2013 Deck – Week 06

I was taking some photos out by the seawall at Lusignan, and although I think I came away with some nice ones, there was one that I really wished I had taken a different approach to.  I saw a dramatic sky behind a stand of Jhandi flags, and I took a few photos, then moved on, then the thought struck me that I should have tried multiple exposures for an HDR.  By that time it was a little late since the clouds had changed significantly.

When I downloaded my images I was still struck by that scene so I decided to try an Pseudo HDR Technique on it, and this was the result.


Click on the image for a better view in the Gallery

2013 Deck – Week 05

Maybe it’s because I am a coast-lander that I feel the draw of the sea, but I keep going to the seawalls, if not for a photograph then just to feel the breeze, and hear the sounds of the waves.

This photo was taken at Ebb Tide, when the tide was beginning to recede from the shores, and as I stood there I could feel the wind around me, hear the sound of the waves as the crashed upon this rock and smell the salt in the air (which was probably not good for the camera)



As always, click on the image to see it in the Gallery

A walk on the beach

A few Fridays back, I joined a few other photographers on a walk down to the large jetty (pier/groin) that marks the end of the Kingston seashore and the beginning of the Demerara River mouth.

As with all walks with photographers you go hoping to come back with a good image, or even a great one, yet when I downloaded my haul I was very disappointed, maybe I was hoping for too much.

Does this mean that the walk was not a success?  No.  It was what it was… a walk on the beach.  To be with friends, people with a similar pursuit, and enjoy the conversation, the breeze… that was enough.

All the photos were not horrible, but not jumped out at me, yet I decided to process at least one to make a show of reaping something from the toil of the harvest.

As I look at the image I processed, I wonder if this scene will get worse or better with the development of the new Hotel on the seashore.


Click on the image to see it in the Gallery along with other Seawall related photos

A Good Photo

For my Deck Photo last week I used a black and white image of a bird walking across a wet expanse, one of my friends and fellow photographers told me that she didn’t like the photo, because it made her feel sad and lonely

When she told me that she didn’t like the photo, I was a little disappointed to tell the truth, but when she told me that it was because it made her feel sad and lonely, I was elated.


One of the things that makes a good photograph is the conveyance of some sort of emotion to the viewer.  For most photos, we look at them and move on, it was a photo of a sunset, or a flower, or an insect, or a door, or a building, or a bird, or any other subject you can think of, but when someone can say that a photo of mine made them reminisce or feel happy or sad, of any other emotion, then I feel that the photo was not only good, but better than I’d hoped for.


Each photo has the potential to reach past the optics of the viewer and into their emotions, when it does, then the photo was worth taking, it was worth the pixels that were spent on it, and the time it took to take and process.

None of these photos are new, but each one has had an emotive response from a viewer, it may not do it to everyone, but to me, that is what makes photography a challenge, to reach into as many of the viewer’s hearts as possible, but to even reach one, is usually enough for me.

As usual, click on the images to see them in their respective Galleries in the Collection.

Pro – defining and refining

Twice in recent times, I’ve been accused of being a “Pro”, as in a Professional Photographer, and both times I’ve been taken aback by it.  Me? a Pro?  Surely they don’t think so!

The first time was on a public discussion on the Guyana Tourism Authority’s Facebook page where we were discussing their Photography Competition, the unfairness of one of the “rules” and the general direction of the competition, the individual calling me a Pro thought that because I was a known name in Photography in Guyana I should not be questioning the rules of the competition (open only to amateur photographers), and stay out of it.  I humbly submit that I am not a known name… stop ten people on the street and ask them if they know Michael Lam, and they’ll all probably ask “Who?”  In the small, but growing, Photography world locally, yes, my name is known alongside those of Nikhil Ramkarran, Dwayne Hackett, Fidal Bassier, Ryan Dos Santos, Amanda Richards, Roshanna Mahadeo, Compton Sarabo, Vishnu Persaud, Philip Williams, Avinash Richard and countless others (sorry if I missed anyone).

The second time was in a newspaper article that covered the recently concluded Guyana Visual Arts Competition and Exhibition, in which I gained the Bronze Medal in the Photography category, the reporter referred to me as “Pro photographer Michael Lam”, again I felt that it was a distinction I could not accept or live up to.

Who is a Professional?  Generally you need to meet certain criteria to be a Professional:

“Expert and specialized knowledge in field which one is practicing professionally” I don’t possess that knowledge, certainly not to a degree to be teaching it or express an “expert” opinion on it, so that one is out.

“Excellent manual/practical and literary skills in relation to profession”, same as the first, not me!

“High quality work in Photography”, OK, if it’s good enough for the National Art Gallery at Castellani House to exhibit, then I suppose I have to acquiesce to this one

“A professional is an expert who is a master in a specific field”, definitely not me, oh no!

Let’s get specific to a Professional Photographer:  A professional photographer uses photography to earn money; amateur photographers take photographs for pleasure and to record an event, emotion, place, or person.  I have a day job, I’ve always described myself as a Photo-hobbyist, and I still see myself that way.  Photography isn’t my primary income, if it were I’d be starving.  Have I made money off of photography?  No, I spent more than I made.   I’ve been fortunate to have some of my images licensed for use in a few calendars, I’ve also had a few images sold for display, does this make me a Professional?  Simply because I’ve had some income from my hobby?

I have to admit, that this view was the one I had originally taken of Professional Photographers, those who have sold their services or products, so now I fall into that category, but I still can’t see myself as a Professional.

