The Red House

Many years ago I missed the photo-walk that Nikhil, Naseem and André took around Georgetown.  They had termed it the Georgetown Safari, and they covered much of Georgetown over two days.  I have always meant to try to cover as much of historical Georgetown as I could, but never seem to get a good start on it.

I was on my way to work, and driving past the Red House when I noticed the sky beyond it and thought this was as good an opportunity as any to take the photo I wanted of this building, the point of view is not unusual, there are dozens from this vantage point, but I like to think I did the scene some justice.

It is a single exposure, but I did some tone-mapping to draw out some detail from the scene, and I cloned out a short piece of electrical wire that sneaked into the frame in the upper corner.


Canon 60D  |  Sigma 10-20mm  |  14mm, 1/125s, f/5  |  Nik HDR Efex Pro

Click on the image to see it in the Gallery along with other images from around Georgetown, Guyana.


I always figured that the building got it’s name because it was red, but never knew that it was because it was covered with Red Wallaba Shingles.  It dates back to the days of Colonial Rule, and records indicate that the “Colony of British Guiana” acquired it in 1925, from then until 1953 it served as the place of residence for many Colonial Secretaries.

During his stint as Premier of British Guiana, from 1961 to 1964, Dr. Cheddi Jagan also used it as his Official Residence.  Under subsequent leaders, it was utilized for various government offices.  In 1999, two years after Dr. Cheddi Jagan’s death, while serving as the fourth President of Guyana, the Cheddi Jagan Research Centre was established in the building (a purpose it still serves to this day)

It is apparently also referred to as Kamana Court, a name I had not heard until today, and for which I can find no more information


2013 Deck – Week 19

I had quickly browsed through the entire takings of this week’s photos and was about to go with a street photo for this week’s Deck Photo, when on scrolling back I saw this one tucked amidst some photos from a tea-party held at the Cathedral of the Immaculate Conception, the young ladies were using this part of the building as a staging area for their fashion show.

I had looked back towards the entrance of the compound for some reason and noticed her at the window and snapped two quick shots before she disappeared back into the building, and I rather liked how this one came out.

The building is aging and I thought that the processing should match that.


Canon 60D  |  135mm  |  1/320s  |  f/7.1  |  ISO 640  |   Processed in Nik SIlver Efex


Click on the image to see it in the Gallery along with the other images from this year’s Deck Project.

On the move

Normally I try to process my images just to get them to that stage that I like, my personal preference… so theoretically, not too much processing, just adjusting the sliders a little here and a little there…  it works for most images.

This particular image I knew that I would most likely process it in monochrome, but while making my Lightroom adjustments I felt that I wanted a little something extra out of the image….  I processed it with one aim in mind after that… to get as much detail out of that stream of clouds as I could… I even carried it into Nik Silver Efex to give it that extra structure that I was looking for…..  It even has a slight selenium tone over it.

Did I overdo it?  Some may say so, but it’s what I was looking for 🙂


Canon Rebel T1i  |  1/400s 18mm f/13


Click on the image to see it in the Gallery along with other Monochrome images.

2013 Deck – Week 18

One of the techniques I like to experiment with is HDR, or High Dynamic Range, especially on landscapes.  I don’t mean taking a single exposure and tweaking it or running it through HDR software for the effect, I mean actually taking multiple exposures for recombination in post-processing.

Since the Canon allows me three sequential shots automatically, that’s the amount of frames I usually use, although I would get a better handle on the dynamic range if I used seven or nine exposures.  But since most times I do these things without hunting for my tripod, Is tick to hand-holding 3 exposures in those circumstances.

I took the exposures for this photo one morning on the way to work (I think it was a Saturday… had to be), I was driving and noticed the Lotus Flower first, then noticed the sky, and quickly decided that I wanted a photo of the scene rather than the Lotus Flower alone 🙂

Each exposure was taken one stop apart and recombined using Nik HDR Efex Pro (as a plugin for Lightroom)…my hand may have been a touch heavy on the saturation 🙂


Dayclean  |  Canon EOS 60D  |  Sigma 10-20mm  |  10mm, max aperture f/4


Click on the image to see it in the Gallery.

Pegasus on the Shore

Turn back the clock 5 years and 4 months…  I was doing one of those things that the manual says not to… shooting towards the sun… but in this case I didn’t point directly at the sun.  Since I was pointing towards the late afternoon sun, all the colours in the image became washed out leaving an almost sepia-toned image, so I carried it that extra step further in post-processing and made it a Sepia-toned image.

What had caught my eye was the light glaring off of the water that remained after the tide had receded, it made for a nice high-contrast image.


March 2nd, 2008  |  Canon PowerShot S5 IS

Shot on the lonest end of the camera’s 12x Optical zoom.

Click on the image to see it larger in the Sepia Gallery, along with many of my other Sepia-toned photos


2013 Deck – Week 17

Sometimes the photo that a photographer chooses is not always the one that a “normal” viewer would choose, that’s just how it is….  I’ve heard many Wedding Photographers lament over the same problems, they would show the couple an array of photos from the big day and then they would choose what the Photographer thought were those that were not the cream of the crop… for him (or her).

