2012 Deck – Week 44

I’ve had the pleasure of meeting and taking some photographs of the best female golfer in Guyana, Christine Sukhram.  Most of you know that I am not a Portrait Photographer, I am not comfortable with directing ad posing models, and it was also evident to me that Christine was much more comfortable out on the Golf Course than posing in front of the camera, but both times I was able to walk away with a few photos that even I was comfortable with, and with the feeling that I had stood in the presence of someone who was not only comfortable with what they did, but was great at it.

She won her first Guyana Open Golf Tournament title in 2006, and this year marked her sixth Championship title in that tournament, for someone who has had to juggle a day job and still remain at the top of her game is impressive, I can only imagine what she could achieve if she were to go Professional, but in Guyana, we all need our day jobs 🙂

For Week 44 of the Deck Project I chose one of the images I took of her, which was also used in a promotional billboard, I chose it not because it’s a great photo (I am personally never that happy with my portrait photos) but because she is a great person, a great golfer, and as Guyanese we should be proud of her.  Maybe one day she’ll be ranked internationally like her compatriot Nicolette Fernandes who has made us proud locally and internationally in Squash.

Click on the image above to see it in the Gallery.

2012 Deck – Week 41

On a recent photo-walk with Nikhil and Sharon on the seawalls up the East Coast of Demerara, I found myself looking at the scenes around me and shooting without really thinking too much about it, almost on automatic.  I saw things to photograph, they caught my eye and I took a few snaps.

I wasn’t inspired, and I thought to myself that I’d be coming away with something “normal”, something that I would be happy with but not overjoyed.

On the walk back to the vehicle, I happened to walk under a fisherman’s shed, and the scene that caught my eye was different in a few ways from all that I had seen, nothing spectacular, but just different enough for me, and I stopped, took the time to set up the camera for a few bracketed exposures, and took two sets of exposures for later HDR-processing.

This was the result: At Rest.

At Rest

Click on the image above to see it better in the Gallery.

2012 Deck – Week 39

Finding inner peace is not an easy task, and often times the path to it is fraught with despair.  With the myriad of daily struggles that we all endure, and the unexpected arrival of ones that we have no control over, it is no wonder that finding inner peace is difficult, and some may even say impossible.

Take a few minutes and get away from it all, go sit on the seawall in the shade of a tree, or the lee of a rock, and stare at the seemingly boundless ocean, towards the distant horizon, let your mind wander, free from the stress that has a vice grip on your soul… just relax, find a touch of inner peace in a moment of outward calm.

Click on the image to see it larger in the Gallery.

2012 Deck – Week 37

I have a few rules or guidelines that I try to abide by in my photography, and I’m not referring to the Rule of thirds or Rules of composition, I’m referring to ones that will guide me as a photographer and help me to get those photos that I want.

Rule #2:  STOP and take the shot

Many times we regret not stopping, for one reason or another, to take the “shot” that we could see in our mind; we saw it, we thought of how to compose it, maybe even how to process it afterwards, but unless we actually stopped and took the shot, everything else is supposition and a wasted opportunity.

I was driving down the Railway Embankment heading home and saw the colours in the sky developing into what could be a lovely sunset, I saw the clouds low on the horizon and the sun dipping towards them and I knew I had to take a photo of it.

A photo of a sunset, is a photo of a sunset, unless you have something else in the photo that adds interest, then its just a photo of a sunset, and there’s a million of those.  As I was driving down, looking for something to use in the foreground, I remembered the Chimney at Chateau Margot, and quickly diverted towards the main Public Road.  As chance would have it, I ended up behind some slow moving traffic and could not get to the spot as quickly as I’d have liked, but I got there, didn’t try to change lenses, but grabbed what was there and just shot a few exposures to get it.

Although I could have gotten the sky as I saw it earlier, from the road with houses around and utility wires all over the frame, I spent a few precious minutes to get to a spot I felt better about, and I think I can live with that  🙂

Click on the image above for a better view in the Gallery.

2012 Deck – Week 36

Time never stands still.

It only seems like a few moons ago that my daughter was born, yet she’s now nine years old.

For a little while, on the Sunday before school re-opened, I let all else be lost, all worldly matters be forgotten, as I sat among the rocks on the seawall, with family, a snack or two, some drinks and the cool breeze brought by the incoming tide.  I just sat, camera in hand and as my daughter and her cousin played in the water, enjoyed the little slice of time that stood still…

I don’t often do photos of “people”, but I think this year I’ve uploaded more “portrait type shots for the Deck Project than before  🙂

A Photo’s Worth

Recently, Dwayne Hackett posted a question on Facebook, looking to garner from others what they thought, “What is a picture worth?”, and of course at least one person used the old adage of “a thousand words”.  I am sot certain of Dwayne was trying to get at philosophical or monetary answers  🙂

For more than a century we’ve heard that a picture is worth a thousand words, usually meaning that a complex idea can be expressed in a single image, but what is a photo actually worth?  My answer was “A photo’s worth is weighed differently by each viewer, it depends on how the photo affects them.”  For me this answer works for both the philosophical and monetary.

