2015 Deck – Week 11

The seawall is a frequent haunt of mine, well, as frequent as it is possible.  It is a place of solitude, tranquility, inspiration and sometimes perspiration.

I sometimes see things that I want to photograph; a few years ago I’d just shoot it and not worry too much, now I see it and can often not “see” the photograph I want, or not be able to execute it as I wish.

Over the years my view of what I want to capture has changed, maybe evolved, some might say devolved, but it’s no longer just about shooting wildly, unless it’s a situation where the excitement overrides my senses.  Each scene takes some amount of consideration, whether it’s milliseconds or minutes.

Even though I may try and try to get a particular subject in as expressive a manner as I want, it does not always work out, I took about 17 exposures of one single perspective/angle of this one, and even when I chose the one that appealed to me the most, I still think I missed “the shot”



Click on the image to see it in the Gallery along with other pieces from this year’s Deck Project.

We own

There is much of our country Guyana that I have never seen, and, quite likely, may never see; but I was reminded recently that it is something that is inherently ours, it was not bequeathed to us by God nor are we the only ones who think that we have a right to it.

Venezuela has always laid claim to a significant portion of our country, namely the Essequibo region, and they always rattle their sabres when investors come knocking (or, as they seem to think, snooping).  Suriname also disputes the ownership of a smaller portion, the New River Triangle.  I guess that Brazil has enough land that they don’t bother claiming any from our southern regions, but they are invading us with their people and culture, so that might be a far easier path for us… less painful at any rate – come to think of it, I already prefer a caipirinha to a beer.  Everyone knows that the coastal areas suffer frequently from flooding, that’s just the Atlantic Ocean’s way of saying, it wants it’s piece too.

The great Dave Martins, who founded and lead the Caribbean band “The Tradewinds”, has probably expressed it best in his two songs that point out our pride and possessiveness of what we consider rightfully ours, “Not a Blade of Grass” and “Is we own”.  I can’t express in words enough how much I admire Dave, I grew up listening to his music, I’ve met him several times, and he is still bigger than life to me.  Just in case Maduro didn’t know, Dave Martins is we own!

I’ve seen Guyana from Moleson Creek to Charity, From Georgetown to Lethem, but that is just travelling the main road or trail; there is so much out there to see, rivers, waterfalls, mountains, villages, creeks, animals, towns… to walk through the markets of far-off villages, travel the rivers that wind throughout the length and breadth of Guyana, to listen to the dialects and cadence of chatter in the country, to hear the insects as day turns to night in little-known villages.

OK, enough babbling… I’ve visited the Essequibo coast only twice so far, the first time was in 2008, at which time I visited Tiger Island in the Essequibo River, which I was told is also referred to as the Hamburg, I had a Canon PowerShot S5 IS point-and-shoot camera at the time, but I took photos pretending I was a photographer anyway 🙂  It was overcast and I was never very satisfied with any of the photos, but I was looking for a few for someone today and came across this one which I never really looked back on.

From our sandy brown water beaches to the Rupununi plains… Is we own!  From the minister in government to the vaquero herding cows… Is we own.  From the rivers, great and small, to the mountains wide and tall… is we own!  From the tops of the rainforest canopy the the roots of the mangrove tree… Is we own!  Guyana is we own!


Canon PowerShot S5 IS, 2008


Click on the image to see it in the Gallery along with many other Black and White photos.

2015 Deck – Week 10

In Guyana, when you’re hungry and you want some “fast food” (that’s a relative term, as anyone who has been to a fast food restaurant knows only too well) the place to go is the nearest Chinese Restaurant, or maybe not the nearest, but one you know and trust… ok, trust is a strong word; the one that hasn’t given you “belly-wuk” as yet.

As you can imagine, it’s unlikely that I’d be in a Chinese Restaurant with the camera in hand, but these days the built-in cameras on our cellphones (mobile phones for you northerners) are pretty decent, a year ago I’d probably never have tried to take this photo, but with different gear comes a different attitude.


Samsung Galaxy S5 Mini Duos  |  Instagram


I’ve been in that chair, probably with the same expression, a few times before… 🙂

Click on the image to see it in the Gallery, for other images from my mobile phone photography experimentation, check my feed on Instagram.

Balance

Balance is over-rated… it’s boring, right?

I mean, eat a balanced diet… where’s the fun in that?  Balance your time between sleep and wake, work and home, business and pleasure…. you get the drift…  keeping the balance is just too hard; of course, going totally unbalanced is not good, not good at all, trust me, I know.

I was out along the seawalls on a midday walk (yes, no one who is balanced would be doing that either!), and I was composing some shots, I normally do not position my horizon in the centre anymore (that was the default position when I started taking photos), but something about this scene made me want to balance the earth to heavens proportion in the frame.

My thought processes often differ from the moment of pressing the shutter-button to the time of processing, and that might be a good thing, at the time of processing, I was looking at the elements and the thought that came to mind was a bible verse… no, I do not normally go around quoting bible verses… but this one many people already know; it is from what we know as The Lord’s Prayer

“… on earth as it is in heaven” (Matthew 6:10)

I think it fits… in a way 🙂

OK, so I’ve babbled enough nonsense to confuse even myself, here’s the photo:


Canon EOS 60D, Sigma 10-20mm  |  10mm, ISO 100, 1/200s, f/10


Click on the image to see it in the gallery along with others from the Sewall album

2015 Deck – Week 09

This blog is now 5 years old…. it doesn’t feel like it. Today I am feeling somewhat introspective….


 

I am not my parents…

I am not my ancestors…

I am not a representation of one particular political party or the other, of one race or the other, of one ideology or the other…

I am the debris upon our coast, that which is a product of the actions of others, whether deliberate or accidental.

