Colour or Monochrome

When film (or plate) was the way to capture photographs, there were many many debates, just like there are now.  They didn’t debate sensor sizes, they debated film sizes (and that had so many I won’t even start on that), and just like many enthusiasts and professionals now debate colour vs monochrome, so it also went back then.

While there were specific films developed for both types back then, in the digital age we are pretty much guaranteed that the camera you buy, whether the one in your mobile phone, compact camera, mirrorless or DSLR camera, it will in all likelihood take the photos in colour, which you can then convert to monochrome (black and white, sepia, etc) in post-process, whether in-camera or in software on the PC.  This changed when Leica developed their Leica M Monochrom, it was the first major brand to produce a high-end digital camera that produced only black and white photographs, and rumor has it Sony is working on a black and white version of their RX 1.  I don’t want to get into a debate myself over the need or desire to have a camera that only shoots monochrome, I can only say that it is unlikely I would ever buy one myself, but that is probably only my wallet talking.

In the genre of Street Photography, there is usually a preference for black and white images, but there are many many great coloured Street Photographs out there, more than you’d think.  Henri Cartier-Bresson’s work in street photography was very definitive for the genre, and all his work was in black and white, he also experimented with coloured film but was never satisfied with the results; of course, he only had access to the types of film available then (the 1950s) and if you look back at coloured prints from those days you’d see the limitations of the coloured film of the time.  I dare say that if he had lived in a later era, he may have at least given the coloured films a chance.

When I first started taking photographs on a slightly more serious basis than just snapshots, I didn’t do much black and white processing, and even when I did, it was more for the novelty than because I knew why it should be done and to which photographs.  Now I do a lot more processing in black and white…

What have I learnt that changed my views?

I’ve learnt that not all photos look good in monochrome, the tonal range and subject matter is very important for an image to look good in monochrome.  Monochrome images tend to showcase textures, shapes and form better, and by removing colour from the image you are left with just the elements that make up the composition, and if those elements are not functioning correctly in the overall composition, it will feel off, or look cluttered.

When used correctly, colour will catch the eye and hold it, this works for some compositions, but for others, that same thing tends to shift the focus of the viewer from the overall composition and have them concentrate almost solely on one portion of the image.

I’m no expert, but this is how I see it; recently I took a few photographs of some Jhandi flags on the Kingston seashore, and I chose two that I liked, and I processed them quite differently, and primarily for the reasons stated above.

This one I chose colour, because the main subject and the focus of the image is the Jhandi flags themselves, the various colours chosen as they contrast with each other, the browns of the sand and the blues of the sky.

The second image I processed in black and white to articulate the relationship between the clouds in the sky with the sands on the ground, the change from dark to light in both the sky and the land as they meet at the horizon, the sharpness of the shadow from the midday sun, and the contrast between the flags on the pole so close to the viewer against what seems to be a smaller post in the distance to the left of the frame.

These are my decisions, they may quite well not be anyone else’s choice.


In the end, these are choices I make in how I express myself artistically now, it is not how I did it a few years ago, it may not be how I do it five years from now.

Click on the images to see them in their respective galleries.

2014 Deck – Week 11

This week’s photo is about Implied Motion.  OK, I lied, it’s a photo of a Jhandi flag at the Kingston seashore, but as it turns out it is one of those images that displays implied motion (at least for me)

Whenever we try to convey the idea of motion in a still photograph we usually do one of two things, we either have the main subject show motion blur with the background or rest of the scene in focus (such as light trails at night on the street, or a speeding cyclist, slightly blurred with the track sharply in focus)  or we do the reverse, with the main subject in focus but the background blurred (such as in panning shots, or a pedestrian in front of a speeding minibus – by “in front of” I mean with respect to the camera, not the business end of the minibus – although that would make a dramatic photo of a different sort).  🙂

Another method might be to blur everything, such as taking a photo from inside a moving vehicle, creating that “vortex” look (on a side note, using the zoom on the camera while standing still produces neat effects too)

Chrono Photography is also a neat trick used to convey motion, by capturing multiple instances of a moving subject and then layering them in your favourite photo software creates a good sense of the subjects path through the frame.