The most expensive Photograph on record (as of today) is the Rhein II by Andreas Gursky, which sold at auction last year for $4.3 Million, the cheapest may be that passport sized one you recently got for your American Visa Application 🙂  Which one is worth more?  To the Visa applicant, it is certainly the passport sized one, without which they can’t submit the forms, to an artist, the Rhein II certainly surpasses the “mug-shot” 🙂

While the simplicity and boldness of the Rhein II appeals to my artistic senses, a photo that sold for one-seventh of its value appealed to me much more, that would be Ansel Adams’ “Moonrise”, but that is because of how that photo affects me, and so I find more “worth” in that image.

Last year I dealt with this similarly in my post for the 23rd Week of the Deck Project, you can check it there for reference  🙂

I had taken this photo while on a walk with Nikhil and Sharon, hen I had downloaded the images, I had decided that this one was not going to make the cut, and left it aside, but after Dwayne’s question, something sparked an interest in the image.  I had used ISO500, I had shot into the sun, and I had done this dangling the camera downward simply because I was too lazy to get down in the rocks to properly compose the image, so I wasn’t enthusiastic about it  🙂

I didn’t think the resulting image was worth my time and effort to process, but I went back and while it is grainy from the high ISO and from the subsequent processing, I like it.  It may not have the same impact on a Christian as it would on a Hindu, it would not have the same effect on a North American as it would on someone from the Caribbean, each would decide it’s worth, it’s value as a photograph differently.  For many this may be worthless, for me, it was worth saving, worth the time and effort in processing, and if anyone reading this blog-post realizes the worth in their own photos, then this blog-post was worth writing.

2012 Deck – Week 35

In June of this year Imran Khan had done an article on the new insurgence of young (and not so young) Photographers in Guyana in the form of the Facebook Group Guyana Photographers, this was recently re-blogged on the GuyanaPhotographers.com site.  In it he mentioned that the Seawalls seem to be a favourite or default location for their “treks”, this is very true.

With most of the population of Guyana living on the Atlantic coast, this is inevitable; with the majority of (accessible) roads meandering along the coast, this is inevitable; with the majority of the coastland given over to farming (and now housing) leaving the only scenic areas being the seawalls stretching from east to west along the coast, this is inevitable.

I’m not saying that there aren’t more places that would make nice photographs, there are, they are just not as “easy” to get to.  You can read “easy” as being “not too expensive to get to”, “not too arduous to get to”, “not needing to plan a trip weeks in advance” and  ‘not requiring a four wheel drive vehicle with a winch and hi-lift” to get there.  🙂

So, for someone who has a full-time job but would still like to get a nice photograph, as Imran so accurately pointed out, the Seawall becomes the “default” location  🙂

With that said… here’s a pair of Jhandi Flags… on the sea shore, just in front of the Seawall

Click on the image to see it better in the Gallery, along with all the other entries for this year’s Deck Project.

Water

Sometimes using a “rule” works in your favour.  One of the most harped-upon rules of photography is the Rule of Thirds, I think every beginner in the field knows this one.  Divide the viewfinder in three parts, both vertically and horizontally, then use that to help compose the image, whether putting subjects into the portions or onto the dividing lines.

Nikhil always tells me that we should know the rules, so we’ll know when to break them with greater effect on the resulting image, or in this case use it as literally as possible  🙂

I tried my hand at another seascape, and remembered that sometime back I was told that more than two-thirds of the earth’s surface is covered by water, so I covered two-thirds of my image with the sea-water  🙂

Click on the image for a better view in the Gallery.

Rent

Under clouds of gloom, tread lightly in fear,

unknown dangers may lurk quite near

Yet onward walk, for we must see

what lies upon yonder sea

It is our goal, our sole intent

today to capture the coming rent

in clouds that cover, yet soon shall show

upon the sea a hopeful glow

for but a moment shall it be

a fleeting time, then it too shall flee

as the sun continues its descent

we try to capture the fleeting rent.

Seascape

Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on a voyage of seeing.

– Hiroshi Sugimoto

In 1980 Sugimoto began working on a series of Seascapes from around the world, he uses different exposure times (sometimes up to three hours) and he composes them with the horizon bisecting the photograph.  Oh, he uses an old-fashioned large format camera to do this, serious stuff!

Sugimoto I’m not, but his reflection on how the view of the sea affects him made me thing of all the times I’ve visited our own Seawall, and even when the tide is high and the waves are rough, there’s a sense of sereneness that permeates me, calms me and makes me forget my worries.  His last phrase there also reminds me of how we often stand (or sit) and face the waters and stare out to sea, as if in a daydream, “on a voyage of seeing”.

I won’t try to mimic his work, but the simplicity of his work made me wonder if I could try a simple seascape, something without the occasional boat or human element, or the rocks along a shore.

This image was taken in the afternoon, and I processed it using Nik Silver Efex, with an orange filter for effect.

Click on the image for a better view in the Gallery, along with others in the Black and White series.