Another year, another 52 images for the project. Almost thought I wouldn’t make it this year… My fascination with Jhandi flags on the shore as well as my focus on seascapes has spurred some thoughts to the cohesion of images into proper collections… My Oniabo collection is still taking shape and I hope that the new year will bear fruit in similar manner.
The last photo of the year exhibits the theme nicely, in colour, so it would not be a part of my Oniabo Collection, but it is a seascape with Jhandi flags at Lusignan.
After taking a series of images here, with both the Canon 60D and the Canon 6D, I then used my phone to snap one for Instagram, and I rather like that one!
I take photos of buildings, but I don’t share many of them, not many people seem to be interested in those types of photos. Originally this was going to be a photo of a building, and then the warmth of the late afternoon sun lit up the grasses in the area, and also the pontoons around the pump station, and I thought that it would make a better landscape image.
I was originally shooting in landscape (horizontal) orientation, but then I noticed the moon, and tried a portrait oriented version that I came to like.
After a slight crop, I decided that I wanted it for the Deck Project, even though I still think that there are others from this walk that I think are better. I had shot this with the Sigma Ultra-wide 10-20mm on the Canon 60D.
This is the pump station on the seawall along the Lusignan – Anandale area, I’m sure the fishermen in the area must be getting accustomed to seeing people with cameras in the area by now 🙂
This was one of the few times I approached a scene with a preconceived idea of what I wanted, and as usually happens, I usually never get what was in my mind’s eye, but keeping my mind open to the possibilities around, I came away with good images none-the-less, simply because the scene itself gave to the process.
I hope you like it.
Click on the image to see it in the Gallery along with other images from this Year’s Deck Project.
Getting the subtle colours out of a sky opposite the now setting sun isn’t easy…. but I think I caught this one at the right time…
In the distance is a Koker and boat offsetting the foreground rock, the rock shows some of the warm light of the setting sun coming through the clouds to the back of me.
I often think to myself that if I keep revisiting the same spots then I’ll not find new photos to add to my collection, but although I do come away with many similar photos that often never see the light of day, I do get one or two that are different and worth sharing 🙂
Easter Week. I suppose that the easiest thing to try to get photographs of for Easter Week is of children flying their kites (at least in Guyana, anyway). On Easter Monday we went to the seashore near Annandale (someone referred to the spot as “Friendship”), on the Easy Coast of Demerara.
I was taking a photo of a spot where an old Koker (sluice) once stood, and my daughter and her cousin came over to play/annoy/get in the way and so I made good use of them as they were already in the scene 🙂
For a better view of the photo, please click on the image above to see it in the Gallery.
Just over a year I took this photo, I wasn’t very satisfied with it then, but then there was another image that had pulled most of my attention away from that same day. There’s just something about fishing boats that pulls your attention though, for this image I had wanted to incorporate the rocks, the boats, the heavily clouded sky, try as I might I could not get all the lines parallel, so I went for an image of divergent lines.
This post will mark the 200th post for this blog (I think that counts the “Hello World” post as well. I suppose if I did a daily photo project and blogged each one I’d be way ahead in count 🙂 For me, its not enough to just post a photo, I want something else to go along with it, some of my thoughts, or insights (or lack of)
There were some little things that I liked about this image; the water pulling away from the area just in front of the rocks, the waves breaking on the lower wall, the two boats at rest and, of course, the clouds 🙂
Be sure to lick on the image above for a much better view in the Gallery.
Just a little ramble from me, this is not instructional in the literal sense. A fellow blogger and photographer, Nigel (or greysqrl) always asked me to write a tutorial on my monochromes and specifically my black and white photographs, but I’ve never felt that I had an “art” to it or a specific sequence of steps in the methodology to really do a tutorial type of blog, so I thought that at least I can do some rambling or musing on the subject.
Back when I shot with the Canon S5 Super-Zoom bridge camera (basically a hyped-up point-and-shoot) there were several colour modes including black and white and sepia, so I had disciplined myself to taking the scenes that appealed to me in these aspects in those modes, so I never had a full-coloured version of the photograph for any sort of comparison. So for me, the idea of a scene being in monochrome always started out before I pressed the shutter-button.
After I started using a DSLR (for now the Canon T1i or 500D) I learnt about post-processing further, using RAW images, etc. Now, I still consider many scenes in monochrome and earmark them for that specific type of processing later, but I also change my mind about some scenes that were not considered for monochrome initially.
What makes a good monochrome image? I really never thought about it, I just “feel” that some scenes make better monochromes than others. I am sure that as I continue my photographic journey I will learn more about what actually makes a good monochrome, to me it’s a “old” looking scene, or a scene with high contrasts, or in many of Nikhil’s cases one with lots of texture 🙂
How do I process a monochrome image? Since all my current images start out as full coloured, it is usually that “feel” that helps me select the ones for monochrome, either that or the new method of processing as colour and then it doesn’t quite come out the way I want and I send it over to monochrome just to see what would happen 🙂
I use Lightroom as my primary image processing and workflow application, but the majority of my monochromes are done in Nik Silver Efex (after some processing in Lightroom). I take each photo on its own merit, some need to be treated softly while others need to be more contrasty and structured. Nik Silver Efex has a range of presets that you can view easily and then do your own fine-tuning.
With scenes that have clouds (I seem to have many of those now) I always go for bringing out or enhancing the detail in the clouds. The dynamic range captured using a single exposure is not (always) a true representation of what the human eyes saw or can see. Often I would look at the scene and see the nice detail in the foreground, then look up and see the layering in the clouds, but when the photograph is taken I lose some detail, and In post=processing I try to retain that detail that I saw.
This particular photo was not intended as a monochrome image, the upper portion of the boat (or lower portion in the image, since the boat is upside down) was yellow and I had initially intended to emphasize that, but it didn’t work out as planned.