After babbling about all these ways to create a sense of motion in a still photo, I will just say that I used none of the above for this photo.

This photo is either serendipitous or pure photographer’s luck (hmm, maybe one has something to do with the other).  I had stepped out of my office intending to walk around a few blocks, upon looking up at the sky I notices the clouds in a lovely “blown” pattern, I decided to walk to the seawall instead.  I have taken many photos of the roundhouse before (and will probably take many more), I have also  taken many photos of Jhandi flags before (and will likely take many many more), but that day I saw the clouds in a dispersed pattern, a Jhandi flag blowing in the wind with the roundhouse as a backdrop, and I decided to compose and shoot it, I took a few exposures, then saw five birds flying from the roundhouse towards me… Serendipity!

I was also shooting with the Sigma 10-20 Ultra-wide lens on the camera, so I also got a bit of lens distortion at the edges that helped with the appearance of motion in the clouds toward the edges even more.

That’s a lot of preamble for one photo, but I hope I bored you enough that the photo is now more pleasing 🙂



Canon EOS 60D  |  Sigma 10-20mm

1/250s, f/11, ISO 100  |  6°49’34” N 58°9’45” W


Click on the image to see it in the gallery along with other images from this year’s Deck Project

Perception

Lately, I’ve been very busy, although depending on your point-of-view I might also have been giving priorities to the “wrong” things; for my myself, I say I’ve been busy.

I tell people that I’ve been busy, so I haven’t updated this blog, and updated the Deck Project, they look at me askance and think I’m either lying or stretching the truth, but it’s a matter of perception I suppose.

Often, what we see in a photograph is also a matter of perception, this image is one I overlooked when choosing my photo for week 9 of the Deck Project this year; when I say “overlooked”, I mean that I did not see then the potential that I saw when going back through the images the second time.

I was looking at a photograph recently of what appeared to be a woman holding a young girl lying limp across her arms, I later realized that it was a young man in her arms, but the combination of dark hair and a dark material near the head gave the long hair I usually associate (firstly) with girls, the features of the youth were very smooth and “pretty”, and he was attired in a hospital gown, all adding together to skew my perception.

I’ve also been trying to look at scenes differently and change my perspective, also altering my perception of the scene itself.  Anyway, all of this preamble is just to introduce you tot he image that I had also titled “Perception” 🙂


12:55 pm  |  Red filter  |  Canon 60D, Sigma 10-20mm lens

1/320s, f/11, ISO 100, 10mm  –  Processed in Lightroom and Nik Silver Efex


Click on the image to see it larger in the Black and White Gallery of the Collection.

Black Flag

When I saw this flag, I knew I wanted a good photo of it, but never really processed it until now.  This was taken on a photowalk that the Guyana Photographer’s Facebook group did in January of 2013.

I think I agree with Nikhil that my definitive photograph involving Jhandi flags was this one from last year’s Deck Project, but if you’re going to photograph along the coastlands of Guyana, you most likely will end up with Jhandi flags in some images.

I don’t see the Black ones as often as I see the Red, Yellow and White ones.


Canon EOS 60D, Sigma 10-20mm  |  1/200s, f/10, 10mm, ISO100


Click on the image to see it in the Collection, along with others from the “Out and About” album

2013 Deck – Week 46

On a midday walk with Nikhil, We had to pass a Hindu family on the Seawall who were conducting a ritual, supposedly to Mother Durga (Goddess Durga), because of the yellow Jhandi flag.

I didn’t want to intrude, so I took a photo from a distance (and subsequently cropped it for composition), I thought it was a scene that should be recorded (even if just for myself)

I’ve always seen the various Jhandi flags along the coast, but only recently decided to ask about the colour, specifically in this instance.  There is so much of the Hindu culture that is  unknown to most of us, and the significance of various rituals and items are lost on us.  I even tried searching the internet for Yellow Jhandi Flag, and got a Trinidadian website telling me that the yellow is for Lord Krishna, while a local hindu woman told me it was for Mother Durga and that it was customary to have it alongside a Red flag.