I have been cast upon the shore, faithfully placed or carelessly thrown.

I have been left on my own, to survive or perish.

I may be strong or I may be weak, but mother nature will still prevail.

I may be solitary, or in the company of others…

I am the debris upon our coast.


 


Click on the image for a better view in the Gallery

Men at work

Psychologists and psychiatrists make big deals out of “association”…

I saw this scene and thought to myself that the reflective safety vests reminded me of the song YMCA by the Village People, then that led me to thinking about Men at Work, the band that sang “Land Down Under”… do you think the pipes being put “under the ground” is an inference as well?

Don’t know what psychologists or psychiatrists would make of me, but for now I’ll avoid seeing any.  and I should probably avoid the Canje area for a little while too 😀

This isn’t a great photo, but ever since I took it I’ve been thinking that I still like it for some reason… so I finished the processing and uploaded.


Canon EOS 60D, Sigma 17-50mm  |  Uncomposed moving shot.


Click on the image to see it in the Gallery.

2015 Deck – Week 08

Each week it is hard to make a choice of a photo for the Deck Project, mostly because its hard to separate the emotion involved with the image at the time of it’s being taken and the merits of the image itself, but for Week 8 of 2015, I think it’s mostly because I think to myself that I came away from that week, which was mostly Mashramani images, with what I thought of as very uninspiring and “average” images.

Seven weeks later and I was finally able to look at them and chose one that I felt was different, or maybe just not the “usual” of the crop.

Am I happy with it? Yes.  There are quite a few that I’m happy with, but it seems to me that I now want a little “more” from my images than just the “pretty picture”.  I’m not there yet, but I’ll keep trying.

Context:  this reveler was very close up behind the truck, it was 3 in the afternoon, although the sky was partially overcast, the sun was shining nicely down on the parade at this point.


Canon EOS 60D, Canon EF24-105mm f/4L


Click on the image to see it in the Gallery.

Fame and Folly

2012  |  At Rest  | © Michael C. Lam


It’s not a local issue, but it’s one that many artists have to face in the developing world more than their contemporaries in the “first world” (not saying that they don’t face it too, just to a lesser degree)   –  “We want to use your work for free, you’ll get exposure”.

Every artist at some time thinks about “Fame”, we’d like to get our work out there, for one piece to cross that invisible line that separates the millions of works of art that go relatively unnoticed and the few that make it to the galleries, the collectors’ circles and the list of “masterpieces”, one that becomes instantly recognisable upon sight throughout the art-world.

Most artists will strive to get there, but few ever attain it, this often has little to do with skill or artistic expression, and it also has little to do with the “exposure” that the hungry marketers want us to believe will catapult us to fame.


2012  |  Last Stand  |  © Michael C. Lam


Each famous artist’s path to glory is different, and we as artists have to “work” at it, not expect it to be handed to us or to become a household name by having our work used by marketers for “exposure”, those marketers are making something out of it, the artist is not, and I’ve yet to hear of artists who got the call shortly after one of these “events” for a commission or for one of their pieces to be bought.

A photographer’s photo in your magazine will make the reading experience of your clientele a bit more enjoyable, but no one will read the fine print to find out who the photographer is so that they can “buy” any of their pieces,

A sculptor’s work that took several months to complete may look nice in your hotel lobby, but none of your guests will enquire who the sculptor is to commission a piece for themselves.

A painting in your foyer will make it more welcoming, but no one stops to ask who the painter is that they may acquire a piece just as beautiful.


2011  |  dry docked?  |  © Michael C. Lam


We are artists, our work is a product of our intellect, our imagination, our skill, our craft…  it is not yours to use for your own benefit while we receive promises of exposure, such promises are meaningless and degrading to the artist.

If you want that sculpture in the lobby, buy it, it is a product of blood, sweat and tears, not an idea brought to life on a whim in mere hours…  If you want that sketch of a building that caught your eye, buy it, don’t promise the artist that you’ll hang it prominently in your boardroom for “important” people to see it…  if you want my photograph for your publication that IS paying everyone else concerned with its production, then pay me, I invested in gear, I invested my time, I invested my skill, imagination and artistic vision in it.

I may never be famous, but it is folly to believe that I do not deserve to be paid for what is rightfully mine.


2011  |  Shooting the breeze  |  © Michael C. Lam


If you’ve reached this far down, thanks for reading my rant 🙂

Click on the images to see them in their respective galleries in the Collection.


Framed Flora

Taking time away from the images can be a good thing… but it’s important to actually go back to them, because if you don’t, it becomes a matter of “out of sight, out of mind”…

I was looking for a certain Mashramani photo this morning in my 2010 photo library… and I stumbled across this image…

This day was a good one, I really have to sort out a few more images from it 🙂


2010 | Canon EOS Rebel T1i, Tamron 18-270mm


Click on the image to see it in the Flora Gallery along with other photos in the Floral category 🙂


My Jhandi addiction

I was going through a few photos from last year, and I can across a set that I had not processed, and I thought “no one wants to see another Jhandi flag photo”… but I couldn’t resist it, I just had to choose one of the set and process it.

There’s just something about a flag fluttering in the wind that draws the attention… who am I fooling? Even when it’s hung limp with the wind abated I’d probably still take a photo.

This one appealed to me because of the contrast that the rich red flag had against the sky, the line of the seawall and it’s curve towards the koker made it a better composition than just a plain flag 🙂

OK, yes… I did seriously think about doing it in BW (still pondering it) but I rather like this version 🙂


2014  |  Canon EOS 60D, Sigma 10-20mm  |  Ogle, East Coast Demerara, Guyana


Click on the image to see it in the Gallery along with other images from when I’m “Out and About”