This is because we are each looking at the photographs from a different perspective, each photo speaks to us differently, and appeals to each individual differently; so it would be no surprise to me if this week’s photo draws dome curious stares  🙂  I like it, but I don’t expect everyone to like it.


Taken around Vreed-en-hoop at an area referred to as Best Village.


Click on the image to see it in the Gallery.

Sunset’s Ghostly Walker

I still think that some of my favourite photos are from my pre-DSLR days, but that is probably because those were the days of learning about photography… I’m still learning, but at a slower pace 🙂

Since switching to a DSLR, I found that I take less of the images that excited me back then… I take less Macro photos and I take less long exposures in the evening…

I’m sharing one of the those evening ones today,


Rupert Craig Highway, the Green Light you see there is the traffic light at the Conversation Tree junction.

October 22, 2008, 6:02pm  |  6s, f/8, ISO 80  |  Canon PowerShot S5 IS


Click on the image to see it in the Gallery, along with some other Sunset / Sunrise photos

2013 Deck – Week 16

Having a full time job that isn’t photography related makes for a hard time finding things to photograph, or more precisely, things that interest me…

I’ve actually been doing some walking with Nikhil recently and as such I’ve been accumulating some “street” photographs.  While it’s not exactly what I like to shoot, every once in a while I find one that I think is worth sharing

With Georgetown being the centre of activity in Guyana, the streets do tend to get congested 🙂

2013 Deck – Week 15

Every time I see a skeleton or decomposing body of an animal, I think of Avinash Richard who, although known for his Street Photography locally, was also known for his photos of such things, and how he countenances death not with morbidity, but with fascination; fascination not in the death of the creature but in thoughts of the life it lived and what caused it to knock on Hades’ Gates.

Of course, this is how it comes across to me, he would be better equipped to answer for himself 🙂

As with most photos that I render in monochrome, I knew the instant that I composed and pressed the shutter button that this image would be rendered in BW, but this one made me think a little, I even compared the coloured version and the processed monochrome for a few days before asking Nikhil’s opinion.  Thankfully, he reinforced my original thought process.

Most of my new images usually become my current favourite, but I believe that this one is truly one of my favourites of recent images.

I really think it can be seen better on the site, so click on the image above to see it in the Gallery, along with the previous images from this year’s Deck Project.


Land of Many Waters

I recently saw (again) a panorama of Kaieteur that James Broscombe had done, and I remember the one I had done with a Canon PowerShot S5 IS, point and shoot, so I went to look for it and upload it to my page.  It’s the one seen here:

Seeing James’ panorama also reminded me that I was meaning to write this post and share with whoever might stumble across it.

I had the distinct pleasure of meeting Sarah and James Broscombe a few years ago, Sarah was working in remote areas of our country with some of the Amerindian communities and James seemed to tag along camera in hand 🙂

These two talented people made quite an impression on me, and on most (if not all) people who they’ve met and interacted with.

Whatever their initial intent on coming to Guyana, the mark they’ve left on me was most likely not in the original plans… and I daresay there are others who may feel the way I do.

I was introduced to Sarah through her blog, one that she kept as a record of her “adventures” here, what struck me about her writing was the clarity of expression, and the vividness with which I could visualise everything she described.  Her grasp of the English language and her ability to use it to reach across miles of terrain and to describe the nuances of a culture that engulfed her made her writing a compelling read for me.

But this post is more about the work of her husband, James.  James dealt not with the expression of the written word, but with the capturing of scenes from their stay in photographs.  From the streets of the capital to the trails of the Rupununi, he captured an amazing array of cityscapes, landscapes, portraits and other scenes.  His amazing panoramas are breath-taking in the book, so I can only image what they’d look like printed large.  His, now iconic, photograph of lighting over Kaieteur is featured alongside many photographs that showcase the life of the Amerindian communities they spent time in.

The book is titled “Guyana: Land of many waters”, and although t can’t cover everything, it covers more than any other book of its kind.  As a book of photographic work it is packed, no, it is crammed full of beautiful imagery.  The only thing that could have made this book better would have been short stories written by Sarah.   Although I’ve seen most or all of the images online in his blog, it was so much more satisfying to turn leaf by leaf through the book!

If you are Guyanese, or love Guyana, or even just love photography, this is a boo to own, and at that price, it is a steal considering the sheer magnitude of its content.   The book is available here, and below I’m putting some samples I think may peak your interest even more.

The cover alone, should make you want to delve into it  🙂


Pages 24 and 25


Pages 58 and 59


Pages 124 and 125


and the Back Cover, the amazing image of Lightening over Kaieteur


At the list price, James isn’t making any kind of profit, so I suggest you get one before he changes his mind about that price  🙂  Get your copy of “Guyana – Land of Many Waters”, you won’t regret it.

Also visit James’ website over at http://jmbphotography.co.uk/