The Deacons’ Dozen, plus one

 

I don’t do event photography usually, primarily because its not my style, but also because there is less control than, say, a wide open scene on the coast where everything is in its place and nothing’s about to jump in front of me and suddenly obscure the shot.  And it seems that often when there is an important event that I do concede to shoot, there’s some dude in a hot pink shirt who just does not understand “space” limitations and to respect the other people also doing a job there (although I seriously doubt they were ever there “doing a job”).

OK, digression aside, I don’t do Events because I want to capture every moment, and I want every one to be good, but that just isn’t possible, and with my style of shooting, very much next to impossible to satisfy those expectations.

I recently took some photographs at the Ordination to Deacon-hood of Berchmans Devadass & Joel Rathna at the Cathedral of the Immaculate Conception, Brickdam, Georgetown.  I did process some 82 images to give over to the Diocese, but at the end of doing so I was not happy, so I then pared those down to 12 images, that would more reflect the moments I would chose to share and would be more in keeping with my particular style of photography.

The full set is on my Facebook profile, but I wanted to share the set I chose, which I named the Deacons’ Dozen, over on my site here.

And just to be difficult, instead of just having the 12 chosen Black and White images, I also added one extra; I had left one image back to process separately, this one is in colour.  I had noticed at one point during the Bishop’s address that the sunlight had began to stream into the western windows of the cathedral, so I left my spot and went to the rear of the altar to capture that and as much of the rest of the scene as possible.  (Chronologically, it falls in the middle of the other images in the set.)


Untitled – 17-3077  |  Canon EOS 60D, Sigma 10-20mm  |  2017


Click on the image to see it in the Gallery, also in the Gallery are the 120 Black and White Images of the ceremony that I called the Deacons’ Dozen.


2014 Deck – Week 33

Christ Church was doing some fund-raising, a friend of mine asked me to take a few photos of the church to use in the press release.  The only time I had to make a pass by the church was an early morning on the way to work.

I was thinking that it’s only for a press release, so it doesn’t have to be that good, right?

I was in a bit of a hurry, but I snapped a few, then jumped back in the car and headed to work.  There was some nice clouds behind the church from one angle, and kept remembering this as I downloaded the images to process, I knew that my attitude toward the shot was less than optimal and I had deliberately exposed for the building and not the skies (since it was just for the press), as the sun was rising behind the church, all that detail would be blown out.

I thought that this would be a good time to experiment with what I had read about prior to acquiring a full-frame camera, that it can capture a very wide dynamic range in one exposure.

True enough, the entire sky was blown out in the exposure when I downloaded it.

IMG_2724

But remembering what I had just seen in the sky, I worked the sliders to see what sky detail I could retrieve from the RAW file:

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And I was amazed, so I decided to process it better than I had originally intended.  I made slight adjustments in Lightroom to bring some detail back in the sky while retaining the detail and brightness of the building.  Then I took the image into Nik HDR Efex with the express intent to use a single exposure black-and-white tone mapping technique on it, and the results were great.  After a few minor adjustments once I took it back to Lightroom, this was the result:


Christ Church, Waterloo St., Georgetown, Guyana


Someone asked me it I “photoshopped” it, well, I didn’t use photoshop, I used no masks, no layers, nothing like that, just what I described above.  Everything I needed was in the RAW file, if I weren’t in such a hurry and treating the action of taking the photo so lacklustrely, then I may have actually taken multiple exposures for a proper HDR  🙂

Click on the image to see it in the Gallery.


2013 Deck – Week 24

There are some scenes you come across that just beg to be recorded, and having a camera (or a device with camera capabilities) on hand makes it so much easier.  My number one rule in photography is to always have a camera with me (not always practical).

