2014 Deck – Week 32

As I was titling this photo I was somewhat reminded of the TV Series “Bones”, maybe it was a recent discussion on the show that prompted the title “The Wood in the Frame”.

I saw this discarded wooden frame amidst the rocks on the seawall. and by contorting myself and peering through it I could see that I might be able to frame some of the Jhandi flags within it…  I could not get both my head and the camera into the space available (and I didn’t really want to move the frame), so I know my focus might be spotty, so I was fully prepared for some crazy images to come out.

I had angled slightly down to ensure I got the base of the frame, so it was expected that I’d most likely get the wood lying across the frame in focus.  🙂

I think it came out nicely.  (Yes, I know, most of you would have moved the frame so you can get the angle right, the focus right, everything right…  I like the experimental method over absolute perfection sometimes)


1/250s @ f/10, 24mm, ISO200


Click on the image to see it in the Gallery.

2014 Deck – Week 21

Street Photography  –  not a genre I do too much of, I’m really careful about my street photography, because people are very touchy about being photographed, even if it is in public and even if it is legal…  BUT… there are some scenes I can’t resist 🙂

I had my eye on this building in Broad Street, Charlestown for a while, wanted a nice photo of it; when I saw the car parked there, I thought this is it, this will make a really nice photo… I didn’t even bother to leave my car, just parked across the road and aimed, then the lady strolled into the frame (on her way to market I assume), and it was pure serendipity.


Canon 6D | Canon 24-105mm f/4L  |  32mm, 1/160s, f/9, ISO100


Click on the image to see it in the Gallery along with other images from this year’s Deck Project

2014 Deck – Week 02

I selected one of the images I took from the recent Guyana Photographers’ Photowalk to the Conservancy via Canal #2 for my Deck Photo for this week.

While I’ve never swum or plunged into the Conservancy, I do remember the many outings to creeks and diving off of a tree at the side, even after being warned that it was either shallow or may have stumps unseen under the water.

This shot reminded me of those days.  Many other photographers on the walk captured this moment, one even at, what appeared to be, the same moment, but it still remains one of my favourite images from the walk.  When I noticed what was occurring, I knew I didn’t have time to stop, bring the camera to my eye, compose and shoot, so I shot it from the hip 🙂


Canon 60D, Sigma 17-50mm  |  17mm, ISO 100, 1/400s, f/9


Click on the image to see it in the Gallery

A Walk on the Conservancy

We recently had a Photowalk  for willing members of the Guyana Photographers’ Facebook Group, it was ostensibly called “Canal #2 Photowalk”, that just meant we met at the western end of Canal #2 on the West Bank of Demerara, right where it meets the Conservancy, from there we chose a direction to walk (by default we headed North).  Each member is initially allowed three images to upload to the album on the group, and Fidal Bassier wanted us to put some emphasis on “Composition” for this PhotoWalk, so there was some discussion about it… and I chose these three photos for certain reasons.


First image:  House  – 14-1649

I was mentioning to someone at the beginning of the walk (or a few someones) that it is important to know what makes a good composition, read as much as you can on things like the Rule of Thirds, Leading Lines, and other compositional aids, rules and guides.  Once you know these things it makes composing a decent image all the easier, but it also allows you to realize that some scenes will allow you to “break” those rules.

For this image I pretty much threw the Rule of Thirds away… the main compositional aid being a Leading Line – the bridge leading you to the house, but even this is muted a bit by the shadow across the early portion of the bridge.


Second image:  Sit – 14-1654

Initially the impulse was to zoom in to avoid all the clutter in the photo to simplify the scene down to the man, the boat and the conservancy behind him; but I thought that including the rough woodwork and using the low sun as a backlight would make for a nice silhouette shot or at least a more inclusive rather than exclusive composition.  The low-hanging branch also helped enclose that corner of the frame.  Shooting into the sun naturally desaturates a scene, and I used this to advantage in the colouring of the image.  I also again ignored the Rule of Thirds and relied on the leading lines of the wood and the bright sun to lead you to the subject.


Third image:  Prelude to Sunset – 14-1698

It seemed that although a few of us wanted to stick around to see the sunset, others preferred to get going… so I took a Prelude to Sunset photo.  When I first started taking photos, I would be happy with just a plain nice sunset, but as I began to appreciate some more the images that actually made me look twice at them, I came to realize that some Sunset images (and most landscape ones, come to think of it) needed a foreground object in the composition to hold your attention as well, so I tried to include a portion  of a rusty pontoon.  I exposed for the sky and had already decided that I would be doing some post-process fill-light to regain some detail in the pontoon.


