A Walk on the Conservancy

We recently had a Photowalk  for willing members of the Guyana Photographers’ Facebook Group, it was ostensibly called “Canal #2 Photowalk”, that just meant we met at the western end of Canal #2 on the West Bank of Demerara, right where it meets the Conservancy, from there we chose a direction to walk (by default we headed North).  Each member is initially allowed three images to upload to the album on the group, and Fidal Bassier wanted us to put some emphasis on “Composition” for this PhotoWalk, so there was some discussion about it… and I chose these three photos for certain reasons.


First image:  House  – 14-1649

I was mentioning to someone at the beginning of the walk (or a few someones) that it is important to know what makes a good composition, read as much as you can on things like the Rule of Thirds, Leading Lines, and other compositional aids, rules and guides.  Once you know these things it makes composing a decent image all the easier, but it also allows you to realize that some scenes will allow you to “break” those rules.

For this image I pretty much threw the Rule of Thirds away… the main compositional aid being a Leading Line – the bridge leading you to the house, but even this is muted a bit by the shadow across the early portion of the bridge.


Second image:  Sit – 14-1654

Initially the impulse was to zoom in to avoid all the clutter in the photo to simplify the scene down to the man, the boat and the conservancy behind him; but I thought that including the rough woodwork and using the low sun as a backlight would make for a nice silhouette shot or at least a more inclusive rather than exclusive composition.  The low-hanging branch also helped enclose that corner of the frame.  Shooting into the sun naturally desaturates a scene, and I used this to advantage in the colouring of the image.  I also again ignored the Rule of Thirds and relied on the leading lines of the wood and the bright sun to lead you to the subject.


Third image:  Prelude to Sunset – 14-1698

It seemed that although a few of us wanted to stick around to see the sunset, others preferred to get going… so I took a Prelude to Sunset photo.  When I first started taking photos, I would be happy with just a plain nice sunset, but as I began to appreciate some more the images that actually made me look twice at them, I came to realize that some Sunset images (and most landscape ones, come to think of it) needed a foreground object in the composition to hold your attention as well, so I tried to include a portion  of a rusty pontoon.  I exposed for the sky and had already decided that I would be doing some post-process fill-light to regain some detail in the pontoon.


I hope I didn’t bore anyone with all of that… overall, I think it was a good Photowalk.  Click on the images above to see them in the Gallery along with other images in the “Out and About” album.

Singed

Have you ever latched onto a word with unusual fascination?  When I first read or heard certain words, there was an undue fascination that I got for them, one of those was “singed”…  No, it has nothing to do with singing, so no funny quips about that 🙂  Another one was “chaos”, that one was simply because I’d read it in a book and had formed this pronounciation in my head that turned out to be completely wrong.

So… back to “singed”

It was the first week of 2014, and I was walking the seawall looking for a few photographs when I came across the piece of singed wood… it was laying across another piece of wood forming a cruciform shape, the harsh midday sun cast a strong shadow and I decided that it might make a decent photograph 🙂

I also took the opportunity to try out LightZone to process it from start to end… I finally found how to straighten the horizon in it… using the crop tool just like in LightRoom (silly me couldn’t find it the first time I was processing an image in it).  I must say, that while there are some things I miss from this piece of software, it is a very powerful application, and the integration of the changes into the saved file (JPG or TIF) makes it easy to go back and adjust the processing.

LightZone also professes to be able to work as a plugin to LightRoom, so if you just want some of the neat features in LZ, you can try it as a plugin.  For an OpenSource (read that as FREE) software, it is powerful and user-friendly, this is not a stripped down software, but a full fledged product for RAW image processing.

Now… to the image.  It probably won’t rank as a great photograph, but I liked it and it gave me a good opportunity to try out LightZone


Canon EOS 60D, Sigma 10-20mm  |  1/160s, f/9, 10mm, ISO 100


Click on the image to see it in the Gallery along with other images in the Black and White collection

Bob

I was walking along the seawall last year when I spotted these three birds on the rocks near the waterline, I was fortunate enough to get off one photo of them together before they separated further (in no small part to my approach)

Whenever I see three birds together I always think of Brother Bob, Bob Marley, simply because of those words in the song… “Three little birds, Pitch by my doorstep”

The song was actually called “Three Little Birds”, but most everyone I know refers to it as “Don’t Worry” or “Every Little thing’s Gonna be alright”

So these aren’t exactly little birds, and they certainly weren’t singing sweet songs, but they still reminded me of the song.

Hope you like it:


Canon EOS 60D, Sigma 17-55mm  |  1/500s, f/8, 50mm, ISO 100


Click on the image to see it in the Gallery along with other Bird photos

2014 Deck – Week 01

Welcome back to my Deck Project, a photography project of one photo for every week of the year, giving me 52 photos for the year. (and there are 52 cards in a Deck of normal standard cards, not counting Jokers, hence the name Deck Project)

I start the year at a very familiar place, the seawalls, living on the coastland of Guyana gives us easy access to the sea and the extensive shoreline.

