Photography; I shoot what I like, and sometimes people like what I shoot. All photos are copyright to Michael C. Lam unless explicitly stated otherwise.
Just over a year I took this photo, I wasn’t very satisfied with it then, but then there was another image that had pulled most of my attention away from that same day. There’s just something about fishing boats that pulls your attention though, for this image I had wanted to incorporate the rocks, the boats, the heavily clouded sky, try as I might I could not get all the lines parallel, so I went for an image of divergent lines.
This post will mark the 200th post for this blog (I think that counts the “Hello World” post as well. I suppose if I did a daily photo project and blogged each one I’d be way ahead in count 🙂 For me, its not enough to just post a photo, I want something else to go along with it, some of my thoughts, or insights (or lack of)
There were some little things that I liked about this image; the water pulling away from the area just in front of the rocks, the waves breaking on the lower wall, the two boats at rest and, of course, the clouds 🙂
Be sure to lick on the image above for a much better view in the Gallery.
For anyone who has read the books by Terry Pratchett, specifically the ones dealing with the twin-city of Ankh-Morpork, you know about the City Watch, for those of you who have not read those books, I encourage you to try them, Terry Pratchett is a master story-teller and a comic genius.
But this is a photography blog, not a book review blog, and the title of this post has nothing to do with Samuel Vimes or the City Watch of Ankh-Morpork, although now that I think of it, maybe I should have titled the photograph “Vimes” 🙂
Most of us get very few opportunities to rise above the humdrum of everyday life, to stand above it all and, with a calm that belies the hustle and bustle below, just take in the view of a city, our own city, noise-filled, garbage-filled, accident-prone, with a mix of colonial buildings and modern square concrete structures.
Imagine this; from one vantage point, you can see the hub of public transportation, the minibuses and taxis, a landmark eatery, hotel and beer-garden, the seat of government, hotels, churches (including one of the tallest wooden buildings in the world), the high court, one of the largest markets in the country, city hall, the busiest business district in the country, the Atlantic Ocean and so much more.
That is the view from the clock tower at Stabroek Market, and you haven’t even turned around to see the wharves and the mighty Demerara River with its speed-boat traffic, the ferry and the aging but impressive harbour bridge.
Click on the photo below, see it larger in the gallery and imagine yourself in that man’s position.
As things got busy, I got fewer photos, but I was still left with a choice for Week 9, in the end I decided on this one. Nikhil was trying especially hard to get photos of some wall-walkers with the boats in the background, I wasn’t inclined to do the same at the time, but as I walked on the lower section later, this guy passed me and I thought I’d catch a shot of him walking away. As it happens the boats were in nice positions at this point 🙂 Dumb Luck 🙂
The mighty Kaieteur, the largest single drop waterfall (by volume) in the world. Let’s not get confused, it’s NOT the tallest single drop waterfall in the world, but when you’re comparing the sheer volume of water flowing over it, it is the largest single drop waterfall in the world, make note of that distinction. It has a single drop of 226 meters (741 feet), and averages about 663 cubic meters of water per second (23,400 cubic feet per second). It is awesome!
For you Canadians and Americans, it’s about five times the height of Niagara,
You can read more about the falls and its history on other sites, I’m not about to go regurgitating all that data here 🙂
For years I’ve always avoided flying into Kaieteur because I could always say that my money would be better spent (in terms of distance and longevity) in going to one of the Caribbean Islands, it was cheaper to go to Trinidad (and stay for a week or two) than to go to Kaieteur and spend two hours.
My first visit to Kaieteur was in 2009, and if I could give up my day-job and become a guide for a tour company just so I could see Kaieteur every week, I’d do it, but then again, I like my job 🙂
This photo was resurrected from my files recently, I had taken three exposures for an HDR, and I decided to re-process those files and see what happens. It won’t be great (especially to enlarge it), it was taken with the Canon PowerShot S5 IS bridge camera with a Raynox 0.66x wide angle adapter attached, You can probably see some of the lens distortion at the edges.
This is my favourite view of Kaieteur (other than the views from the airplane, of course) This is known as Johnson’s View, it’s the furthest view from the falls and gives a beautiful view on the vista.
Definitely, click on the image here to see it better in the gallery.
Yesterday I had mentioned the first shot I took with the Canon Rebel T1i (500D) was a photograph of St George’s Cathedral, so I thought that I’s share it here.
Part of the type of photography than many of us practice is trying to establish our images as “art”, and often times I take inspiration from others, I do not COPY from them, although some may look at it that way, that’s their prerogative.
This shot of the St George’s Cathedral will probably never be considered “art”, but it’s a nice shot of the Cathedral, and as I wanted my first image from the T1i to be something special, I had taken inspiration from Dwayne Hackett, whom I consider to be a far better photographer than most locals that I know of. It was very humbling when I later heard from him that he also admires my own work and that of Nikhil.
This shot I tested a new camera (the T1i back then) and a new lens, the Sigma 10-20 Ultra-wide Lens, and as soon as I got the shot I thought to myself, this is what I’ve been missing all along, I never took photographs on the Canon S5 after that day.
Click on the image to see it better in the Gallery.
When I got my hands on the first DSLR that I could say was “mine to use”, you know; not borrowed for a short time, I decided that I wanted the first exposure (or the first frame) to count, to mean something, or at the very least, to be a special photo 🙂
I had just gotten my hands on the Canon Digital Rebel T1i (500D), and I had not too recently been viewing some photos by Dwayne Hackett, and there was one that had inspired me, it was of St. George’s Cathedral, and I decided that I wanted that to be my first shot. As it turned out, even though I tried to time it right, a vehicle sped into the frame just as I clicked, so the second actuation was my photo instead.
