2015

I began using Instagram when I got my hands on a phone using the Android OS, and I like how it challenges the way I look at a scene; after composing images in wider (or taller) formats thinking “square” had it’s challenges, but it’s fun.

And it is almost too easy to use… makes you want to put down your larger cameras and just use the phone… which is exactly what I did on New Year’s Day.

Many of you may not use Instagram, so I’m posting images and the Instagram links here for these select images.

There is a thread running through these images, but I don’t expect anyone to get it, and that’s fine, they are simply photos that I wanted to share.


Chef Vishal


Bush Construction


Welcome


Respect


Here’s wishing you a Happy 2015, one filled with surprises, great expectations, few regrets, fewer disappointments and lots of Love!!


2014 Deck – Week 50

In week 50 of 2014 I took a lot of photos, however most of them were on a photo shoot for a family, who specifically asked that we (Fidal and I) don’t share publicly, I don’t do those types of shoots normally so I was looking forward to it, and I think I got a few nice ones 🙂

So since practically all my photos for that week were scratched I fell back on one I took that was during the shoot but not of the family 🙂

If it messes with your eyes, it’s doing the same thing to mine… cool!!


47mm, f/4.0, ISO 800


Click on the image to see it in the Gallery


2014 Deck – Week 44

Looking for more meaning.

Although I did not intend for this photo to be associated with these thoughts, this is where Fate stepped in.

I have finally gotten to have a series of photographs that I think embodies an idea that I can convey through a collection, and then I had a very short but enlightening (maybe even a little dampening) conversation with Mr Carl Hazelwood, the chief judge at the 2014 Guyana Visual Arts Competition.  He basically told me that while I have “nice” photographs, the ones he sees lack that little something extra that would make it more than a pretty picture… and here in the last two years I thought I had gotten past the pretty picture stage 🙂

This man knows what he’s talking about, and if he says that I don’t make the cut, then I don’t, and I am grateful for that honesty, I may never make that transition, but I will surely try.

I processed this photograph last week (I only had this conversation last night with Mr Hazelwood), and I almost chose a different photo, one more in keeping with my seascape series of recent,  but this one had a few elements that appealed to me a little bit more, and I wanted the diversity for the Deck Project 🙂

This one probably would not hang in a gallery among great works of art, but I ask myself if I would hang this on a wall, yes I would, but would you?


Seashore – Canon EOS 6D, Canon 24-105, 105mm, f/9.0, ISO200


Click on the image to see it in the gallery.

2014 Deck – Week 41

People write all sorts of things in the sands at the seawalls… and beaches worldwide, from Love Letters (Pat Boone sang about this), to drawings, to directions to the nearest Qik Serv, to Hearts with cupid’s arrows through it and the Lovers’ names inscribed, all to be washed away with the next high tide.

Those messages are as transient to us as we are to the timeless sea; and yet, we keep making those markings and the sea wipes them out again.

I snapped a photo in passing this fellow as he used quite a long stick to mark out something in the sand, I have no idea what it was he was drawing, maybe it was a message to an extra-terrestrial ship 🙂


Midday Markings – Kingston Foreshore, Georgetown.


Click on the image to see it in the Gallery.

2014 Deck – Week 35

Exploitative or Journalistic?

The question with regards certain street photographs is usually whether the resultant image and its use are exploitative or journalistic; this is not a question for viewers or critics, it is a question for the photographer; anyone says otherwise is trying to be self-important; yes, a fallacy, I don’t care.  🙂

I saw this chap sitting in what seemed a dejected and sad position, and I “had” to take a photograph, but carefully, surreptitiously, so as not to make him too aware of my intentions;  wanted the scene as I saw it to be portrayed as I remembered it…

In the shadows cast by the trees along the avenue, in the bright midday sun, one man, sitting, alone, almost overlooked, in the heart of Georgetown.

I titled this one “In the Shadows”, because that is how I see many of our fellow citizens living; in the shadow of oppression, in the shadow of others who walk along with a brighter present and future than he may have, in the shadow of trees and buildings that have existed longer than he has, in the shadow of a life that could be better, but isn’t (reasons unknown).


Cropped to 3:4 from the original

1/125s @ f/7.1, 24mm, ISO 200


Click on the image to see it in the Gallery.

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2014 Deck – Week 33

Christ Church was doing some fund-raising, a friend of mine asked me to take a few photos of the church to use in the press release.  The only time I had to make a pass by the church was an early morning on the way to work.

I was thinking that it’s only for a press release, so it doesn’t have to be that good, right?

I was in a bit of a hurry, but I snapped a few, then jumped back in the car and headed to work.  There was some nice clouds behind the church from one angle, and kept remembering this as I downloaded the images to process, I knew that my attitude toward the shot was less than optimal and I had deliberately exposed for the building and not the skies (since it was just for the press), as the sun was rising behind the church, all that detail would be blown out.

I thought that this would be a good time to experiment with what I had read about prior to acquiring a full-frame camera, that it can capture a very wide dynamic range in one exposure.

True enough, the entire sky was blown out in the exposure when I downloaded it.

IMG_2724

But remembering what I had just seen in the sky, I worked the sliders to see what sky detail I could retrieve from the RAW file:

IMG_2724-2

And I was amazed, so I decided to process it better than I had originally intended.  I made slight adjustments in Lightroom to bring some detail back in the sky while retaining the detail and brightness of the building.  Then I took the image into Nik HDR Efex with the express intent to use a single exposure black-and-white tone mapping technique on it, and the results were great.  After a few minor adjustments once I took it back to Lightroom, this was the result:


Christ Church, Waterloo St., Georgetown, Guyana


Someone asked me it I “photoshopped” it, well, I didn’t use photoshop, I used no masks, no layers, nothing like that, just what I described above.  Everything I needed was in the RAW file, if I weren’t in such a hurry and treating the action of taking the photo so lacklustrely, then I may have actually taken multiple exposures for a proper HDR  🙂

Click on the image to see it in the Gallery.


2014 Deck – Week 31

I don’t often do HDR images, mainly because I think it’s a technique that has it’s uses in specific circumstances, and also because a basic RAW file out of the camera now has much more dynamic range than before and can be adjusted in post process to utilize that content without the need for multiple exposures.

But I like doing HDR images, to pull and prod at the dynamic range in a scene and get it looking as I remember the scene as my eyes could see it.   Shooting into the sun is tricky, most times all you’ll get are silhouettes, so adjusting exposure to balance the scene is one way to try compensating for that great ball of light, or shooting multiple exposures and using HDR techniques after can also work towards the desired goal.

This one, I went for an HDR, but I didn’t want that wide a dynamic range, so I only bracketed very narrowly from 0ev.  I wanted the colours from the sky and the city below to come through, and I wanted the light and shadow to be there but with more detail than the standard exposure was giving me.

I hope you like it.


HDR Image from 3 exposures.


High-key Bird

Just about two years ago I had taken about four photos of a bird sitting on a branch, he was against the brighter light (sunlight) so the portion of him directly facing me was in shadow, not having a flash to fill-in with, I had thought at the time that I’d use post-processing with the sliders in Lightroom to retrieve the detail I wanted.

I was checking for some other images today when I came across the set and decided to process this one, I had now changed my mind slightly about the processing and was not thinking of a high-key style, giving some delicacy to the image, I think the light colour of the bird, the leaves behind him and the textured bark of the branch gave me the idea.



Click on the image to see it in the Black and White Gallery.