In the Key of “D”

On April 10, 2012July 15, 2015 By themichaellamcollectionIn Commentary, Photography8 Comments

I took a photo almost a month ago with the intention to write a blog-post about two Guyanese musicians who have touched my soul through their music. I know I can easily come under criticism for picking out just these two, especially when there are many more out there, then and now. I can even mention some that have made me proud to be Guyanese at one time or another, people like Bill Rogers and Terry Gajraj, EC Connections, Mingles Sound Machine and The Ramblers, Eddy Grant and Natural Black, Concert Pianist Ray Luck and local saxophonist Sweet Sax Kilkenny, and there are more. The two men I had in mind are Dave Martins of Tradewinds fame and Dennis DeSouza.

I decided last night to limit this post to Dennis DeSouza who died this last weekend, sorry Dave 🙂

As Caribbean people, music is in our bones, it is not something we listen to, it is part of who we are. I grew up listening to a wide variety of music, at home it was everything from Slim Whitman to ABBA, my father has LPs (vinyl records) from a variety of genres, I listened to reggae from Pluto and Marley, instrumentals from Ace Cannon and Victor Sylvester, and loved music from Ray Conniff and his Orchestra. On the radio I got my dose of the 80s as I grew older. Among those records in my father’s collection were albums by Dennis DeSouza.

Dennis was born in Guyana, more specifically Mahaica on the East Coast of Demerara. He later made his home in Trinidad & Tobago, and in Canada. I was once told my by mother that while learning to play, Dennis practiced the piano at the house they lived in on Broad Street, Charlestown, Guyana (I wish I had known this when I met him some years ago).

I like instrumental music, especially when they do versions of pop-music, but I also appreciate the classics to some degree and also the individual’s own compositions. Dennis DeSouza had a style of playing that I could pick out easily from any other pianist, I would always say he had very nimble fingers and you could feel the joy that he felt through his playing.

When I started buying CDs and realised that he had started recording on CDs I quickly bought the first one “Caribbean Paradise” at 3H CD and Video Club (now closed), and on a visit to Trinidad I bought his “Best Of” CD that I saw in the airport shop.

On one visit to Trinidad with my wife, we had heard that he was playing at the Lounge at Cascadia, it was a toss-up between going there or going to see Maxi Priest in town, since I had already been to a Maxi Priest concert I chose to go hear Dennis play (much to my cousin’s dismay, he was practically asleep at the table). We not only heard Dennis and the band perform, but Maureen and I took to the floor to join other couples to dance, it was a beautiful experience for us. There was a break for the band and I went over and spoke with Dennis for a minute and, to take pity on my cousin, we left shortly after.

His music really touches my soul, from his rendition of Phil Collins’ “Another Day in Paradise” to his own compositions like “Pakaraima”, from his playful key-taps on old Latin pieces on his own albums to lending his skill to accompaniment in Byron Lee’s seventh installment of the Soft Lee Series.

I won’t dwell on the loss of a musician, I will rejoice in the music he has given us in his lifetime. To Dennis DeSouza; a Guyanese by birth, a Caribbean Man at heart and a Musician to the World.

200

On March 19, 2012March 19, 2012 By themichaellamcollectionIn Photography4 Comments

Just over a year I took this photo, I wasn’t very satisfied with it then, but then there was another image that had pulled most of my attention away from that same day. There’s just something about fishing boats that pulls your attention though, for this image I had wanted to incorporate the rocks, the boats, the heavily clouded sky, try as I might I could not get all the lines parallel, so I went for an image of divergent lines.

This post will mark the 200th post for this blog (I think that counts the “Hello World” post as well. I suppose if I did a daily photo project and blogged each one I’d be way ahead in count 🙂 For me, its not enough to just post a photo, I want something else to go along with it, some of my thoughts, or insights (or lack of)

There were some little things that I liked about this image; the water pulling away from the area just in front of the rocks, the waves breaking on the lower wall, the two boats at rest and, of course, the clouds 🙂

Be sure to lick on the image above for a much better view in the Gallery.

2012 Deck – Week 2

On January 16, 2012January 16, 2012 By themichaellamcollectionIn 2012 Deck, Photography7 Comments

This week’s photo is not a great one or even a good one in my opinion, but as I began writing this post, some news was delivered to me and the photo somehow seemed… appropriate.

