Colour or Monochrome

When film (or plate) was the way to capture photographs, there were many many debates, just like there are now.  They didn’t debate sensor sizes, they debated film sizes (and that had so many I won’t even start on that), and just like many enthusiasts and professionals now debate colour vs monochrome, so it also went back then.

While there were specific films developed for both types back then, in the digital age we are pretty much guaranteed that the camera you buy, whether the one in your mobile phone, compact camera, mirrorless or DSLR camera, it will in all likelihood take the photos in colour, which you can then convert to monochrome (black and white, sepia, etc) in post-process, whether in-camera or in software on the PC.  This changed when Leica developed their Leica M Monochrom, it was the first major brand to produce a high-end digital camera that produced only black and white photographs, and rumor has it Sony is working on a black and white version of their RX 1.  I don’t want to get into a debate myself over the need or desire to have a camera that only shoots monochrome, I can only say that it is unlikely I would ever buy one myself, but that is probably only my wallet talking.

In the genre of Street Photography, there is usually a preference for black and white images, but there are many many great coloured Street Photographs out there, more than you’d think.  Henri Cartier-Bresson’s work in street photography was very definitive for the genre, and all his work was in black and white, he also experimented with coloured film but was never satisfied with the results; of course, he only had access to the types of film available then (the 1950s) and if you look back at coloured prints from those days you’d see the limitations of the coloured film of the time.  I dare say that if he had lived in a later era, he may have at least given the coloured films a chance.

When I first started taking photographs on a slightly more serious basis than just snapshots, I didn’t do much black and white processing, and even when I did, it was more for the novelty than because I knew why it should be done and to which photographs.  Now I do a lot more processing in black and white…

What have I learnt that changed my views?

I’ve learnt that not all photos look good in monochrome, the tonal range and subject matter is very important for an image to look good in monochrome.  Monochrome images tend to showcase textures, shapes and form better, and by removing colour from the image you are left with just the elements that make up the composition, and if those elements are not functioning correctly in the overall composition, it will feel off, or look cluttered.

When used correctly, colour will catch the eye and hold it, this works for some compositions, but for others, that same thing tends to shift the focus of the viewer from the overall composition and have them concentrate almost solely on one portion of the image.

I’m no expert, but this is how I see it; recently I took a few photographs of some Jhandi flags on the Kingston seashore, and I chose two that I liked, and I processed them quite differently, and primarily for the reasons stated above.

This one I chose colour, because the main subject and the focus of the image is the Jhandi flags themselves, the various colours chosen as they contrast with each other, the browns of the sand and the blues of the sky.

The second image I processed in black and white to articulate the relationship between the clouds in the sky with the sands on the ground, the change from dark to light in both the sky and the land as they meet at the horizon, the sharpness of the shadow from the midday sun, and the contrast between the flags on the pole so close to the viewer against what seems to be a smaller post in the distance to the left of the frame.

These are my decisions, they may quite well not be anyone else’s choice.


In the end, these are choices I make in how I express myself artistically now, it is not how I did it a few years ago, it may not be how I do it five years from now.

Click on the images to see them in their respective galleries.

2014 Deck – Week 11

This week’s photo is about Implied Motion.  OK, I lied, it’s a photo of a Jhandi flag at the Kingston seashore, but as it turns out it is one of those images that displays implied motion (at least for me)

Whenever we try to convey the idea of motion in a still photograph we usually do one of two things, we either have the main subject show motion blur with the background or rest of the scene in focus (such as light trails at night on the street, or a speeding cyclist, slightly blurred with the track sharply in focus)  or we do the reverse, with the main subject in focus but the background blurred (such as in panning shots, or a pedestrian in front of a speeding minibus – by “in front of” I mean with respect to the camera, not the business end of the minibus – although that would make a dramatic photo of a different sort).  🙂

Another method might be to blur everything, such as taking a photo from inside a moving vehicle, creating that “vortex” look (on a side note, using the zoom on the camera while standing still produces neat effects too)

Chrono Photography is also a neat trick used to convey motion, by capturing multiple instances of a moving subject and then layering them in your favourite photo software creates a good sense of the subjects path through the frame.

After babbling about all these ways to create a sense of motion in a still photo, I will just say that I used none of the above for this photo.

This photo is either serendipitous or pure photographer’s luck (hmm, maybe one has something to do with the other).  I had stepped out of my office intending to walk around a few blocks, upon looking up at the sky I notices the clouds in a lovely “blown” pattern, I decided to walk to the seawall instead.  I have taken many photos of the roundhouse before (and will probably take many more), I have also  taken many photos of Jhandi flags before (and will likely take many many more), but that day I saw the clouds in a dispersed pattern, a Jhandi flag blowing in the wind with the roundhouse as a backdrop, and I decided to compose and shoot it, I took a few exposures, then saw five birds flying from the roundhouse towards me… Serendipity!

I was also shooting with the Sigma 10-20 Ultra-wide lens on the camera, so I also got a bit of lens distortion at the edges that helped with the appearance of motion in the clouds toward the edges even more.