I have now gotten my hands on an upgrade, so I thought I’d do the same thing, try for a special photograph. Week after week I pass the St Philips’ Green and think about how I would photograph the Church there (under renovation), but I am usually afraid to stop because of the type of desolate area it is. They had just finished clearing the area close to the road and the Church was quite visible from the road across the cleared land, and the branches from the trees helped to frame it nicely, so that was to be my first actuation on the Canon 60D.
Mashramani. A Guyanese Celebration that has taken on the overtones of Carnival. The name, derived from an Amerindian word (Arawak) meaning “Celebration after hard work” has been synonymous with Guyana’s Republic Day celebrations for many many years. Although the original activity began in the mining town of Linden (known as Mackenzie back in those days), it spread quickly around the country.
It is probably hard to have grown up in Guyana (or at least one of the towns in Guyana) and not have attended and have memories of Mashramani celebrations, especially the “Float Parade”. But after reading Krysta’s blog post “Mash in Guyana, People going crazy”, my mind did that funny thing where it takes you back to remembering what it was like when you were a child.
Just for the record, her title was a reflection of a popular song for the Mashramani celebrations going back many years, it was written and performed by Rudy Grant and is yet to be replaced as “The” song for Mashramani.
So, back to my memories of Mash (faulty though they may be)!
I won’t go into any detail (since that is very much lacking in my memory) but I’ll tell you what I miss… the Low-bed trailers. I remember there being two very distinct types of “Floats”, one was the very mobile (often times extravagant) personal Float Costume, handled by one man or woman, who expertly maneuvered it down the streets, spinning and dancing and giving a very exuberant display, the second was the low-bed display, a very low (two or three feet of the ground low) trailer with an extravagant display on it, these were usually pulled by a tractor (I even remember a Tapir pulling one once).
These days I see the larger trucks which make seeing all the components of a well-detailed display hard to see. So, I miss the low-bed trucks or trailers that were used back then.
As a photographer on Mash Day, it’s a nightmare, the police have no control over the crowds, who fill up the street where the bands are supposed to pass, and when the Bands\Floats are passing they also walk alongside, in-front and behind, and sometimes even within! In doing so they obscure others from seeing and enjoying the beautiful costumes and other design works in the Floats and trucks. Of course, that also makes it really hard for a photographer to get “easy” shots, but we persevere and press on to get what we can 🙂
I’ve put aside (with Nikhil’s help) a Select set which is about a quarter of the whole gamut, you can click HERE for that, but I do encourage you to check out the whole Gallery by clicking the image below.
Slingshot!
This photo for me is very much “Mashramani”, this is Slingshot, a Guyanese singer / Calypsonian, a few years ago he fell of the horse-cart and was injured, this year he was back, undaunted, and back on the horse-cart! Hats off to you Slingshot!
I have to begin by apologising for the amount of photographs in the album on the site… I normally go just for fairly close shots, but I thought that this year I’d try to get some of the whole shots with the costumes, I’m not too good at it, but I’ve been asked many times about why I don’t have the nice big costumes. Also, the Children’s parade this year was very engaging and the costumes very nice, and I think there were more of them too 🙂
Every year I think that the Children’s Parade is better to attend than the Adult’s Parade, it is shorter, even though the amount of entrants might be on par, even though they don’t speed down the road, they seem to be more organised and better managed, and this results in a very good flow of groups and floats down the street.
The sides of the street is also less crowded so as a spectator, I can enjoy it more and as a Photographer, I can get the photographs easier 🙂 without being elbowed and shoved, and possibly trampled.
I know it may be a lot of photographs, but I think you may find at least a few that appeal to you 🙂 Click on the image below to see the entire collection in the Gallery. Or just click this TOP 25 link for a select 25 images.
After years of trying to avoid the label, I have to accept what I am, and I can say I am proud of the journey and what I have achieved so far with the help of everyone I know, not a single person has ever tried to tell me that my photographs are bad, many said they were good (and worth improving many times), mostly these were family and friends, so they are expected to say that 🙂
Today, 16th February 2012, I will stand beside one of my best friends and fellow Photographer, Nikhil, as our work goes on display at the National Gallery, Castellani House. It will be a month-long show, ending on March 17th, 2012. The Gallery will feature at least 20 pieces from each of us, and we are proud of our work. (he exhibition is open to the public from tomorrow through the 17th March)
Although in the beginnings of my photographic journey I seldom saw the call of monochrome photos, I seem to have changed quite a bit in that respect, the majority of my photographs on display are monochromatic. Many years ago I was well known by my friends for detesting heavy cloud coverage in the skies as I loved blue skies in my photographs, that has also changed, most of the landscape images on display show dramatic clouds and tumultuous skies.
I encourage anyone with a few minutes to spare to stop in at Castellani House and take a look, I’d hate to be known as the exhibition that no one bothered to go see 🙂
This week, I give you an image taken on a PhotoWalk with the Guyana Photographer’s Group, my more spectacular images were posted to the group (I hope to share them here later), this one I saved for use here, I was planning a post on the effective use of vignettes, but I don’t have that much to say on the subject yet, so here’s how I used a vignette in post-processing an image, and it’s a sepia (monochrome) image, and there are clouds in the sky, no true blue skies for me that day either 🙂
There are some weeks when you have a number of photographs, many that are technically better than others, yet you keep going back to one in particular which, although not the best composed, or the best exposed, nor the best focused image, it seems to demand from you that extra bit of attention.
This image is one such image for me, I had a few that were better, nicer, prettier, more appealing generally, but this one I liked more. The focus was not on the “obvious” subject, and for that reason I almost decided not to use it, but it appeals to me, it is an image that says something more than the others that I took this week.
If it speaks to you, then I am happy, if it doesn’t, then I fully understand 🙂
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