I hope I didn’t bore anyone with all of that… overall, I think it was a good Photowalk.  Click on the images above to see them in the Gallery along with other images in the “Out and About” album.

2014 Deck – Week 01

Welcome back to my Deck Project, a photography project of one photo for every week of the year, giving me 52 photos for the year. (and there are 52 cards in a Deck of normal standard cards, not counting Jokers, hence the name Deck Project)

I start the year at a very familiar place, the seawalls, living on the coastland of Guyana gives us easy access to the sea and the extensive shoreline.

Recently there was a discussion about how Guyanese (among many others) prefer to use pirated software instead of paying.  This has primarily to do with a difference in income levels and the cost of many software can easily exceed the salaries of the average or even above-average Guyanese.  The cost of such popular photo-processing software as Adobe Lightroom and Corel AfterShot Pro has declined in recent years making it more affordable, but the habit of acquiring pirated copies persists.  After this discussion I remembered Nikhil posting about an Open Source photo-processing software called LightZone, and I decided to give it a good try (even though I do own and use Adobe Lightroom)

This photo for the first week of the 2014 Deck Project was processed primarily in LightZone (but since I use Lightroom to interface with my website, I used Lightroom to tag/keyword and upload the image)  LightZone is surprisingly versatile and powerful, I think I’ll be using it  a bit more to experiment with some features as well as to encourage those who can’t afford Lightroom or AfterShot to try something that’s Free but also pretty powerful.


Canon 60D, Sigma 10-20mm  |  1/125s, f/8, ISO100, 10mm

Seawalls near Thomaslands, Georgetown


Click on the image to see it in the Gallery

2013 Deck – Week 52

Skies above and oceans below,
Soar above the tethered boats
Down winding creeks and rivers brown,
Past piers, docks and abandoned forts.

Wind beneath my outstretched wings
Sun upon my feathered spans
Gliding, soaring, questing far
Over seas and distant lands.

See upon a curved horizon
Tree-lined coasts, and wave-swept beach
Flying high above ocean’s blue
Soaring forward, to sometime reach

A land with trees laden with fruit
Ponds and lakes with fish aplenty,
Seeking always rich lands afar
Always knowing, there will be many.

Returning home, back to my shore,
To mangrove clumps and fishing boats,
To fly along the creeks that wind
And from its waters, slake my throat.



Click on the image above to see it in the Gallery along with the entire collection for this Year’s Deck Project!

2013 Deck – Week 48

Many times, I just want to sit upon the seawall and not think… to just forget that there is a world where I have to work, where there is anything of purpose to be done… to just sit and stare out to sea.

The problem with me going and sitting and relaxing, is that it is at just those times, when my mind is almost blank that all the thoughts that I’ve been avoiding or maybe not even thinking about come rushing to the fore and I cannot block them out.

When I sit upon the shore and stare out to see, when I enjoy the sea-breeze, the open-ness of the ocean before me, I think, and my thoughts are somewhat clearer, less muddled…

This was one of those brief moments… and I took a photo to remind me to try once in a while to leave the world behind, and breathe.



Click on the image to see it in the Gallery

2013 Deck – Week 29

I was quite disappointed with my photos for this week, but I figured that somewhere in there was a photo that I could use for the Deck Project.  I did a Panorama, but it was somewhat uninspiring (maybe I’ll look back at it with a different vision later), I had lots of Street Photos that were out-of-focus, badly composed, and uninteresting even…

I did have three photos of the Anglican Bishop’s Residence (Bishop of Guyana), and one I rather liked, but decided not to use, this one I liked and I had thought early on in the process (like when I clicked the shutter) that I’d like to see it in Sepia, so here it is…



Click on the image to see it in the Gallery.


This is one of the very few examples in recent years of someone restoring a Victorian styled building in Georgetown, rather than demolishing it, although it created some controversy, I think that it was a good move in the end, for the City, if not for the Diocese.

