This was one of those times when you’re kicking yourself after for a very silly mistake.
I don’t recall the reason now, but at some point I had set the camera’s ISO high… and then forgot. So my first large batch of photos with the camera the next morning were all grainy because of a higher ISO.
I almost didn’t process any, but this one caught my eye and I decided to process it through as if nothing was wrong 🙂
I was reading somewhere recently (online) a caption for a photograph that said “crossing Kurupukari” and it occurred to me that some people probably genuinely think that the river that they are crossing with the pontoon/ferry is actually called Kurupukari – the river is none other than the mighty Essequibo.
Kurupukari is apparently the historic name of the Amerindian village now known as Fairview, which happens to be the only Amerindian village located within the Iwokrama Rainforest Programme Site. The rapids or waterfalls seen near the “crossing” is referred to as the Kurupukari Rapids or Kurupukari Falls, the area on either side of the river where the pontoon/ferry and boats come ashore is/are referred to as the Kurupukari Landing; this landing allows for the transport of vehicles across the Essequibo River along the Linden-Lethem Trail / Road.
I’ve taken many photos at the crossing, as have many other people, it has a scenic quality that is endearing but not necessarily easy to capture on camera. While photographing it this last March I realized what was one of the things that I loved about it, it was the openness, the width of the river, the wide expanse of sky above. In this photo I try to convey that sense of openness and also the scale (there’s a boat/canoe crossing the river).
Canon EOS 60D, Sigma 10-20mm | Essequibo River, Kurupukari, Guyana, 2016
I don’t often do HDR images, mainly because I think it’s a technique that has it’s uses in specific circumstances, and also because a basic RAW file out of the camera now has much more dynamic range than before and can be adjusted in post process to utilize that content without the need for multiple exposures.
But I like doing HDR images, to pull and prod at the dynamic range in a scene and get it looking as I remember the scene as my eyes could see it. Shooting into the sun is tricky, most times all you’ll get are silhouettes, so adjusting exposure to balance the scene is one way to try compensating for that great ball of light, or shooting multiple exposures and using HDR techniques after can also work towards the desired goal.
This one, I went for an HDR, but I didn’t want that wide a dynamic range, so I only bracketed very narrowly from 0ev. I wanted the colours from the sky and the city below to come through, and I wanted the light and shadow to be there but with more detail than the standard exposure was giving me.
On the way to Fort Island recently, the ferry we were on (the M.B. Sandaka) was accompanied by a Coast Guard cutter (I’ll assume it was a cutter, I don’t know one boat type from another really).
At one point there were some nice God Rays over the river which I noticed my friend Ryan taking photos of (he got a nice one the he posted to Facebook), so instead of trying to get pretty much the same photo, I tried to get one of the Coast Guard vessel with a few of the rays, it didn’t come out too bad 🙂
The cutter was marked PIRAI at the back (I think in boat lingo that would be the stern), Pirai is the local name for the fish Piranha.
Sepia conversion and processing done in Lightroom, also did some dodging on the cutter for effect.
Click on the image to see it in the Gallery along with other images in the Sepia Collection
Normally I try to process my images just to get them to that stage that I like, my personal preference… so theoretically, not too much processing, just adjusting the sliders a little here and a little there… it works for most images.
This particular image I knew that I would most likely process it in monochrome, but while making my Lightroom adjustments I felt that I wanted a little something extra out of the image…. I processed it with one aim in mind after that… to get as much detail out of that stream of clouds as I could… I even carried it into Nik Silver Efex to give it that extra structure that I was looking for….. It even has a slight selenium tone over it.
Did I overdo it? Some may say so, but it’s what I was looking for 🙂
Canon Rebel T1i | 1/400s 18mm f/13
Click on the image to see it in the Gallery along with other Monochrome images.
I was processing this photo from 2009 and the title that immediately sprung to mind was “Walk and Talk”, obviously because that’s what the girl was doing; walking leisurely on the jetty, and talking on her cell phone (or mobile phone, or cellular phone, depending on your custom).