Recently my friend (if she permits me to call her that) Reshi, wrote a post titled “Colour me Pretty”, and it had me thinking about many things, one was the effect of darker colours on a photo, the effect of shadows and light in photographs as Nikhil so masterly does them, and about the duality of emotions, and the different faces that we show people.

This post is dedicated to Godfrey Chin, many or most Guyanese will know him as the prolific writer of his “Nostalgias”, he numbered them. I came to know Godfrey only in recent years, and he has made an impact on me. He did so much in his life that I think someone will have to write a Nostalgia about him. I don’t know enough to do that to any degree of adequacy.

I know of his costumes and “floats” for the Mashramani Celebrations during his more youthful days, and I saw a bit of his style when he did some decorating for a party, and as I explained to someone, it was all about the look, it was a façade just to give the impression of the intent and not to be something that lasts forever, just for that party for those moments, yet his “Nostalgias” were vastly different, trying to scour the depths of his memories of his times in Guyana and write them down for others to share and reminisce, trying to capture those, maybe not for eternity, but at least that they live on for some time more.

Godfrey Chin was found this morning at his home in Guyana, he died sometime this weekend. Stabroek News called him a “Social History Icon” and a “Culture Enthusiast”, both descriptions are possibly very accurate, but I can attest to the second one better.

Why did I think that this photo was somehow appropriate for him? like the pointer-broom in the photo, Godfrey would sweep up and tidy up his memories and give us the sparkling finished product as a “Nostalgia”, like the light and shadows, he would help to reveal aspects of the past hidden to one or the other; if it is too bright you can’t see clearly, nor if it is too dark can you see at all.

Godfrey had asked me to give him some photos for an exhibition he was to do this Mashramani, they are on my desk, but now he will never see them, he was a fan of my work, maybe because we both thought of ourselves as family, I am thankful for his encouragement.

Godfrey came into our office during the Christmas Season and made his rounds, had a few “gaffs” and before he left, dived into his bag, took out some gold tinsel and proceeded to further decorate our Christmas Tree.

For Godfrey Chin, may his soul rest in peace, and if Heaven has a Parade we know what he’ll be doing. In Godfrey’s words “Ya think it easy?”

2012 Deck – Week 1

On January 9, 2012January 9, 2012 By themichaellamcollectionIn 2012 Deck, Photography14 Comments

After two years of doing this, I think that this is what keeps me intrigued in photography, the weekly search for a photograph. While Nikhil has embarked upon his Daily Photography project this year (I hope he goes the full 366) I know my limitations, I won’t be trying that anytime soon.

I think that this image is somewhat appropriate to the year, the crazy Armageddon stories and to my photography. If you believe the Mayan Calendar theorists and many of the other Doomsday predictions regarding the year 2012, then you’re probably hoping, like myself, that I get some really good photographs this year! 🙂

This was taken on New Year’s Day, because of my interests in HDR, I thought that I would try another Black and White HDR, this one was taken at midday, I think the originals were 2ev apart.

It was a breezy day (forgot my tripod again, so this was hand-held for all three exposures), and very overcast, lots of clouds as you can see.

Working with Monochrome

On January 5, 2012January 5, 2012 By themichaellamcollectionIn One Way to Do it, Photography6 Comments

Just a little ramble from me, this is not instructional in the literal sense. A fellow blogger and photographer, Nigel (or greysqrl) always asked me to write a tutorial on my monochromes and specifically my black and white photographs, but I’ve never felt that I had an “art” to it or a specific sequence of steps in the methodology to really do a tutorial type of blog, so I thought that at least I can do some rambling or musing on the subject.

Back when I shot with the Canon S5 Super-Zoom bridge camera (basically a hyped-up point-and-shoot) there were several colour modes including black and white and sepia, so I had disciplined myself to taking the scenes that appealed to me in these aspects in those modes, so I never had a full-coloured version of the photograph for any sort of comparison. So for me, the idea of a scene being in monochrome always started out before I pressed the shutter-button.

After I started using a DSLR (for now the Canon T1i or 500D) I learnt about post-processing further, using RAW images, etc. Now, I still consider many scenes in monochrome and earmark them for that specific type of processing later, but I also change my mind about some scenes that were not considered for monochrome initially.

