Walk and Talk

On June 25, 2012June 25, 2012 By themichaellamcollectionIn Commentary, Photography4 Comments

I was processing this photo from 2009 and the title that immediately sprung to mind was “Walk and Talk”, obviously because that’s what the girl was doing; walking leisurely on the jetty, and talking on her cell phone (or mobile phone, or cellular phone, depending on your custom).

Then, of course, being a Caribbean Man, the song from “reggae great” Pluto Shervington popped into my mind as well; that would be “Ram Goat Liver”

As I am fairly certain that not many people outside of the Caribbean would know the song, I’m including the lyrics from the chorus:

Ram goat liver good fi mek mannish water
Billy goat teeth mek the earring for you daughter
Curried goat lunch put de bite in your bark
It mek you daughter … It mek you daughter walk and talk

I think that it is a good bet that the young lady in the photograph may likely be of East Indian descent, so the idea that she might have had Curried for lunch would not be too far fetched, and she can certainly walk and talk 🙂

Walk and Talk.
A cropped telephoto image. Click on it to see it better in the Gallery.

These days I have to wonder if the cell phone is more of a convenience or an intrusion. As it is, they are now more than just phones, they’re basically what was once your home computer, now in the palm of your hand. I remember when I owned a PC with a 386 processor that had an 80MB Hard Drive and at the time, that was considered large; now my smartphone has more than that amount of memory built-in and an additional card that can hold an additional 8GB of data.

But I digress. It is convenient to have a phone always with you, rather than being tied to a land-line. It is convenient to be able to check your e-mail, your Facebook and Twitter accounts, check stock trades and the latest news, and so much more. There are, however, times when you can do without the constant interruptions, the unpredictable yet persistent “ping” or “bleep” or whatever “ring-tone” you’ve chosen to notify you of every event that the phone is now capable of alerting you to. After weighing the Pros and Cons, I came to a decision that the mobile phone is as much as a convenience as you want it to be, and conversely, as much of an inconvenience as you want it to be.

My phone goes on silent when I go to Church, to meetings and to various functions where I prefer not to be disturbed, I feel the vibrations and I am aware that when I finish whatever it is I am doing that, after the hour or two, I will have a few (or quite more than a few) messages to read and maybe calls to return. But I am the master of the phone, it is not the master of me, and quite frankly, that is how it should be.

Now I’m hungry for some Curried Goat!

2012 Deck – Week 19

On June 13, 2012June 13, 2012 By themichaellamcollectionIn 2012 Deck, Photography4 Comments

This week almost passed without me having taken any photos. I had some slim pickings, but I think I got a nice one.

Nikhil has often used the word “Grok” especially as relating to “grokking the scene”. It has become more important to grok the scene if you want to capture and express through the photograph what it is the scene says to you.

Even though I thought I had heard the word before, no one lese I know has ever used it as often as he does.

I check it up on Wikipedia and then thought to myself, “that’s where it came from!”, apparently coined by the author Robert Heinlein in his novel “Stranger in a Strange Land”. I love the definition given for it in the novel (keep inmind that it is a Science Fiction novel set on Mars)

Grok means to understand so thoroughly that the observer becomes a part of the observed—to merge, blend, intermarry, lose identity in group experience. It means almost everything that we mean by religion, philosophy, and science—and it means as little to us (because of our Earthling assumptions) as color means to a blind man.

Can we understand a scene so completely that we become as one with it? That is probably something to aim for, to achieve it would be great,

Here’s a photo of Nikhil, Grokking the scene 🙂

Click on the image for a better view in the Gallery, and if you haven’t seen the other entries for the Deck project they’re all over there in the Gallery.

