0001

For photographers, or I should say digital photographers, that 0001 number usually means you’ve cycled through the 9,999 actuations on your camera and you’re starting over, or some photographers actually do a reset to 0001 when they start a new year, or whatever period they decide to set for themselves. More commonly, it usually means a new camera, fresh out of the box.

Late last year, someone (or maybe a few someones) broke into the office where I work (photography is not my day-job, or night-job for that matter) and they stole my camera bag with all the gear in it, to date we have not recovered anything from that. So, after several years, I’ve had to acquire a new camera, at least one for now, I can’t quite replace what’s gone, but I’ve started somewhere. Thanks to a little saving and a lot of help from friends I don’t deserve, I got what’s essentially a mid-range mirrorless camera.

So here’s the first image from the new Camera:

23-0001 | Seascape – Thomaslands Seawall, Georgetown, Guyana – 2023

For those interested in the gear, don’t wait to be impressed…. its a Canon EOS R7, the lens I used for this image is the Canon RF 16mm F2.8 STM.

Click on the image to see it in the Gallery along with other Seawall images. Keep Shooting!

Out There

Some thoughts on the photographic process.

For me, the Photographic Process encompasses several stages, some think of it as simply taking a photograph with a device such as a camera or a phone, but I’d like to just mention the stages that I consider part and parcel of the Photographic Process, all of this just to speak specifically about one part that has to do with some of my black and white images.

The photographic process begins with the Photographer’s Eye, seeing that which is intended to be captured, since we all see things differently, this first part starts the differentiation of one image from the next and “my image” from “your image”.  Secondly, our camera adjustments, for many this is done using the automatic settings, but for others it may entail making several adjustments to modes and setting values for shutter speed, aperture and ISO;  these settings are usually determined by the lighting conditions and the desired “look” of the resulting image.  Next comes the composition, determining what to include in the frame, what to exclude, and a variety of other compositional techniques.  Then we click the shutter button.

In our current digital age, this is usually the end of the process, it gets shared on social media, etc., some may pass the image through a simple software for preset filters etc before sharing.  For photographers, this has only been half the work, the next stage is to process the image, depending upon the ultimate use of the image this can be done in a myriad of ways; for me, I seldom do weddings or portraits, so generally the image is intended as ”art”, yes, it sounds pretentious, but that’s what I usually intend, so I would often process the image through Adobe Lightroom, and for many of my black and white images, I also use DXO Nik Silver Efex for the black and white processing.  Once the image is processed to my satisfaction, it is then shared to my site or to social media.  For me, however, the process ends at another stage, when I actually have the image printed.

Out There - 14-5265
Out There – 14-5265 | Oniabo Lusignan, East Coast Demerara, Guyana | 2014

The size of the printed image is usually limited by a few factors, including the size (usually in megapixels) of the original capture, the content of the frame (composition) and the type of processing done to the image.  Some of my black and white processing can result in things that would not look well if printed large, such as today’s image.  I used a high contrast process and worked to heighten the structure and clarity of the image, in so doing there is a resultant “haloing” in existing high contrast areas of the image, when enlarged this can lend the impression that the image was “edited” that portions were spliced in, when in fact they were not.  So, in short, I most likely would not print this image large, possibly 16” x 24”’ as the largest print, this would retain the integrity of the image for me.

This is not a new photograph, it lay unprocessed in my files since 2014, I went scanning through the archives again this morning and spotted it, wondering why I never processed it (as usual).  It is not the latest addition to the Oniabo Collection.

Click on the image to see it in the Gallery along with other images in the Black and White album.


In the beginning…

Well, maybe not “the” beginning, just “a” beginning.

It was probably around 2007 that I began to pay more attention to what went into the frame, to what it was I was taking photographs of.  Prior to that it was mostly point, click, “look, isn’t that pretty??”  Most probably weren’t pretty at all, but family and friends always say “yes, it is”  –  In 2007,  somewhere amidst the generic photos, there began to emerge a few that stood out, and I think that I was seeing things, the things around me, differently, and in so doing I was capturing them differently, light was beginning to take on lifelike characteristics that would change how everything looked, and how everything could be captured on a few thousand pixels.

It was now not so important to capture every detail, but just the ones that would help tell the story, using light and dark, contrast and brightness to illustrate an idea, a concept, a feeling…  It was time to pay more attention to the composition rather than just the subject.

I decided to take a look back at the photos I took ten years ago, to see what, if anything, was worth sharing.  Most of the images I took were family oriented, so those didn’t count, but I was experimenting, looking around me and trying to capture something out of the ordinary (ordinary being the family photos, nothing captured can compare to even the ordinary of professional photographers, much less fine-art photographers).

