Perception

Lately, I’ve been very busy, although depending on your point-of-view I might also have been giving priorities to the “wrong” things; for my myself, I say I’ve been busy.

I tell people that I’ve been busy, so I haven’t updated this blog, and updated the Deck Project, they look at me askance and think I’m either lying or stretching the truth, but it’s a matter of perception I suppose.

Often, what we see in a photograph is also a matter of perception, this image is one I overlooked when choosing my photo for week 9 of the Deck Project this year; when I say “overlooked”, I mean that I did not see then the potential that I saw when going back through the images the second time.

I was looking at a photograph recently of what appeared to be a woman holding a young girl lying limp across her arms, I later realized that it was a young man in her arms, but the combination of dark hair and a dark material near the head gave the long hair I usually associate (firstly) with girls, the features of the youth were very smooth and “pretty”, and he was attired in a hospital gown, all adding together to skew my perception.

I’ve also been trying to look at scenes differently and change my perspective, also altering my perception of the scene itself.  Anyway, all of this preamble is just to introduce you tot he image that I had also titled “Perception” 🙂


12:55 pm  |  Red filter  |  Canon 60D, Sigma 10-20mm lens

1/320s, f/11, ISO 100, 10mm  –  Processed in Lightroom and Nik Silver Efex


Click on the image to see it larger in the Black and White Gallery of the Collection.

2014 Deck – Week 09

The fascination with all things coastal continues!  Of course, it’s more like searching for images that I like and since most of my time seems spent on the coast, that’s what you’ll get 🙂

The fishing boats at Lusignan, always seem to compel me to take a few photos, even if I never use them, but this one worked well for me, I think my processing went a tad overboard (no pun intended) but at the end of it all I still liked the final image.

I was considering a Dutch title for the image since the word Moored comes from the Dutch word Meren (according to some dictionary I was reading), but then the name Lusignan was from France, so I went with a French title instead (not that anyone really cares) 😀


Canon EOS 60D, Sigma 10-20mm  |  1/250s, f/10, ISO 100


Click on the image to see it in the Gallery along with the other images for this year’s Deck Project

2014 Deck – Week 06

The day this photo was taken did not turn out to be a happy day, so you’ll excuse me if the post seems depressing… even morbid.

That being said, I do believe that the photo was chosen not based on that but on it’s own merits.  I rather liked how this one came out.  I was using my Sigma 17-50mm, mostly to take photos of the scenery (not much of it that day) and some snapshots of my daughter.  I was pleased that this came out as good as it did, considering that most times I would have tried this with my ultra-wide Sigma 10-20mm.

The reason the day was a bad one is that shortly after taking these photos, I returned to my vehicle to realise that someone had gotten into it and stolen my bags, which included my laptop computer, and all my camera gear barring the camera and lens in my hand, the Sigma 10-20mm which a friend had borrowed, and the tripod which they left on the floor of the car.

Sadly, the police have neither found nor recovered any of the items (and have no idea who might have done it)

Now onto the photo…  and you can ignore the poem that follows 🙂


Canon EOS 60D | Sigma 17-50mm  |  1/320s at f/6.3, ISO 100, 50mm

Click on the Image to see it in the Gallery


Caught in the nets,
prisoners from the deep
dragged into the air,
I’d cry, but fish don’t weep…

Tossed into a boat,
tormented by the sun
gasping for breath
the boat; shorewards run…

Sorted by calloused hands,
most onto the ice,
I upon the ground;
apparently I’m not nice…

Upon the hard ground,
I flounder, I try…
On land, beneath the sun
I dry, I die.


For those curious people who will ask 🙂  Here’s a shortlist of some of the Camera related gear that was stolen:

1 LowePro Backpack Camera Bag
1 Canon Speedlite 580EX II Flash
Serial Number: 611144
1 Canon EOS Rebel T1i Camera
Serial number: 0370111906
1 Tamron Di II 18-270mm Lens
Serial Number: 096584
1 Tamron AF 18-270mm Lens
Serial Number: 061042
1 Canon EF50mm f/1.8 II Lens
Lens No: 2514A003[BA]
1 Canon EF40mm f/2.8 STM Lens
Lens No: 6310B002[AA]
1 Canon EF-S 18-55mm f/3.5-5.6 IS Lens
1 Canon EF-S 18-135mm f/3.5-5.6 IS Lens

The list is very long, but most of the rest is camera related accessories and paraphernalia, oh, and my Kindle Fire which I really really miss… I hadn’t realized how much I read until it was gone.