Then, of course, being a Caribbean Man, the song from “reggae great” Pluto Shervington popped into my mind as well; that would be “Ram Goat Liver”
As I am fairly certain that not many people outside of the Caribbean would know the song, I’m including the lyrics from the chorus:
Ram goat liver good fi mek mannish water
Billy goat teeth mek the earring for you daughter
Curried goat lunch put de bite in your bark
It mek you daughter … It mek you daughter walk and talk
I think that it is a good bet that the young lady in the photograph may likely be of East Indian descent, so the idea that she might have had Curried for lunch would not be too far fetched, and she can certainly walk and talk 🙂
These days I have to wonder if the cell phone is more of a convenience or an intrusion. As it is, they are now more than just phones, they’re basically what was once your home computer, now in the palm of your hand. I remember when I owned a PC with a 386 processor that had an 80MB Hard Drive and at the time, that was considered large; now my smartphone has more than that amount of memory built-in and an additional card that can hold an additional 8GB of data.
But I digress. It is convenient to have a phone always with you, rather than being tied to a land-line. It is convenient to be able to check your e-mail, your Facebook and Twitter accounts, check stock trades and the latest news, and so much more. There are, however, times when you can do without the constant interruptions, the unpredictable yet persistent “ping” or “bleep” or whatever “ring-tone” you’ve chosen to notify you of every event that the phone is now capable of alerting you to. After weighing the Pros and Cons, I came to a decision that the mobile phone is as much as a convenience as you want it to be, and conversely, as much of an inconvenience as you want it to be.
My phone goes on silent when I go to Church, to meetings and to various functions where I prefer not to be disturbed, I feel the vibrations and I am aware that when I finish whatever it is I am doing that, after the hour or two, I will have a few (or quite more than a few) messages to read and maybe calls to return. But I am the master of the phone, it is not the master of me, and quite frankly, that is how it should be.
When we arrived at Orinduik, we decided to see if there was a spot by the river to camp, the thought of the sound of the running water seemed like a good idea. Orinduik Falls is situated on the Ireng River that forms part of our border with Brazil.
This photo was taken in the “blue hour” of the Sunset,
I thought to myself this week that maybe I should just put up as good a photo as I could get up to today before I let another week pass by and then I would be behind again in this project… and since I went with Nikhil to the Kingston Promenade yesterday photo-hunting, I came back with a few decent shots, so here’s to the twentieth week of the year.
It was one of those uninspiring afternoons, nothing seemed to leap out at you, at least not photographically. I did get a shot of a crab before he scampered back into his “hole” (is there a name for those?), but he isn’t super-sharp, I may yet post it up. The beach was littered as usual, and the sun was shining so brightly I almost couldn’t look eastwards, and the glare off the water and sand wasn’t helping any either.
Fortunately I did manage to see through the glare enough to spot a youngster playing near the waves, as it turned out I got more than I thought 🙂
Well, I had to title it something and this sounded apt enough. Both photos have a sea-vessel and the water they traverse upon, so “Ships at Sea” it is, even though I am not sure they would call it the Sea… I’ve always been confused by that.
Growing up it was always the Sea, and protecting us from it was the Seawall, made sense…. now technically, the water to the horizon northwards from our shores is the Atlantic Ocean, I don’t think it is still the Caribbean Sea, and since I am being technical, both photos are not pointing Northwards but more West by North West, making that particular area of water the mouth of the Demerara River.
Aye, my head hurts from trying to sort that one out, so Sea or Ocean or River, its got a boat on the water. They’ve both been done in monochrome to emphasise the clouds and the water, taken on different days but in generally the same location, on the stretch of beach along the Kingston shore.
On Wednesday last (June 2nd), my friend launched his Blog “Bad Light, Good Light” (http://badlightgoodlight.wordpress.com/2010/06/02/origin-of-a-name/) with a post regarding the origin of the name of his blog. It just happens that the image he used to illustrate the point he was making in the post was one from a walk we went on the day before, and on that walk I took what would become my photo for the 2010 Deck for this week, and it is of the same location as his, although I’ll admit his image had a lot more artistic merit. 🙂
I’ve always been told “don’t shoot towards the sun”, and, by and large, this is usually good advice, but there are times when doing just that results in some nicely silhouetted images that have their own appeal. What I particularly liked about this scene was the portion of land to the right with the vegetation and the two boats anchored to the left, these made excellent silhouetted areas that contrasted nicely with the mostly clear sky, the low clouds were nicely “haloed” by the afternoon sun and that pretty much competed the scene for me.
I have always been an admirer of paintings by a local artist named V. C. Budhram, his renditions of water ans skies were always impressive, for that reason alone the ripples in the water reminds my of his work. His compositions, of course, were never like this, always more vibrant, full of life, and far more colourful.