Every Tool

I’m not a purist; I don’t hold the belief that whatever JPG comes out of the camera is the reality that existed in front of the lens.  I do, however, believe that there is a certain amount of “truth” in my photographic work.  Friends and colleagues, other photographers and budding photographers in the Guyana Photographers’ Facebook group have heard me make the distinction between Processing and Editing many times.  And I will briefly make it here again…

Since I shoot in RAW format, the camera does no processing to the file (whenever you shoot JPEG the camera applies certain adjustments to the image, contrast, brightness, etc.) so I have to Process it in software, often referred to as Post-processing.  This usually involves adjusting sliders in a software like Aperture, AfterShot, Lightroom, LightZone, etc., things that are adjusted range from brightness and contrast, to hue and saturation, cropping, temperature, white balance, noise levels and more.  Although this is usually applied over the entire image, some software allows you to do it to parts as well.

Where I draw the distinction between Processing and Editing, is when the image is altered so as to become a new image, distinct from the original in content.  Simply put, if I add something or remove something from the original photograph, then it is no longer the same, it is now a work of graphic design, not only photography.

Do I Process my images? Always.  Do I Edit my images? Sometimes.  I’ve cloned out trash that otherwise marred the scene (the lone plastic bottle on a grassy stretch), but have often left in loads of trash because it was part and parcel of the scene.  I don’t have anything against editing, but I don’t think its fair to call it a photograph after you’ve added in entire clumps of trees, removed several utility posts and added muscles to an individual… that is definitely in the realm of photo-illustration or Graphic Design.

I am also a big proponent of using every tool that you need to get the image that you saw with your eyes, and in your mind across to the viewer.  Whether its special filters on the lens to get a mood or effect, an angled lens in the developer of a dark room to create a distorted view, using Black and White (Film or processing) for an aged or structured look, using long and super-long exposures for light trails or flowing water, external flashes and reflectors for extra lighting on a subject, gels and filters for colour enhancements, or even doing some of this on the software end, I am for it, but I believe in being true to the original vision as much as possible.

Fancy processing and editing is no substitute for a good original image.  I am no expert or professional, many of my images come out of the camera looking very disappointing, and I often discard or simply not process them.  Yes, you can “save” them, I have even done so on some occasions, simply because I believe that they were worth saving, but they had to have something good in them to begin with; a good composition, a relatively good exposure, and maybe even compelling elements to the composition.

I’ve rambled enough… time for a photo.  This is one of those photos that I “saved”…  The original was good, maybe better than good, but it was not what I wanted….  I wanted more detail in the sky, more of a structured appearance than the original coloured version, and (because of an architectural quirk) more symmetry.


Canon EOS 60D  |  Tamron 18-270mm  |  21mm, 1/160s, f/7.1


I used Lightroom to create five different exposures from the original, each 2 stops apart in exposure, then I used Nik HDR Efex Pro to merge my new exposures and coax the detail I wanted from the overall scene, then I used Photoshop (I know, I’m a horrible person) to skew the perspective ever so slightly to gain some symmetry.

Although I did not add or remove anything, I normally would consider this edited since I used Photoshop to change the original proportions of the image, but in this case I’d let that slide 🙂

Click on the image to see it in the Gallery along with others in the Black and White series.

The Red House

Many years ago I missed the photo-walk that Nikhil, Naseem and André took around Georgetown.  They had termed it the Georgetown Safari, and they covered much of Georgetown over two days.  I have always meant to try to cover as much of historical Georgetown as I could, but never seem to get a good start on it.

I was on my way to work, and driving past the Red House when I noticed the sky beyond it and thought this was as good an opportunity as any to take the photo I wanted of this building, the point of view is not unusual, there are dozens from this vantage point, but I like to think I did the scene some justice.

It is a single exposure, but I did some tone-mapping to draw out some detail from the scene, and I cloned out a short piece of electrical wire that sneaked into the frame in the upper corner.


Canon 60D  |  Sigma 10-20mm  |  14mm, 1/125s, f/5  |  Nik HDR Efex Pro

Click on the image to see it in the Gallery along with other images from around Georgetown, Guyana.


I always figured that the building got it’s name because it was red, but never knew that it was because it was covered with Red Wallaba Shingles.  It dates back to the days of Colonial Rule, and records indicate that the “Colony of British Guiana” acquired it in 1925, from then until 1953 it served as the place of residence for many Colonial Secretaries.

During his stint as Premier of British Guiana, from 1961 to 1964, Dr. Cheddi Jagan also used it as his Official Residence.  Under subsequent leaders, it was utilized for various government offices.  In 1999, two years after Dr. Cheddi Jagan’s death, while serving as the fourth President of Guyana, the Cheddi Jagan Research Centre was established in the building (a purpose it still serves to this day)

It is apparently also referred to as Kamana Court, a name I had not heard until today, and for which I can find no more information