2014 Deck – Week 03

Even though I don’t get out too often to take the landscape photos I yearn for, I do enjoy picking my daughter up from her Saturday “Revision Classes” on a Saturday and heading out to the seawall, she goes hunting for rocks and shells, and I hunt for photos.

This tyre with it’s bright paint caught my eye, and I was going for a simple photo then my daughter began running on the far side… resulting in an even better photo 🙂

I’ve been working in LightZone again for this one, and I really believe that it has a lot of potential, I really miss the gradient tool that I’ve become accustomed to in Lightroom, but it’s just like switching cameras, you just need to use the tools at hand to achieve a finished product that you can be satisfied with.

I used two localised masks in this one just to see how that would work, and it did a good job, I wanted some more clarity on the tyre itself without affecting the entire image, and I wanted to make local adjustments to the sky (I didn’t have a polarizer on the lens)

I hope you like it.



Clink on the image to see it in the Gallery.

2014 Deck – Week 02

I selected one of the images I took from the recent Guyana Photographers’ Photowalk to the Conservancy via Canal #2 for my Deck Photo for this week.

While I’ve never swum or plunged into the Conservancy, I do remember the many outings to creeks and diving off of a tree at the side, even after being warned that it was either shallow or may have stumps unseen under the water.

This shot reminded me of those days.  Many other photographers on the walk captured this moment, one even at, what appeared to be, the same moment, but it still remains one of my favourite images from the walk.  When I noticed what was occurring, I knew I didn’t have time to stop, bring the camera to my eye, compose and shoot, so I shot it from the hip 🙂


Canon 60D, Sigma 17-50mm  |  17mm, ISO 100, 1/400s, f/9


Click on the image to see it in the Gallery

A Walk on the Conservancy

We recently had a Photowalk  for willing members of the Guyana Photographers’ Facebook Group, it was ostensibly called “Canal #2 Photowalk”, that just meant we met at the western end of Canal #2 on the West Bank of Demerara, right where it meets the Conservancy, from there we chose a direction to walk (by default we headed North).  Each member is initially allowed three images to upload to the album on the group, and Fidal Bassier wanted us to put some emphasis on “Composition” for this PhotoWalk, so there was some discussion about it… and I chose these three photos for certain reasons.


First image:  House  – 14-1649

I was mentioning to someone at the beginning of the walk (or a few someones) that it is important to know what makes a good composition, read as much as you can on things like the Rule of Thirds, Leading Lines, and other compositional aids, rules and guides.  Once you know these things it makes composing a decent image all the easier, but it also allows you to realize that some scenes will allow you to “break” those rules.

For this image I pretty much threw the Rule of Thirds away… the main compositional aid being a Leading Line – the bridge leading you to the house, but even this is muted a bit by the shadow across the early portion of the bridge.


Second image:  Sit – 14-1654

Initially the impulse was to zoom in to avoid all the clutter in the photo to simplify the scene down to the man, the boat and the conservancy behind him; but I thought that including the rough woodwork and using the low sun as a backlight would make for a nice silhouette shot or at least a more inclusive rather than exclusive composition.  The low-hanging branch also helped enclose that corner of the frame.  Shooting into the sun naturally desaturates a scene, and I used this to advantage in the colouring of the image.  I also again ignored the Rule of Thirds and relied on the leading lines of the wood and the bright sun to lead you to the subject.