It’s not a great photo, but it is representative of part of our culture here in Guyana, and it is a period piece, with a modern mode of transportation in evidence 🙂  It is also a scene that I don’t see often enough.



Click on the image to see it in the Gallery.

2013 Deck – Week 45

Sunrises and Sunsets are considered a cliché type of photograph by many, yet I am still drawn to them, not as often as before, but I still enjoy a good sunrise or sunset, and I enjoy taking photos of them too  🙂

When I take a photo of a sunrise or sunset, I try to include some other object of interest, since a sunrise is just a sunrise and a sunset just a sunset (well, most times, there are possibly exceptions).

I was driving home, when I saw some lovely pastel to darker colours in the late afternoon sky, and thought I should at least stop somewhere to see if I could get a nice photo,  the tide was in, and I spotted someone line-fishing, probably for Cuirass, and quickly snapped off a few shots before walking to the seawall to see what else there may be.

As it turned out, I’m very happy I took those shots, it came out well.  I hope you like it.



Click on the image above to see it in the Gallery

2013 Deck – Week 36

I had taken a number of photos this week at the Lusignan seawall area, but this one stood out for me from the moment I chimped and saw the image on the camera’s display screen.

I frequently see Jhandi flags along the seashore, but was never witness to the actual planting of one or seen the ritual taking place at such an event.  Needless to say, I still haven’t; but on my way back to the vehicle that day I did see some people bringing their flags to the wall, they had brought them in the back of a vehicle, and were passing them along to each other to put by the sea.

I hope you like it as much as I do.



Click on the image to see it in the Collection, along with other entries for this year’s Deck Project.

2013 Deck – Week 28

I had stopped near the Shell Service Station at Ogle on the off-chance that there’d be something over the seawall to shoot, this was one of those times when I was not disappointed….  I took quite a number of photos trying to capture the mood, and I think this one comes close…  I have others that I may use at a later date, but this one reflects a lot of what I saw… and hopefully conveys the mood to you as well.

It’s 2 o’clock in the afternoon (remember we live in the tropics here in Guyana), but instead of a harsh overhead sun, we had very overcast skies, very fluffy clouds, not that dead-pan grey sky that depresses me, and the light filtering through the clouds was just enough to really lend something special to the scene.

As soon as I started walking along the wall I had company… a dog, apparently resident to the general area, but that’s a photo for another day  🙂  I photographed from on top the wall, from an eastern viewpoint, a western viewpoint, then went over the wall for another series of shots… all the while thinking about what’s the best angle…. what’s the best composition.

There are other photos, with other elements, but this one simplifies it for me and gets the idea across better 🙂


Canon EOS 60D, Canon 18-135mm Kit Lens  |  1/400s, f/13, ISO320, 18mm


Click on the image to view it in the Gallery, while there check out the other images for this year’s Deck Project, and other albums as well.

Offerings

I was out by the seawall hoping to see a nice sky that I could use for a possible seascape when I came across a flag (Jhandi) planted on the beach with the leaf of the Lotus Flower plant at it’s base with the food offerings to Lord Hanuman.

I tried quite a few angles to get the perfect shot, but still don’t think I got the one that would jump out at me…  but this one I liked never-the-less  🙂


Click on the image to see it in the Seawall Gallery along with many other images from the Guyana Seawalls.

Also click on the Lotus Flower link in the text above to see a brief post I once did on the plant.


2013 Deck – Week 06

I was taking some photos out by the seawall at Lusignan, and although I think I came away with some nice ones, there was one that I really wished I had taken a different approach to.  I saw a dramatic sky behind a stand of Jhandi flags, and I took a few photos, then moved on, then the thought struck me that I should have tried multiple exposures for an HDR.  By that time it was a little late since the clouds had changed significantly.

When I downloaded my images I was still struck by that scene so I decided to try an Pseudo HDR Technique on it, and this was the result.


Click on the image for a better view in the Gallery