Recently there was a discussion about how Guyanese (among many others) prefer to use pirated software instead of paying.  This has primarily to do with a difference in income levels and the cost of many software can easily exceed the salaries of the average or even above-average Guyanese.  The cost of such popular photo-processing software as Adobe Lightroom and Corel AfterShot Pro has declined in recent years making it more affordable, but the habit of acquiring pirated copies persists.  After this discussion I remembered Nikhil posting about an Open Source photo-processing software called LightZone, and I decided to give it a good try (even though I do own and use Adobe Lightroom)

This photo for the first week of the 2014 Deck Project was processed primarily in LightZone (but since I use Lightroom to interface with my website, I used Lightroom to tag/keyword and upload the image)  LightZone is surprisingly versatile and powerful, I think I’ll be using it  a bit more to experiment with some features as well as to encourage those who can’t afford Lightroom or AfterShot to try something that’s Free but also pretty powerful.


Canon 60D, Sigma 10-20mm  |  1/125s, f/8, ISO100, 10mm

Seawalls near Thomaslands, Georgetown


Click on the image to see it in the Gallery

Pier


Click on the image to see it in the Gallery, along with many others in the Black and White Collection


Standing posts, by day’s light
Beaten by the waves
bleached by the relentless sun
Dwelt upon by snails

By moonlight, a ghostly pier
Appears ‘neath the moon
A vision that’s never seen
In day’s high noon

Stretching out into the deep
Walked upon by wraiths
boats with ancient passengers,
On the pier he waits…

Eyeing all who step ashore
Some will never leave,
Captain of his merchant ship,
Lord of the seas

Each night he walks the pier
Beneath the moon’s light
Each night the slaves come again
Reliving ghostly plight

The wraiths leave with the dawn
At peace once more
Until the rising moon
Brings them back to shore.


Black Flag

When I saw this flag, I knew I wanted a good photo of it, but never really processed it until now.  This was taken on a photowalk that the Guyana Photographer’s Facebook group did in January of 2013.

I think I agree with Nikhil that my definitive photograph involving Jhandi flags was this one from last year’s Deck Project, but if you’re going to photograph along the coastlands of Guyana, you most likely will end up with Jhandi flags in some images.

I don’t see the Black ones as often as I see the Red, Yellow and White ones.


Canon EOS 60D, Sigma 10-20mm  |  1/200s, f/10, 10mm, ISO100


Click on the image to see it in the Collection, along with others from the “Out and About” album

Fly

Something from last year 🙂  2013 was a good year, but then I think upon reflection, every year is a good year, there are always rough patches, but we live, we learn, we love, we laugh, we lose some hair, we leave behind the things we prefer not to follow us into the new year.

Where my photographs are concerned, I think I got a few good ones, a few great ones, but overall, I think I just got less time to go out and get photos from farther afield.  But I think that I did a fair job of the Deck Project.

For the new year, I encourage anyone reading this to “Fly”, spread your wings and soar above the troubles of the world and find peace within yourself, I will be trying to do this myself.


Canon T1i, Tamron 18-270mm  |  65mm, ISO 200, 1/320s, f/10


Click on the image to see it in the Gallery along with a few other Avian (Bird) Photos

2013 Deck – Week 52

Skies above and oceans below,
Soar above the tethered boats
Down winding creeks and rivers brown,
Past piers, docks and abandoned forts.

Wind beneath my outstretched wings
Sun upon my feathered spans
Gliding, soaring, questing far
Over seas and distant lands.

See upon a curved horizon
Tree-lined coasts, and wave-swept beach
Flying high above ocean’s blue
Soaring forward, to sometime reach

A land with trees laden with fruit
Ponds and lakes with fish aplenty,
Seeking always rich lands afar
Always knowing, there will be many.

Returning home, back to my shore,
To mangrove clumps and fishing boats,
To fly along the creeks that wind
And from its waters, slake my throat.



Click on the image above to see it in the Gallery along with the entire collection for this Year’s Deck Project!

Pirai

On the way to Fort Island recently, the ferry we were on (the M.B. Sandaka) was accompanied by a Coast Guard cutter (I’ll assume it was a cutter, I don’t know one boat type from another really).

At one point there were some nice God Rays over the river which I noticed my friend Ryan taking photos of (he got a nice one the he posted to Facebook), so instead of trying to get pretty much the same photo, I tried to get one of the Coast Guard vessel with a few of the rays, it didn’t come out too bad 🙂

The cutter was marked PIRAI at the back (I think in boat lingo that would be the stern), Pirai is the local name for the fish Piranha.



Sepia conversion and processing done in Lightroom, also did some dodging on the cutter for effect.

Click on the image to see it in the Gallery along with other images in the Sepia Collection

2013 Deck – Week 49

It is almost shameful that I’ve lived all of my life upon these shores (with the few exceptions of travelling abroad), and the majority of my time has been spent in the City, when there are so many beautiful places to see across our land, but that is how life is, and I am thankful that I got to see the little that I have seen.

I’ve seen the Rainforest and the Rupununi Savannahs, the Pakaraima mountains, Orinduik Falls and Kaieteur Falls, but there is so much more to see…

Recently I was fortunate to be among a group of people who had dinner at Fort Island, photographically it wasn’t a great trip, but for me it was almost priceless.

My wife and I joined more than a hundred other patrons who dined outside the Court of Policy on the Island, and were entertained by the legendary Dave Martins and his friends.

I did manage to take some photos of the fort, but finding one without a dozen people in it was tough 🙂

I hope you like this one:



Click on the image to see it in the Gallery