Third image:  Prelude to Sunset – 14-1698

It seemed that although a few of us wanted to stick around to see the sunset, others preferred to get going… so I took a Prelude to Sunset photo.  When I first started taking photos, I would be happy with just a plain nice sunset, but as I began to appreciate some more the images that actually made me look twice at them, I came to realize that some Sunset images (and most landscape ones, come to think of it) needed a foreground object in the composition to hold your attention as well, so I tried to include a portion  of a rusty pontoon.  I exposed for the sky and had already decided that I would be doing some post-process fill-light to regain some detail in the pontoon.


I hope I didn’t bore anyone with all of that… overall, I think it was a good Photowalk.  Click on the images above to see them in the Gallery along with other images in the “Out and About” album.

Bob

I was walking along the seawall last year when I spotted these three birds on the rocks near the waterline, I was fortunate enough to get off one photo of them together before they separated further (in no small part to my approach)

Whenever I see three birds together I always think of Brother Bob, Bob Marley, simply because of those words in the song… “Three little birds, Pitch by my doorstep”

The song was actually called “Three Little Birds”, but most everyone I know refers to it as “Don’t Worry” or “Every Little thing’s Gonna be alright”

So these aren’t exactly little birds, and they certainly weren’t singing sweet songs, but they still reminded me of the song.

Hope you like it:


Canon EOS 60D, Sigma 17-55mm  |  1/500s, f/8, 50mm, ISO 100


Click on the image to see it in the Gallery along with other Bird photos

2014 Deck – Week 01

Welcome back to my Deck Project, a photography project of one photo for every week of the year, giving me 52 photos for the year. (and there are 52 cards in a Deck of normal standard cards, not counting Jokers, hence the name Deck Project)

I start the year at a very familiar place, the seawalls, living on the coastland of Guyana gives us easy access to the sea and the extensive shoreline.

Recently there was a discussion about how Guyanese (among many others) prefer to use pirated software instead of paying.  This has primarily to do with a difference in income levels and the cost of many software can easily exceed the salaries of the average or even above-average Guyanese.  The cost of such popular photo-processing software as Adobe Lightroom and Corel AfterShot Pro has declined in recent years making it more affordable, but the habit of acquiring pirated copies persists.  After this discussion I remembered Nikhil posting about an Open Source photo-processing software called LightZone, and I decided to give it a good try (even though I do own and use Adobe Lightroom)

This photo for the first week of the 2014 Deck Project was processed primarily in LightZone (but since I use Lightroom to interface with my website, I used Lightroom to tag/keyword and upload the image)  LightZone is surprisingly versatile and powerful, I think I’ll be using it  a bit more to experiment with some features as well as to encourage those who can’t afford Lightroom or AfterShot to try something that’s Free but also pretty powerful.


Canon 60D, Sigma 10-20mm  |  1/125s, f/8, ISO100, 10mm

Seawalls near Thomaslands, Georgetown


Click on the image to see it in the Gallery

Pier


Click on the image to see it in the Gallery, along with many others in the Black and White Collection


Standing posts, by day’s light
Beaten by the waves
bleached by the relentless sun
Dwelt upon by snails

By moonlight, a ghostly pier
Appears ‘neath the moon
A vision that’s never seen
In day’s high noon

Stretching out into the deep
Walked upon by wraiths
boats with ancient passengers,
On the pier he waits…

Eyeing all who step ashore
Some will never leave,
Captain of his merchant ship,
Lord of the seas

Each night he walks the pier
Beneath the moon’s light
Each night the slaves come again
Reliving ghostly plight

The wraiths leave with the dawn
At peace once more
Until the rising moon
Brings them back to shore.


Black Flag

When I saw this flag, I knew I wanted a good photo of it, but never really processed it until now.  This was taken on a photowalk that the Guyana Photographer’s Facebook group did in January of 2013.

I think I agree with Nikhil that my definitive photograph involving Jhandi flags was this one from last year’s Deck Project, but if you’re going to photograph along the coastlands of Guyana, you most likely will end up with Jhandi flags in some images.

I don’t see the Black ones as often as I see the Red, Yellow and White ones.


Canon EOS 60D, Sigma 10-20mm  |  1/200s, f/10, 10mm, ISO100


Click on the image to see it in the Collection, along with others from the “Out and About” album