2014 Deck – Week 11

This week’s photo is about Implied Motion.  OK, I lied, it’s a photo of a Jhandi flag at the Kingston seashore, but as it turns out it is one of those images that displays implied motion (at least for me)

Whenever we try to convey the idea of motion in a still photograph we usually do one of two things, we either have the main subject show motion blur with the background or rest of the scene in focus (such as light trails at night on the street, or a speeding cyclist, slightly blurred with the track sharply in focus)  or we do the reverse, with the main subject in focus but the background blurred (such as in panning shots, or a pedestrian in front of a speeding minibus – by “in front of” I mean with respect to the camera, not the business end of the minibus – although that would make a dramatic photo of a different sort).  🙂

Another method might be to blur everything, such as taking a photo from inside a moving vehicle, creating that “vortex” look (on a side note, using the zoom on the camera while standing still produces neat effects too)

Chrono Photography is also a neat trick used to convey motion, by capturing multiple instances of a moving subject and then layering them in your favourite photo software creates a good sense of the subjects path through the frame.

After babbling about all these ways to create a sense of motion in a still photo, I will just say that I used none of the above for this photo.

This photo is either serendipitous or pure photographer’s luck (hmm, maybe one has something to do with the other).  I had stepped out of my office intending to walk around a few blocks, upon looking up at the sky I notices the clouds in a lovely “blown” pattern, I decided to walk to the seawall instead.  I have taken many photos of the roundhouse before (and will probably take many more), I have also  taken many photos of Jhandi flags before (and will likely take many many more), but that day I saw the clouds in a dispersed pattern, a Jhandi flag blowing in the wind with the roundhouse as a backdrop, and I decided to compose and shoot it, I took a few exposures, then saw five birds flying from the roundhouse towards me… Serendipity!

I was also shooting with the Sigma 10-20 Ultra-wide lens on the camera, so I also got a bit of lens distortion at the edges that helped with the appearance of motion in the clouds toward the edges even more.

That’s a lot of preamble for one photo, but I hope I bored you enough that the photo is now more pleasing 🙂



Canon EOS 60D  |  Sigma 10-20mm

1/250s, f/11, ISO 100  |  6°49’34” N 58°9’45” W


Click on the image to see it in the gallery along with other images from this year’s Deck Project

2014 Deck – Week 10

Once called the Garden City, now laughingly referred to as the Garbage City, Georgetown was known for it’s tree-lined Avenues and streets, and the tree-lined canals and trenches that divided the wards of the city and provided drainage for a city that was built upon land reclaimed from the ocean, and sits six feet below sea-level.

Today many of those drainage canals have been filled in for pedestrian walkways (most notably those running north-south such as along High Street, Carmichael Street, Waterloo Street and Camp Street).   Many of the trees that lined the avenues, streets and canals have died (or been cut down) and have not been replaced.  For many of us, we still see the trees that line our streets as being numerous, but this was a much more verdant city, we see it in the old photos and paintings.

Some of the older trees remain and provide some shelter from the tropical sun that bathes our city daily, some are even large enough to help provide shelter from the sudden shower of rain that cools the land and washes away the surface dirt that blankets the city, mainly from our own daily activities.

Walking down the Avenues that are still lined with these sentinels, I often look up at the canopy of lace-like branches and leaves that provide a respite from the midday sun and often ponder on what might make a good composition.  I often take photos, but they just as often fail to live up to the ideals that reside in my mind’s eye.

Here’s a simplistic version that I favoured among the many that I took 🙂



Lacy Leaves

Leaves and branches adorn the sky
An organic filigree
Earthen wrought and weather tempered
It’s not just a tree.

Intertwined and interlocking
like a spider’s gossamer
A lacy parasol that once was
the city’s glamour.


Click on the photo to see it in the Gallery.