It’s occasions like these that make it so worthwhile to actually have a camera… and the more I think about it the less words I can find to express/explain anything about this image 🙂


Canon Rebel T1i  |  Sigma 17-50mm  |  1/1000s, f/11, 50mm, ISO400


You really should click on the image to check it out in the Gallery

A bit of the background on the image:  It was midday, and we were not allowed onto the seawall as some ranks of the Guyana Police Force (and maybe a few civilians) were shooting live rounds out to sea), so we had stopped and were about to turn back, when this one officer approached the one sitting on the bench, could not help but try to capture it  🙂

P.S.  You may be able to read the sign on the larger version in the Gallery (it says DANGER – LIVE FIRING IN PROGRESS)


Into the Mountains – Part 2

After lunch on my second day in Jamaica, we drove up to Cinchona Gardens, what was once a beautiful Botanical Gardens, a destination for families and tourists, an old Colonial house and out buildings, gardens and ponds, and bamboo copses.  The road up to it is impassable by regular cars, so Cecil’s Safari enthusiasm came out as he tackled the mountain with gusto.

Before even going towards the Cinchona Gardens proper, the view to the right of us as we drove up was very compelling, so I just had to take a few photos in the hope that one would help express what I saw,the tops of the range were obscured by low-hanging clouds:

The Gardens stand in a spot of the mountains that is five thousand two hundred feet above sea level (5200ft), and there is usually a constant “misting” from the clouds, so most everything is wet.  The first steps into the garden proper brings you to some tree stumps of tree cuttings, makes great seats for the weary 🙂

From an upper vantage point, you can see the seating area in the walled section of the garden with a small man-made pond, the sky had begun to clear a bit so that I could get more than just a blanket of gray clouds in the photos  🙂

Alexis stood for quite a while admiring the view of the valley below and the mountains in the distance, he even went as far as shouting out to hear the echo… which he got  🙂

The main building was cordoned off with a “Danger” tape,warning visitors not to go in, I was tempted to venture in, but Cecil wisely told me not to try it, so I satisfied myself with a few photos from the outside.

As the skies were clearing a bit, I took another set of photos of the view into the valley and across at the Blue Mountains, this time I could actually see the tops of the range in some areas.

From the Cinchona Gardens we were to make our way towards the Blue Mountain to visit Whitfield Hall, where people desirous of climbing the peak would start their trek, on the way there as we neared Hagley Gap, we stopped to take photos of and near an old bridge that appears to be out of use.

We stopped along the road to get a few photographs of a beautiful view down another valley, this was probably about 15 minutes outside of Whitfield Hall.

Whitfield Hall is an old House and Coffee farm, it is snuggled beneath some very very tall trees and is such a tranquil spot, we sat and ate the rest of our food before heading back home.

On the way back I couldn’t resist a passing shot of the hills/mountain showing the barbed demarcation of the end of the road, where the cliff drops down to the valley below.

Into the Mountains – Part 1

Veteran Guyana Safari expeditionist Cecil Beharry (CB to his friends), told me to just let him know when I’m in Jamaica, so I told him I was coming down for a family reunion, and he insisted that he take me into the mountains, how could I refuse?

The day after I arrived in Jamaica, he took me and my cousin Alexis (I’m told he is my First cousin Once Removed, although I prefer not to have him removed) on a mountain drive, some of these spots were apparently where he “practiced” for the Pakaraima Mountain Safari in Guyana.  He had just gotten back his vehicle from the last Safari, and we were going to give it another mountain drive  🙂

As it happened, we were on the road near Irish Town when we noticed some strange sounds coming from the vehicle, on stopping and checking (Alexis being a hobby mechanic and Cecil being Jamaica’s Power-steering specialist) it was discovered that there was a leak somewhere, Cecil called his son Craig to come exchange vehicles (a Trooper to the rescue)

I didn’t mind stopping / breaking down in that spot, I got a few photos, my two favourite are below:

With a new vehicle at our disposal (ok, we’ll apologise to Craig for the dents and scratches and the dirt…), we headed onto Newcastle where there was on old colonial army base that is now housed and maintained by member of the Jamaican Armed Forces (restoration work was being undertaken while we were visiting), I’ll share two photos from that location, one of the “barracks”,as I thought of them, and one of the cemetery, I must say that the view from the cemetery was very tranquil 🙂

On the way to Newcastle, we stopped to take in one of the breathtaking views of the hills/mountains, but I was also captivated by the walls along the road, they are apparently built to help retain the earth on the sides of the hills and prevent landslides, in these “walls” are holes which are meant for the drainage of water caught behind the walls, the holes are called Weeping Holes.