That’s a lot of preamble for one photo, but I hope I bored you enough that the photo is now more pleasing 🙂



Canon EOS 60D  |  Sigma 10-20mm

1/250s, f/11, ISO 100  |  6°49’34” N 58°9’45” W


Click on the image to see it in the gallery along with other images from this year’s Deck Project

2014 Deck – Week 01

Welcome back to my Deck Project, a photography project of one photo for every week of the year, giving me 52 photos for the year. (and there are 52 cards in a Deck of normal standard cards, not counting Jokers, hence the name Deck Project)

I start the year at a very familiar place, the seawalls, living on the coastland of Guyana gives us easy access to the sea and the extensive shoreline.

Recently there was a discussion about how Guyanese (among many others) prefer to use pirated software instead of paying.  This has primarily to do with a difference in income levels and the cost of many software can easily exceed the salaries of the average or even above-average Guyanese.  The cost of such popular photo-processing software as Adobe Lightroom and Corel AfterShot Pro has declined in recent years making it more affordable, but the habit of acquiring pirated copies persists.  After this discussion I remembered Nikhil posting about an Open Source photo-processing software called LightZone, and I decided to give it a good try (even though I do own and use Adobe Lightroom)

This photo for the first week of the 2014 Deck Project was processed primarily in LightZone (but since I use Lightroom to interface with my website, I used Lightroom to tag/keyword and upload the image)  LightZone is surprisingly versatile and powerful, I think I’ll be using it  a bit more to experiment with some features as well as to encourage those who can’t afford Lightroom or AfterShot to try something that’s Free but also pretty powerful.


Canon 60D, Sigma 10-20mm  |  1/125s, f/8, ISO100, 10mm

Seawalls near Thomaslands, Georgetown


Click on the image to see it in the Gallery

2013 Deck – Week 51

I returned once again to the seawall and the seashore for photographic inspiration, my daughter was quite happily using a cellular (mobile) phone to take photos of the same or similar scenes as I was, I was about to take a photo of a shell near a pool of water when I noticed it move, so after some patience and angling to get a better shot I got this one 🙂



Click on the image to see it in the Gallery

2013 Deck – Week 40

This year, I think most of my photos come from the Seawall areas along the coast of Demerara, simply because I’ve had little opportunity to go elsewhere…  but the amazing thing about the seawalls, is that I think you can take a photo there every week and still come away with something interesting

This one I was tempted to call “Low T”, but knowing the western mind-set it would probably be a bad idea 😀

Took this using a low perspective, with the Sigma Ultra-wide 10-20mm, even at 1/200s the bird in the sky shows motion blur 🙂 (Probably added a bit to that with the wide-angle distortion at the edges of the lens)

I hope you like it.



Click on the image to see it in the Gallery

2013 Deck – Week 38

This photo appealed to me as soon as I took it.  Even on the camera display I thought that this may very well be the photo I choose for the Deck Project.  And even now, looking at the takings for the week, I haven’t changed my mind.

It was a simple log, driftwood (a sizeable one), that sat upon the seashore, this was under a bright midday sun, and I used a Red filter in post-process to give me the drama I was looking for.

I called it “Between the Groynes”, of course we’ve called them Jetties since I was young 🙂



Click on the image to see it in the collection


2013 Deck – Week 33

The coastal seawalls of Guyana are definitely one of my favourite places to be,  I’ve seen life anew, life renewed and life’s farewell there…  I’ve seen families relaxing, fishermen working and many other activities of our coastal culture…. I’ve seen the sun rise and the sun set and I’ve seen scenes that I’ve failed to capture in photographs.

This blog is a bit of a ramble… just warning you 🙂

I’ve been visiting the seawalls, from Kingston to parts along the coast; Buxton, Lusignan, Plaisance, Montrose… just to name a few places…  even Mariah’s Lodge and other parts along the Essequibo coast… and at each spot there is something new to see, but the feeling is usually the same to me.  Whether I’m alone, or with friends or family, I could feel an almost instant sense of relaxation as I step towards the shore and feel the wind upon my face…

I’d hate for others to be offended, but whether I’m with others or not, I feel alone… not in a lonely sense but in a sense of self… I feel unencumbered and free…

I can walk along the beach with my best friend, engrossed in conversation… and still feel it…  I can sit upon the wall with all my extended family… and still feel it, I could sit alone upon a rock and the feeling would be no less nor no more…  Can I photograph that feeling? No.  I think you either know what I mean, or you don’t.

This photo reminds me of that feeling… A man alone with his horse, walking the shore.



Click on the link to see it in the Gallery.

2013 Deck – Week 31

I’d hate for a week to go by and not take a photo, not only would it halt the Deck Project, but I’d personally feel empty, but some weeks, the ones I do manage to take still leave me feeling that I should have tried to find more time to go further afield looking for something “extra”

That being said, there’s always something in the few that were taken, if I look at them with “fresh eyes” or just forget about what isn’t there and concentrate on what is…  This was one of those photos that at first glance I discarded, yet when scrolling through I thought I saw something that wasn’t there before.. not sure what it is, but I felt it differently… and processed it right away with that feeling…

I hope you like it.



Click on the image for a better view in the Gallery

On the Beach

When taken from a low perspective with an utra-wide-angle lens, scenes take on a different look 🙂

The bright whites at the top of the wood are harsh reflections from the one o’clock sun.

Canon EOS 60D  |  Sigma 10-20mm  |  1/125s, 10mm, f/8, ISO 100


Click on the image to see it in the Black and White Gallery, along with many others in my Black and White Collection.