2012 Deck – Week 18

On June 8, 2012June 8, 2012 By themichaellamcollectionIn 2012 Deck, Photography2 Comments

Lunar Perigee and the 2012 Supermoon

In 2011 and 2012 there was much reference to the term Supermoon, which is an astrological term, as opposed to the Astronomical term Perigee. What was so Super about it? Well, I was out there and it looked like a regular full moon, but we’d all love to believe that we could see it larger and brighter than at other times 🙂

Perigee is the time at which the moon is closest in its orbit to the earth (doesn’t matter what phase it’s in), while the Supermoon refers to a New or Full moon that occurs when the moon is within 90% of its closest approach to the earth in its orbit. So I suppose that the perfect Supermoon would be a Full moon at Perigee 🙂 (incidentally, the time when the moon is furthest away from the earth in its orbit is called Apogee)

The Perigee varies from around 357,000km to 369,000km (in roundish figures), and while a difference of 12,000km sounds like a lot, the difference to the naked eye is negligible.

On May 5th, the moon was at its fullest at 1 minute to its perigee, so that’s about as perfect a Supermoon as we can get I suppose.

Anyway… on May 5th this year, I was up the coast near Lusignan when this year’s “Supermoon” was supposed to occur, two things happened (well, more than two, but two that are relevant to this post); I had lent out my telephoto lens, so getting a close-up was out of the question, and the clouds were conspiring against me, So I ended up with a wide shot full of clouds 🙂

After playing hide-and-seek with the moon for several minutes I gave up and headed out, one that I took would work, so this is one that worked 🙂

Click on the image to see it better in the Gallery.

2012 Deck – Week 15

On May 18, 2012May 18, 2012 By themichaellamcollectionIn 2012 Deck, Photography5 Comments

Easter Week. I suppose that the easiest thing to try to get photographs of for Easter Week is of children flying their kites (at least in Guyana, anyway). On Easter Monday we went to the seashore near Annandale (someone referred to the spot as “Friendship”), on the Easy Coast of Demerara.

I was taking a photo of a spot where an old Koker (sluice) once stood, and my daughter and her cousin came over to play/annoy/get in the way and so I made good use of them as they were already in the scene 🙂

For a better view of the photo, please click on the image above to see it in the Gallery.

2012 Deck – Week 12

On April 13, 2012April 13, 2012 By themichaellamcollectionIn 2012 Deck, Photography4 Comments

There was a competition in the Guyana Photographers’ Facebook Group on Colonial Architecture, it was getting very close to the deadline and there were very few entries, I “hurriedly” entered one that I took in passing, not a good shot by any standards, and regretted it immediately after.

Even if I am putting up a photo to “fill up space”, I should pay more attention, I have been less focused recently (no pun intended) , I can’t seem to get myself, the camera and the subjects to comply, to align properly.

I was out with Nikhil on a walk to get a photo for his 365 (366) Project and as we were wrapping up I saw this house and thought I should get a few snaps of it, and I knew right then that I had a better photograph than what I had recently dropped into the competition.

It was heavily overcast, and I deliberately composed it with lots of headroom.

As always, click on the image to see it larger in the Gallery 🙂

200

On March 19, 2012March 19, 2012 By themichaellamcollectionIn Photography4 Comments

Just over a year I took this photo, I wasn’t very satisfied with it then, but then there was another image that had pulled most of my attention away from that same day. There’s just something about fishing boats that pulls your attention though, for this image I had wanted to incorporate the rocks, the boats, the heavily clouded sky, try as I might I could not get all the lines parallel, so I went for an image of divergent lines.

This post will mark the 200th post for this blog (I think that counts the “Hello World” post as well. I suppose if I did a daily photo project and blogged each one I’d be way ahead in count 🙂 For me, its not enough to just post a photo, I want something else to go along with it, some of my thoughts, or insights (or lack of)

There were some little things that I liked about this image; the water pulling away from the area just in front of the rocks, the waves breaking on the lower wall, the two boats at rest and, of course, the clouds 🙂

Be sure to lick on the image above for a much better view in the Gallery.

2012 Deck – Week 9

On March 15, 2012March 15, 2012 By themichaellamcollectionIn 2012 Deck, Photography6 Comments

As things got busy, I got fewer photos, but I was still left with a choice for Week 9, in the end I decided on this one. Nikhil was trying especially hard to get photos of some wall-walkers with the boats in the background, I wasn’t inclined to do the same at the time, but as I walked on the lower section later, this guy passed me and I thought I’d catch a shot of him walking away. As it happens the boats were in nice positions at this point 🙂 Dumb Luck 🙂

2012 Deck – Week 5

On February 11, 2012February 11, 2012 By themichaellamcollectionIn 2012 Deck, Photography10 Comments

There are some weeks when you have a number of photographs, many that are technically better than others, yet you keep going back to one in particular which, although not the best composed, or the best exposed, nor the best focused image, it seems to demand from you that extra bit of attention.

