Fame and Folly

2012  |  At Rest  | © Michael C. Lam


It’s not a local issue, but it’s one that many artists have to face in the developing world more than their contemporaries in the “first world” (not saying that they don’t face it too, just to a lesser degree)   –  “We want to use your work for free, you’ll get exposure”.

Every artist at some time thinks about “Fame”, we’d like to get our work out there, for one piece to cross that invisible line that separates the millions of works of art that go relatively unnoticed and the few that make it to the galleries, the collectors’ circles and the list of “masterpieces”, one that becomes instantly recognisable upon sight throughout the art-world.

Most artists will strive to get there, but few ever attain it, this often has little to do with skill or artistic expression, and it also has little to do with the “exposure” that the hungry marketers want us to believe will catapult us to fame.


2012  |  Last Stand  |  © Michael C. Lam


Each famous artist’s path to glory is different, and we as artists have to “work” at it, not expect it to be handed to us or to become a household name by having our work used by marketers for “exposure”, those marketers are making something out of it, the artist is not, and I’ve yet to hear of artists who got the call shortly after one of these “events” for a commission or for one of their pieces to be bought.

A photographer’s photo in your magazine will make the reading experience of your clientele a bit more enjoyable, but no one will read the fine print to find out who the photographer is so that they can “buy” any of their pieces,

A sculptor’s work that took several months to complete may look nice in your hotel lobby, but none of your guests will enquire who the sculptor is to commission a piece for themselves.

A painting in your foyer will make it more welcoming, but no one stops to ask who the painter is that they may acquire a piece just as beautiful.


2011  |  dry docked?  |  © Michael C. Lam


We are artists, our work is a product of our intellect, our imagination, our skill, our craft…  it is not yours to use for your own benefit while we receive promises of exposure, such promises are meaningless and degrading to the artist.

If you want that sculpture in the lobby, buy it, it is a product of blood, sweat and tears, not an idea brought to life on a whim in mere hours…  If you want that sketch of a building that caught your eye, buy it, don’t promise the artist that you’ll hang it prominently in your boardroom for “important” people to see it…  if you want my photograph for your publication that IS paying everyone else concerned with its production, then pay me, I invested in gear, I invested my time, I invested my skill, imagination and artistic vision in it.

I may never be famous, but it is folly to believe that I do not deserve to be paid for what is rightfully mine.


2011  |  Shooting the breeze  |  © Michael C. Lam


If you’ve reached this far down, thanks for reading my rant 🙂

Click on the images to see them in their respective galleries in the Collection.


Looking in

A look through the doors of the Bottle Restaurant at Cara Lodge.

The original building was built in the 1840s, now it is one of the handsomest (is that a word?) Hotels in Georgetown… I’ve dined at The Bottle Restaurant and I can say without hesitation that the food was always delicious!


2013  |  The Bottle Restaurant, Cara Lodge, Georgetown, Guyana.


2014 Deck – Week 42

Winslow Craig is one of my favourite local sculptors, his work appeals to me more than most, probably because I know so little about the art-form that I cannot appreciate the intricacies of others (particularly those that bested him in the 2012 GVACE; he placed third)

I was at Moray House for his recent retrospective presentation, and took a photo that I quickly grew fond of, and so did someone at Moray House; although I originally processed it in monochrome, they requested a coloured version for their inaugural magazine “Ku’wai”, as a non-profit organisation and one that supports the Arts in Guyana I really couldn’t say no, and I was honoured that they wanted it for the cover of the magazine.

Since I had only uploaded the monochrome processed version to Facebook, I decided that the coloured one worked nicely and I would also use that for the Deck Project.


Moray House, 21st October 2014  |  Sculptures on display by Winslow Craig


The piece on the table was loaned to the presentation by the current owner,  the one in the background is called “Saving Seeds”, it was the piece that placed third in the 2012 Guyana Visual Arts Competition and Exhibition; to my understanding, it is a wire-framed structure covered with a material that Winslow made called Sawdue (sawdust and glue).


Click on the image to see it in the Gallery, and to see Winslow’s current entries in the 2014 GVACE, visit the GVACE 2014 Exhibition which opens on Thursday 18th December 2014, exhibition of pieces are likely to be at Castellani House and the National Museum.


2013 Deck – Week 26

As the year progressed, I expected to be using  more Street Photographs, as I am not getting the time or opportunity to do lots of the scenic ones I like.  So this week’s taking did not surprise me that most of what I had were Street shots, and the only one I thought worth tackling to process and share was this one.

Those who know me, know that I have a thing about having the horizon level, especially where a scene is involved, but I’ve been told and shown many photographs where having the horizon absolutely level is not optimal or necessary from an artistic standpoint or through necessity.

Don’t get me wrong, I still think I could have tilted this to get the horizon straight… but it is what it is… 🙂  And I actually like it the way it is.

I’m not very good at it, but this is one of those shots using the “From the hip” technique 🙂


2013 Deck – Week 09

I had never been into the Indian Monument Gardens before, and it seems that the one time I did venture in was when they were doing some new construction on a stage to the western end and had not done any recent cleaning near the monument itself, yet I still think I got a few usable photographs (if you ignore the weeds on growing near the monument and the stains on the base itself)

The monument itself commemorates the arrival of the East Indians to Guyana as indentured labourers, the first arrival being on May 5th, 1838, the first ship being the SS Whitby (symbolically represented in the monument).  The monument was erected in 1988 to commemorate the 150th anniversary of their arrival, a portion of the Merriman’s Mall was appropriated for the Monument Gardens.  (the area bordered by Church Street, Camp Street, North Road and Alexander Street.)

I found very little information in my short research, but it appears that a nationwide competition was held for the design, and after choosing the winning entry the design was made real by an “Builder” from India, the Gardens itself was laid out by two architects, one from India and one from Guyana (Albert Rodrigues).

I chose this angle because it shows some of the supporting structure of the Ship itself.


As always, click on the image to see it in the Gallery.