What makes a good monochrome image? I really never thought about it, I just “feel” that some scenes make better monochromes than others. I am sure that as I continue my photographic journey I will learn more about what actually makes a good monochrome, to me it’s a “old” looking scene, or a scene with high contrasts, or in many of Nikhil’s cases one with lots of texture 🙂

How do I process a monochrome image? Since all my current images start out as full coloured, it is usually that “feel” that helps me select the ones for monochrome, either that or the new method of processing as colour and then it doesn’t quite come out the way I want and I send it over to monochrome just to see what would happen 🙂

I use Lightroom as my primary image processing and workflow application, but the majority of my monochromes are done in Nik Silver Efex (after some processing in Lightroom). I take each photo on its own merit, some need to be treated softly while others need to be more contrasty and structured. Nik Silver Efex has a range of presets that you can view easily and then do your own fine-tuning.

With scenes that have clouds (I seem to have many of those now) I always go for bringing out or enhancing the detail in the clouds. The dynamic range captured using a single exposure is not (always) a true representation of what the human eyes saw or can see. Often I would look at the scene and see the nice detail in the foreground, then look up and see the layering in the clouds, but when the photograph is taken I lose some detail, and In post=processing I try to retain that detail that I saw.

This particular photo was not intended as a monochrome image, the upper portion of the boat (or lower portion in the image, since the boat is upside down) was yellow and I had initially intended to emphasize that, but it didn’t work out as planned.

2011 Deck – Week 51

On December 29, 2011December 29, 2011 By themichaellamcollectionIn 2011 Deck, Photography4 Comments

I had shortlisted four images for this blog-post, two of them were too much in keeping with the general theme of the last few weeks, so I discarded those (for later publication) and one was somehow reminiscent of photos I’ve seen from Nikhil and some other local photogs, so I ended up with this one.

I titled it “Ritual at Dawn” because I had inadvertently caught some people in the frame, I think they may have been Hindus out to perform a seaside ritual (I think I should enquire more about this)

I was a bit dissatisfied with the original capture, but was taken enough by the scene to try to “salvage” the image. I tried a single image HDR tone-mapping, but that didn’t work out as I expected. I then decided to go for a pseudo-HDR, since I hadn’t actually taken multiple exposures, I created the multiple exposures in Lightroom (using a 1.5ev on the original image) In the image with the +1.5ev I wanted to get more detail from the rocks on the shore, so I used a gradient to adjust the exposure in that area. Using the three new exposures I did an HDR process in Nik HDR Efex Pro, and although the full-coloured resulting image was OK, I thought that in this instance I would get a better image using a black and white HDR rendering.

2011 Deck – Week 46

On December 22, 2011December 22, 2011 By themichaellamcollectionIn 2011 Deck, Photography8 Comments

Monuments. That is basically what a tombstone or tomb-marker is, whether it’s a simple slab with a name on it or an obelisk, it’s a monument to the person interred, a reminder to the living of a person now dead.

These markers fade with time, and people forget, generations pass and the dead are lost to the living. Some are forgotten entirely, some are just names on a family tree. Do we all want to fade from memory like dawn fades to day, once there, once unique, never to be seen again, never to be remembered and referred to?

Most of us will do just that, but the few who are exceptional will live on as legends and icons of History. Whether we are remembered as tyrants or dictators, philanthropists or inventors, pioneers or adventurers, famous artists or infamous criminals depends on the decisions we make daily.

At times like this, when my thoughts stray to these realms, I remember two phrases from my early High School days. I attended St. Stanislaus College, it was a Catholic School before the government took everything over under early PNC rule in Guyana. Some things had remained as part of the teaching and tradition of the school.

The two phrases I remember were from different sources.

One was given to us as four letters to be written at the top of every page, I believe it was handed down from the Jesuits who taught at the school when it was a Catholic School; the letters were AMDG, a shortened form for Ad maiorem Dei gloriam, which meant “For the Greater Glory of God”, it was meant to encourage you to try to make everything you do, everything you say be geared towards that goal.

The second phrase was the school’s motto, Aeterna non Caduca, literally translated to “eternal non perishable”, but we were told that the motto translated to “Not for this Life, but for Eternity”. Whatever we do should not be just to have an effect now, in our lifetime, but for eternity.

Taken together they can be a driving force for a truly spectacular life, a life of meaning, unfortunately, not many would adhere to such a strict code.