I look at Robert (Bobby) Fernandes, whose years of experience and his natural Photographer’s Eye, can capture a scene with a certain “Je ne sais quoi” that tells you its a great photo, and I think that’s a Professional!

I look at Delano Williams, who has been doing portrait and wedding photography in Guyana for many years, and I think that’s a Professional!

I remember Mark Yhap, who took portrait photos on Camp Street, he used SLR film cameras and light meters, and had everyone wanting their photos looking ethereal because of a “soft lens” that he used, and I think that’s a Professional!

I look at Dwayne Hackett, one of the only trained photographers that I know of, who does spectacular work for everyone from Corporations down to studio portraits, and I think that’s a Professional!  He knows more about lighting, depth of field, and most everything else, than I ever will.

I look at Fidal Bassier, who has taken wedding photography and portrait photography to a level Guyana has not seen before, and I think that’s a Professional!

I look at John Greene, who in a short space of time has carved out for himself a space in the Portrait photography world and is steadily expanding his repertoire, and I think that’s a Professional!  I certainly don’t have that business sense or attitude.

I look at my friend Nikhil Ramkarran, Gold Medal winner in the Photography Category of the Guyana Visual Arts Competition and Exhibition, whom I always thought “never had an artistic bone in his body”, but who read and looked at every single thing he could find about Photography and Photographers, and tutored himself (and me along the way) in the art of photography, and I think to myself that’s a Professional!  You could ask him almost anything on the subject, and you’ll not only get expert knowledge, but an expert opinion.

Do I rank with these people, or with so many others in the field now?  I am not sure, I’m happy to call them my peers, my fellow Photographers, and I am proud to be among the talented people of The Guyana Photographers.  Can you book my time for a portrait shoot? No.  Can you book my time for a wedding shoot? No. Will I ever do that?  I don’t know, it’s just not my thing right now, and I have a day job  🙂

Why do people think I am a professional?  I don’t know and it really does not matter in the long run.  I know a few things about photography, and I’m willing to share what I know, and learn from others in the process, but in the end, I merely shoot what I see, and sometimes people like what I shoot.


To the Photographs in this post…. both photos were taken during the first week of the year, and both were shortlisted along with two others for the first photo for the Deck Project, but I chose another, just because I felt like it.  The ;little icon of the Newspaper is the article which I mentioned, clicking on it will give you the full PDF version from the Newspaper’s website (Sunday Times Magazine).

Both of the photos are technically composites, that is they are High Dynamic Range (HDR) images each using three exposures.  Of the two, the seascape that I titles “The Lonely Sea” is my favourite.  HDRs are one of my favourite photographic techniques, but as with all techniques it can be misused.  Click on the images for a better view in the Gallery, along with other HDR images in my Scenic Experiments Gallery on my site.


Definitions highlighted in bold taken from Wikipedia.org

2013 Deck – Week 01

As an exercise to keep my photography going, I’m continuing my Deck Project, hopefully in 2013 I will be able to expand more on my photography.

I almost started off with a photo of the inside of a tent, then I changed my mind and began on a seascape, but for some reason neither felt right; although I prefer to start with a coloured image, I think that this image felt better to me, it’s a Black and White processed in Lightroom and Nik Silver Efex, those of you who have followed me know that when I say processed I don’t mean “Edit”, nothing has been added or taken away from this image.


Let the New Year of Photography continue!


2012 Deck – Week 41

On a recent photo-walk with Nikhil and Sharon on the seawalls up the East Coast of Demerara, I found myself looking at the scenes around me and shooting without really thinking too much about it, almost on automatic.  I saw things to photograph, they caught my eye and I took a few snaps.

I wasn’t inspired, and I thought to myself that I’d be coming away with something “normal”, something that I would be happy with but not overjoyed.

On the walk back to the vehicle, I happened to walk under a fisherman’s shed, and the scene that caught my eye was different in a few ways from all that I had seen, nothing spectacular, but just different enough for me, and I stopped, took the time to set up the camera for a few bracketed exposures, and took two sets of exposures for later HDR-processing.

This was the result: At Rest.

At Rest

Click on the image above to see it better in the Gallery.

2012 Deck – Week 35

In June of this year Imran Khan had done an article on the new insurgence of young (and not so young) Photographers in Guyana in the form of the Facebook Group Guyana Photographers, this was recently re-blogged on the GuyanaPhotographers.com site.  In it he mentioned that the Seawalls seem to be a favourite or default location for their “treks”, this is very true.

With most of the population of Guyana living on the Atlantic coast, this is inevitable; with the majority of (accessible) roads meandering along the coast, this is inevitable; with the majority of the coastland given over to farming (and now housing) leaving the only scenic areas being the seawalls stretching from east to west along the coast, this is inevitable.

I’m not saying that there aren’t more places that would make nice photographs, there are, they are just not as “easy” to get to.  You can read “easy” as being “not too expensive to get to”, “not too arduous to get to”, “not needing to plan a trip weeks in advance” and  ‘not requiring a four wheel drive vehicle with a winch and hi-lift” to get there.  🙂

So, for someone who has a full-time job but would still like to get a nice photograph, as Imran so accurately pointed out, the Seawall becomes the “default” location  🙂

With that said… here’s a pair of Jhandi Flags… on the sea shore, just in front of the Seawall

Click on the image to see it better in the Gallery, along with all the other entries for this year’s Deck Project.