This image is one such image for me, I had a few that were better, nicer, prettier, more appealing generally, but this one I liked more. The focus was not on the “obvious” subject, and for that reason I almost decided not to use it, but it appeals to me, it is an image that says something more than the others that I took this week.

If it speaks to you, then I am happy, if it doesn’t, then I fully understand 🙂

2012 Deck – Week 1

On January 9, 2012January 9, 2012 By themichaellamcollectionIn 2012 Deck, Photography14 Comments

After two years of doing this, I think that this is what keeps me intrigued in photography, the weekly search for a photograph. While Nikhil has embarked upon his Daily Photography project this year (I hope he goes the full 366) I know my limitations, I won’t be trying that anytime soon.

I think that this image is somewhat appropriate to the year, the crazy Armageddon stories and to my photography. If you believe the Mayan Calendar theorists and many of the other Doomsday predictions regarding the year 2012, then you’re probably hoping, like myself, that I get some really good photographs this year! 🙂

This was taken on New Year’s Day, because of my interests in HDR, I thought that I would try another Black and White HDR, this one was taken at midday, I think the originals were 2ev apart.

It was a breezy day (forgot my tripod again, so this was hand-held for all three exposures), and very overcast, lots of clouds as you can see.

Working with Monochrome

On January 5, 2012January 5, 2012 By themichaellamcollectionIn One Way to Do it, Photography6 Comments

Just a little ramble from me, this is not instructional in the literal sense. A fellow blogger and photographer, Nigel (or greysqrl) always asked me to write a tutorial on my monochromes and specifically my black and white photographs, but I’ve never felt that I had an “art” to it or a specific sequence of steps in the methodology to really do a tutorial type of blog, so I thought that at least I can do some rambling or musing on the subject.

Back when I shot with the Canon S5 Super-Zoom bridge camera (basically a hyped-up point-and-shoot) there were several colour modes including black and white and sepia, so I had disciplined myself to taking the scenes that appealed to me in these aspects in those modes, so I never had a full-coloured version of the photograph for any sort of comparison. So for me, the idea of a scene being in monochrome always started out before I pressed the shutter-button.

After I started using a DSLR (for now the Canon T1i or 500D) I learnt about post-processing further, using RAW images, etc. Now, I still consider many scenes in monochrome and earmark them for that specific type of processing later, but I also change my mind about some scenes that were not considered for monochrome initially.

What makes a good monochrome image? I really never thought about it, I just “feel” that some scenes make better monochromes than others. I am sure that as I continue my photographic journey I will learn more about what actually makes a good monochrome, to me it’s a “old” looking scene, or a scene with high contrasts, or in many of Nikhil’s cases one with lots of texture 🙂

How do I process a monochrome image? Since all my current images start out as full coloured, it is usually that “feel” that helps me select the ones for monochrome, either that or the new method of processing as colour and then it doesn’t quite come out the way I want and I send it over to monochrome just to see what would happen 🙂

I use Lightroom as my primary image processing and workflow application, but the majority of my monochromes are done in Nik Silver Efex (after some processing in Lightroom). I take each photo on its own merit, some need to be treated softly while others need to be more contrasty and structured. Nik Silver Efex has a range of presets that you can view easily and then do your own fine-tuning.

With scenes that have clouds (I seem to have many of those now) I always go for bringing out or enhancing the detail in the clouds. The dynamic range captured using a single exposure is not (always) a true representation of what the human eyes saw or can see. Often I would look at the scene and see the nice detail in the foreground, then look up and see the layering in the clouds, but when the photograph is taken I lose some detail, and In post=processing I try to retain that detail that I saw.

This particular photo was not intended as a monochrome image, the upper portion of the boat (or lower portion in the image, since the boat is upside down) was yellow and I had initially intended to emphasize that, but it didn’t work out as planned.