I even tried my hand at pointing the camera at strange people, out in public, although I was still much more comfortable pointing at non-human subjects, those that might not complain or make a fuss.

And its also the year, I did my first Photo-Walk, not what would really be considered a photo walk, but myself, my brother, Andre, and two friends, Nikhil and Naseem.  We went for a drive “over the river” up to Wales estate on the West Bank of Demerara and I think up to Windsor Forest on the West Coast of Demerara, stopping every now and again to take some photos.

That photo-walk was somewhat of an eye-opener as well, in a relatively short distance, there was quite a lot to see, and a good variety of subjects and scenes to photograph as a result.

This isn’t a retrospective of any kind really, just taking a look at some photos with an eye that has had a decade of shooting, and processing them anew.    They were all shot on a bridge camera, or an advanced point-and-shoot camera, the Canon PowerShot S3 IS, a 6 Megapixel camera with a 1/2.5” CCD sensor, so there’s not a lot of post processing I could do without delving into the realm of editing.

Back then I was mostly all about colour, vivid vibrant popping colour, so the monochromatic versions (BW) you see are how I see them today, not then.

I chose ten images to illustrate what I had accomplished that year, I don’t think I would have found very many, if any, more that are worth sharing.  I hope you enjoy a few.

All the images were reprocessed, and cropped.  Click on any image to see them in the Gallery.


Walkabout

Just a photo.

I’ve had it processed for about a month now, but after waiting for the right words to say, I figured I’d just share it 🙂


Canon EOS 60D, Sigma 10-20mm  |  2016


Click on the image to see it in the Up East Gallery, along with some other choice images  🙂


Boats at Better Hope

Once in a while, I’m fortunate to be on a PhotoWalk with some fellow photographers, last Sunday was one of those days, and while I think my total take in terms of absolute exposures for the afternoon was about 30, I think I came away with about three photos that I liked, and more that are usable, and that’s a good percentage for me.

This one I chose to share as a blog post rather than in the group album, in which I have shared two others 🙂


Boats at Better Hope – 17-3100  |  Canon EOS 60D, Sigma 10-20mm  |  2017


Click on the image to see it in the Black and White Gallery in the Collection.


© Photograph copyright to Michael C. Lam, all rights reserved.

Exposed Coast

Being on the northern coast of South America… I suppose that’s what we have… an Exposed Coast… facing the mighty Atlantic Ocean.  Luckily for us, hurricanes never seem to come close to shore here… Smile


Exposed Coast – 13-0514  |  Canon EOS 60D  |  Sigma 10-20mm  |  2013


Click on the image to see it in the Gallery.


Big Sky

I wonder… when the old poets and song-writers wrote of the wide-open spaces in the Wild West if they resembled the savannahs and mountainous areas of our own Guyana in any way…

It’s probably hard to imagine, but I used a wide-angled lens on this, cropped slightly on the left for composition purposes.  I figure unless you’re standing there you wouldn’t feel it…

Those are two small trees on the hillside (mountaintop) and all around them are rocks of varying sizes and the tough mountain grass that grow between the rocks in the hard top-soil.  And just a large expansive sky above.  The scene was bathed in the after-noon sunlight.


Big Sky 16-1679  |  Canon EOS 60D. Sigma 10-20mm  |  2016


Meanwhile, in the opposite direction, looking more West, it was a bit more cloudy, but with the sun still glaring through the clouds, and the valleys and mountains rolling into the distance.  Same Camera, same lens.  🙂


Big Country 16-1677  |  Canon EOS 60D, Sigma 10-20mm  |  2016


Click on the images to see them in their respective Galleries.


Yakarinta

I generally don’t do many Panoramas, this is probably the first in a very long while, but there was this vista before me, and I wanted to remember it.

This is a combination of 17 individual portrait oriented images, they were taken from left to right, from the hill overlooking Charlie’s Place at Yakarinta.


Yakarinta 16-1875-1891  |  Composite Panoramic Image of 17 individual images

Canon EOS 6D, Canon 24-105 L  |  2016


Click on the image to see it in the Gallery


The Sea

Every time I say something about the Sea, I have to wonder how many people think about the fact that what we see beyond our shores is not a sea, but an ocean…  but it would sound really silly calling the barrier the Ocean-wall.

Anyway, back to my fascination with the sea (or ocean) and our coastline, here’s a photo 🙂


Sea – 16-2637  |  Canon EOS 60D, Sigma 10-20mm  |  2016


Click on the image to see it in the Black & White Gallery along with many other Black & White images in my collection