Midday Meditation


If I had the time in the middle of the day, I’d probably be doing just like this fellow in the photograph… sit and just stare out to sea for a while; but I was taking a walk and taking some photographs 🙂  (The walk ostensibly for health reasons and the photos for my sanity) I’ve photographed this spot many times, I was going through an old album when I came across this one and thought that a square crop would work nicely, then I saw the faint details of the clouds and thought that some tone-mapping would give me more detail and a monochrome version might just look nice, and voila!  I got a bit of haloing, but I can live with that 🙂


Click on the image to see it in the Gallery along with other images in my Sepia Collection

Mashramani 2014

Mash_2014

I’m not sure I ever come out of these events with the right photos… but I think I usually get a few that are nice, and once in a while, one that is very nice.

Mashramani was on a Sunday this year, making the following day a holiday, so it was more relaxed for me in a way, there were a few bands fewer as well, so the last band came earlier than normal, which is good, I always get a bit peeved when the last band comes and the sun is already getting low in the sky

I was without my flash this year, and shooting into the sun without fill-flash was a different experience for me.  Also without my Tamron 18-270mm I felt a bit lost, but I stuck to my plan of attempting it with a borrowed Canon 55-200mm, and I think I did a fairly decent job of it.

I usually cull the set much more than this, but I think that these are fairly representative of the day, and I decided to keep almost all of the first draft.

Click on the image above to see the Gallery on the site for the full set, I will try to do a Select collection soon.


Tree on the Avenue

I had taken this photograph of one of the many trees lining the Main Street Avenue, it struck me that I could look up at these canopies along the avenue and feel a sense of calm and even tranquility but when I look back down and around me I am surrounded by rushing people, rushing vehicles, horns blaring and exhausts fuming.

Whilst processing the image I couldn’t think of much to say about this to put on the blog here…  and I thought I’d take up a suggestion someone once made about using a Haiku Poem to accompany it (for some reason the image gave me an Oriental vibe).  I read up on Haiku and realised that anything I attempted would likely come out wrong… and probably be laughed at by anyone who knows about Haiku, so I decided to at least put in these two paragraphs to accompany the photo, and yes I will put the attempt at Haiku under the photo…  If you don’t know about Haiku, then I’ll be fine, if you do know about Haiku… just don’t laugh out loud 😀


Fresh scents, a clear day
Trees adorned with other life
A busy street thrives.


Click on the image to see it in the Gallery

2014 Deck – Week 02

I selected one of the images I took from the recent Guyana Photographers’ Photowalk to the Conservancy via Canal #2 for my Deck Photo for this week.

While I’ve never swum or plunged into the Conservancy, I do remember the many outings to creeks and diving off of a tree at the side, even after being warned that it was either shallow or may have stumps unseen under the water.

This shot reminded me of those days.  Many other photographers on the walk captured this moment, one even at, what appeared to be, the same moment, but it still remains one of my favourite images from the walk.  When I noticed what was occurring, I knew I didn’t have time to stop, bring the camera to my eye, compose and shoot, so I shot it from the hip 🙂


Canon 60D, Sigma 17-50mm  |  17mm, ISO 100, 1/400s, f/9


Click on the image to see it in the Gallery

A Walk on the Conservancy

We recently had a Photowalk  for willing members of the Guyana Photographers’ Facebook Group, it was ostensibly called “Canal #2 Photowalk”, that just meant we met at the western end of Canal #2 on the West Bank of Demerara, right where it meets the Conservancy, from there we chose a direction to walk (by default we headed North).  Each member is initially allowed three images to upload to the album on the group, and Fidal Bassier wanted us to put some emphasis on “Composition” for this PhotoWalk, so there was some discussion about it… and I chose these three photos for certain reasons.


First image:  House  – 14-1649

I was mentioning to someone at the beginning of the walk (or a few someones) that it is important to know what makes a good composition, read as much as you can on things like the Rule of Thirds, Leading Lines, and other compositional aids, rules and guides.  Once you know these things it makes composing a decent image all the easier, but it also allows you to realize that some scenes will allow you to “break” those rules.

For this image I pretty much threw the Rule of Thirds away… the main compositional aid being a Leading Line – the bridge leading you to the house, but even this is muted a bit by the shadow across the early portion of the bridge.


