (between the tide lines/marks).  When the tide ebbs, fish are trapped in the nets and retrieved by fishermen.

One method of retrieval is by using what is locally called a catamarang, not to be confused with the more stylish catamaran.  The catamaran is a double hulled boat, while the only resemblance to the “double” part that I’ve seen on catamarangs has been the two long boards lashed/secured together forming the base of the vessel.  The catamarang basically consists of the wooden base which is about  14 to 18 inches wide by about 7 to 9 feet long (I haven’t measured one as yet), with a central wooden box the width of the base by about 2 feet long and about 12 to 18 inches deep (high).  It is operated by the fisherman kneeling or standing with one leg upon the base and pushing across the mud with the other leg, the central box is used to store the catch.

Seeing them skim across the top of the water/mud is usually impressive to me, probably because I’d be afraid to try it myself.

All that just to show you a photo of a fisherman returning to shore with his catamarang (and a few fish that are unseen) under a dappled sky.


Canon EOS 60D | Sigma 10-20mm  |  1/160s, f/9, ISO100


Click on the image to see it in the Gallery.

Serenity of the Shore

Whether it is the soft roar of the waves as they rush to shore, the melodic crash as they break upon the rocks along the seawall or the almost deafening calm that engulfs you when the tide is at its lowest, there is a serenity that reaches deep within and soothes like a herbal balm, and sets your mind, your soul, your very being at ease.

I remember the afternoon I took this, there was a girl walking a dog along the seawall, a few boats were moored at the usual spot near the Lusignan/Anandale outflow canal, my daughter and her cousin were playing among the rocks, then later they played on a swing (old tyre on a rope), the tide was so far out that it would take quite some time to walk to the tideline, I was out there hoping for a nice sunset or interesting clouds to make a good scene…  I took quite a few photos, this one being among the earliest, not because it jumped out and screamed “take me”, but just because I was there, the scene was there and I felt like shooting something… it happens sometimes.

Revisiting the image after two years, I saw the potential that my subconscious saw… or I only now have a different detached perspective on it, whichever excuse works for you, I think I finally got what the scene was saying to me.  🙂


Canon EOS 60D, Tamron 18-270  |  84mm, 1/160s, f/5.0, ISO 160


Click on the image to see it in the Black and White Gallery, that gallery now holds quite a number of my monochromatic images that I am very fond of..

My Jhandi addiction

I was going through a few photos from last year, and I can across a set that I had not processed, and I thought “no one wants to see another Jhandi flag photo”… but I couldn’t resist it, I just had to choose one of the set and process it.

There’s just something about a flag fluttering in the wind that draws the attention… who am I fooling? Even when it’s hung limp with the wind abated I’d probably still take a photo.

This one appealed to me because of the contrast that the rich red flag had against the sky, the line of the seawall and it’s curve towards the koker made it a better composition than just a plain flag 🙂

OK, yes… I did seriously think about doing it in BW (still pondering it) but I rather like this version 🙂


2014  |  Canon EOS 60D, Sigma 10-20mm  |  Ogle, East Coast Demerara, Guyana


Click on the image to see it in the Gallery along with other images from when I’m “Out and About”


2015 Deck – Week 05

A new Koker takes shape at Buxton.

In the context of current instability mostly due to imminent elections in Guyana, this can lend some social commentary, if one chose to look at it from certain vantage points.

You may have to look twice, but there is dog running away from it all in the scene.

I leave the storytelling to your own imaginations 🙂


Buxton, East Coast Demerara  |  2015  |  Canon EOS 60D, Sigma 10-20mm


Click on the image to see it in the 2015 Deck Gallery.

2013 Deck – Week 41

I take photos of buildings, but I don’t share many of them, not many people seem to be interested in those types of photos.  Originally this was going to be a photo of a building, and then the warmth of the late afternoon sun lit up the grasses in the area, and also the pontoons around the pump station, and I thought that it would make a better landscape image.

I was originally shooting in landscape (horizontal) orientation, but then I noticed the moon, and tried a portrait oriented version that I came to like.

After a slight crop, I decided that I wanted it for the Deck Project, even though I still think that there are others from this walk that I think are better.  I had shot this with the Sigma Ultra-wide 10-20mm on the Canon 60D.

This is the pump station on the seawall along the Lusignan – Anandale area, I’m sure the fishermen in the area must be getting accustomed to seeing people with cameras in the area by now 🙂

This was one of the few times I approached a scene with a preconceived idea of what I wanted, and as usually happens, I usually never get what was in my mind’s eye, but keeping my mind open to the possibilities around, I came away with good images none-the-less, simply because the scene itself gave to the process.

I hope you like it.



Click on the image to see it in the Gallery along with other images from this Year’s Deck Project.