From Newcastle, we moved onto Holywell, where there is a camping ground, there were quite a number of youths there camping and playing.   The air is crisp and cool,and the views are pretty:

And if you want to just sit and enjoy the view, here’s the chair:

After Holywell, we went to visit an old abandoned Coffee Mill, from somewhere back in the colonial days.  Some of the building(s) is still intact, and the mill mechanism can still be seen there, what I was impressed to see was the waterwheel that drove the mill, I had never seen one before and I was excited about it, especially when Alexis tried to push it and it actually turned!

There was an archway in the rear wall to access the “Tennis Courts” and to see the building from the side with the water wheel.  I think that archway would make a pretty nice night-time photo  🙂

I realised that this post suddenly had a lot of images, so I decides to split it, so this is it for the first part, we actually left this building and went down to the stream/creek behind it to have our lunch; KFC, stale bread and liquid refreshment (in my case a bottle of Coconut Water)  🙂

2012 Deck – Week 27

Gone Fishing?

Getting out to take photographs seems harder recently, but living on the coast means that there is always the seawall  🙂  I took a drive up to Enterprise to pick up something and thought I’d just drive up to the wall and see what, if anything, there was to photograph.  There were a couple boats out there, but it didn’t move me, but there were two bicycles left near/on the wall where two boys had left them to go over the seawall.

This posting is somewhat appropriate as I (that is, my family and I) are about to go to a family reunion.  So, while we will be leaving the comforts of our home, the familiarity of other family and friends near to us, we do so knowing that the material things we leave temporarily are being taken care of by people we know, and the people we leave behind have their own family and friends to keep them occupied while we’re away 🙂

2012 Deck – Week 19

This week almost passed without me having taken any photos.  I had some slim pickings, but I think I got a nice one.

Nikhil has often used the word “Grok” especially as relating to “grokking the scene”.  It has become more important to grok the scene if you want to capture and express through the photograph what it is the scene says to you.

Even though I thought I had heard the word before, no one lese I know has ever used it as often as he does.

I check it up on Wikipedia and then thought to myself, “that’s where it came from!”, apparently coined by the author Robert Heinlein in his novel “Stranger in a Strange Land”.  I love the definition given for it in the novel (keep inmind that it is a Science Fiction novel set on Mars)

Grok means to understand so thoroughly that the observer becomes a part of the observed—to merge, blend, intermarry, lose identity in group experience. It means almost everything that we mean by religion, philosophy, and science—and it means as little to us (because of our Earthling assumptions) as color means to a blind man.

Can we understand a scene so completely that we become as one with it?  That is probably something to aim for, to achieve it would be great,

Here’s a photo of Nikhil, Grokking the scene  🙂

Click on the image for a better view in the Gallery, and if you haven’t seen the other entries for the Deck project they’re all over there in the Gallery.

Old(er)

Age is a relative thing, something (or someone) is either younger (or newer) or older than another by a certain amount of time, whether it is by minutes, days, years, decades, centuries, etc.

I’ve grown up knowing the Hand-in-Hand Insurance Building (and others of its time) and they’ve become landmarks to me, that makes them old, or older than the stuff that went up in the last decade anyway.

They may not be of the Victorian era, so their architectural aesthetics may be less appealing, but they are certainly a lot more appealing than many of the concrete boxes that are being erected these days.

The Hand-in-Hand building always reminded me of a concrete and stone attempt to look Victorian, or maybe semi-Greco-Roman, but I’m not an architect and my terms may be far off the mark.

I had always admired its arches, the wrought-iron fence, the wrought-iron “fret-work” that created the arches between the columns, the low-sprawling style of the building.

When I took this photo I never intended to process it in Sepia tone, yet that is what appealed to me when I began processing, and to help the age along a bit, I added a light vignette (hopefully not too noticeable)

So this building is Newer than Victorian, but probably older than I am 🙂

Hand-in-Hand – 7216