Second image:  Sit – 14-1654

Initially the impulse was to zoom in to avoid all the clutter in the photo to simplify the scene down to the man, the boat and the conservancy behind him; but I thought that including the rough woodwork and using the low sun as a backlight would make for a nice silhouette shot or at least a more inclusive rather than exclusive composition.  The low-hanging branch also helped enclose that corner of the frame.  Shooting into the sun naturally desaturates a scene, and I used this to advantage in the colouring of the image.  I also again ignored the Rule of Thirds and relied on the leading lines of the wood and the bright sun to lead you to the subject.


Third image:  Prelude to Sunset – 14-1698

It seemed that although a few of us wanted to stick around to see the sunset, others preferred to get going… so I took a Prelude to Sunset photo.  When I first started taking photos, I would be happy with just a plain nice sunset, but as I began to appreciate some more the images that actually made me look twice at them, I came to realize that some Sunset images (and most landscape ones, come to think of it) needed a foreground object in the composition to hold your attention as well, so I tried to include a portion  of a rusty pontoon.  I exposed for the sky and had already decided that I would be doing some post-process fill-light to regain some detail in the pontoon.


I hope I didn’t bore anyone with all of that… overall, I think it was a good Photowalk.  Click on the images above to see them in the Gallery along with other images in the “Out and About” album.

Singed

Have you ever latched onto a word with unusual fascination?  When I first read or heard certain words, there was an undue fascination that I got for them, one of those was “singed”…  No, it has nothing to do with singing, so no funny quips about that 🙂  Another one was “chaos”, that one was simply because I’d read it in a book and had formed this pronounciation in my head that turned out to be completely wrong.

So… back to “singed”

It was the first week of 2014, and I was walking the seawall looking for a few photographs when I came across the piece of singed wood… it was laying across another piece of wood forming a cruciform shape, the harsh midday sun cast a strong shadow and I decided that it might make a decent photograph 🙂

I also took the opportunity to try out LightZone to process it from start to end… I finally found how to straighten the horizon in it… using the crop tool just like in LightRoom (silly me couldn’t find it the first time I was processing an image in it).  I must say, that while there are some things I miss from this piece of software, it is a very powerful application, and the integration of the changes into the saved file (JPG or TIF) makes it easy to go back and adjust the processing.

LightZone also professes to be able to work as a plugin to LightRoom, so if you just want some of the neat features in LZ, you can try it as a plugin.  For an OpenSource (read that as FREE) software, it is powerful and user-friendly, this is not a stripped down software, but a full fledged product for RAW image processing.

Now… to the image.  It probably won’t rank as a great photograph, but I liked it and it gave me a good opportunity to try out LightZone


Canon EOS 60D, Sigma 10-20mm  |  1/160s, f/9, 10mm, ISO 100


Click on the image to see it in the Gallery along with other images in the Black and White collection

Black Flag

When I saw this flag, I knew I wanted a good photo of it, but never really processed it until now.  This was taken on a photowalk that the Guyana Photographer’s Facebook group did in January of 2013.

I think I agree with Nikhil that my definitive photograph involving Jhandi flags was this one from last year’s Deck Project, but if you’re going to photograph along the coastlands of Guyana, you most likely will end up with Jhandi flags in some images.

I don’t see the Black ones as often as I see the Red, Yellow and White ones.


Canon EOS 60D, Sigma 10-20mm  |  1/200s, f/10, 10mm, ISO100


Click on the image to see it in the Collection, along with others from the “Out and About” album

Pirai

On the way to Fort Island recently, the ferry we were on (the M.B. Sandaka) was accompanied by a Coast Guard cutter (I’ll assume it was a cutter, I don’t know one boat type from another really).

At one point there were some nice God Rays over the river which I noticed my friend Ryan taking photos of (he got a nice one the he posted to Facebook), so instead of trying to get pretty much the same photo, I tried to get one of the Coast Guard vessel with a few of the rays, it didn’t come out too bad 🙂

The cutter was marked PIRAI at the back (I think in boat lingo that would be the stern), Pirai is the local name for the fish Piranha.



Sepia conversion and processing done in Lightroom, also did some dodging on the cutter for effect.

Click on the image to see it in the Gallery along with other images in the Sepia Collection