Many people who happen to drop in to read my blog-posts are fellow aspiring photographers (in one way or another), we may never be an Ansel Adams or a Nick Brandt, a Frank Horvat or Mario Testino, an Irving Penn or a Steve McCurry, a Joe Rosenthal or a Don McCullin, an Henri Cartier Bresson or a Vivian Maier, but what we can do is aspire to show to anyone who will look, how we see the world through our eyes, our view-finders, our lenses, make them feel what we feel through visual stimulation (and if necessary a few words) 🙂

Can I do that? Can we do that? I don’t know, but I am sure going to give it a try!

This was taken during a photo-walk arranged by the Guyana Photographers Facebook group, lots of people thought it strange to arrange a walk in a cemetery 🙂

Click on the photo to see it larger in the Gallery.

2011 Deck – Week 45

On December 21, 2011December 21, 2011 By themichaellamcollectionIn 2011 Deck, Photography4 Comments

This week’s photo serves two purposes, one is a short explanation of “how I did it” and the second is… well, it’s a moon shot, what’s not to like 🙂

Someone recently asked me how I got the moon with such detail, I had to have someone give me tips once, so its easy to pass along what I know, hopefully someone else can improve and even tell me other things 🙂

Shooting the moon. First tip, use a tripod, it helps to have a stable camera when you’re doing this (most of my moon shots were without tripods though), The important bit is the metering, I use a spot metering mode. I simply set the camera to spot metering, (my camera only uses the centre focus point for this), I use the centre focusing spot in the display, make sure that is centred on the moon, and half-press the shutter-button to focus, then recompose and click. Really simple.

What the spot-metering does is meter the lighting for just the moon instead of trying to evaluate the lighting of the entire scene (in this case the whole sky)

Now normally we crop these images to show the moon in its full glory, well, I crop it since this is the whole image from my maximum zoom on the Tamron 18-270 lens. I left this uncropped because I actually like it this way this time.

The moon is set against a dark sky (it was somewhat lighter before I processed), I look at it and think that it must be lonely up there, I’ll never fly into space like those great astronauts and cosmonauts, not fly to the upper atmospheres like jet-fighter pilots, but I still think that even after the initial moments of wonder and awe, it must be lonesome up there. I am thankful for the family I have, the friends I have, the co-workers that I have (even those that have moved on).

If you’re ever feeling lonely, go out under the open sky, look at the moon and remember that under that same moon, there are billions of people, and somewhere there is someone who is thinking of you.

Because of the background colour (at the time of writing this) I suggest you click on the image for a better viewing at the Gallery 🙂

2011 Deck – Week 38

On December 12, 2011December 12, 2011 By themichaellamcollectionIn 2011 Deck, Photography2 Comments

On this week, I only went out to take photos on one occasion, and on that occasion I took 45 photos, and I was way odd that afternoon, most were very underexposed. It wasn’t that I wasn’t feeling in the mood, I was fairly enthusiastic, I was enjoying the fresh air, the brief walk, and the scenery, but I never once looked down at the screen to check my photos, no chimping.

I was fairly disappointed but one of them had to work 🙂 I chose one that appealed to me in a general sense and felt that it would work well in monochrome, after playing with the processing for a while I found I wasn’t getting what I felt the scene needed, so I took the file into Nik’s HDR Efex to try a single image BW tone-mapping, and amazingly got what I thought was a good final processed image. I would never consider this a true HDR, since I only used one image, but the tone-mapping of the HDR software helped bring out the details that I wanted in this image.

2011 Deck – Week 36

On December 9, 2011December 9, 2011 By themichaellamcollectionIn 2011 Deck, Photography2 Comments

Since the members of the Guyana Photographers (Facebook Group) started doing PhotoWalks it has provided me with other opportunities to get out and do some photography, as well as to see and admire the photos emerging in the group from these walks, there truly is a lot of enthusiasm and talent among the members.

On one of those walks (this one was to the villages of Good Hope and Triumph, I got what I thought were good shots, then I saw what others put up and realized that mine were all just OK 🙂

I fell into the trap set by all the enthusiasm and put my better shots onto the Group’s Page, without thinking to reserve at least one for this post, so a-hunting I went through my images for one that I could use. You can check out some of the photos from the group in the 3rd Photo Walk album Facebook.