So, it’s not Abbey Road, but i like the little twist on the idea… Something about these young ladies crossing the road made me want to snap the shot…
1/250s, f/6.3, ISO 200
Click on the image to see it in the Gallery
Tag: people
2014 Deck – Week 46
I could have just kept on walking, but while I visit the seawall fairly often, scenes like this don’t occur with much frequency while I am there, and the juxtaposition that I noticed in walking could not be ignored, so I shot it, a few times…
In a small print or viewed small this won’t look like much, I really do have to set this one aside for a large print.
And yes, I did keep it in colour, shocking, isn’t it? 🙂
The Open Temple – Kingston, Georgetown. Canon EOS 60D, Sigma 10-20mm
Click on the image to see it in the Gallery.
2014 Deck – Week 45
That photo I used for Week 44 was different, yes, I think it’s good, is that what I want to be doing at this time?
So, back to our regular programming… a high contrast monochrome from the seashore. I was hoping that the fisherman/sailor would just sit and stare at the sea for a while, at the time I shot this I think he was securing the bow line.
This is a scene that was a no-brainer for me, it had everything I usually want… Jhandi flags, a boat, a fisherman, a good sky and little garbage in sight within the frame 🙂
24mm, 1/1250s, f/5.0, ISO 200
Click on the image to see it in the Gallery along with other images from this year’s Deck Project
2014 Deck – Week 44
Looking for more meaning.
Although I did not intend for this photo to be associated with these thoughts, this is where Fate stepped in.
I have finally gotten to have a series of photographs that I think embodies an idea that I can convey through a collection, and then I had a very short but enlightening (maybe even a little dampening) conversation with Mr Carl Hazelwood, the chief judge at the 2014 Guyana Visual Arts Competition. He basically told me that while I have “nice” photographs, the ones he sees lack that little something extra that would make it more than a pretty picture… and here in the last two years I thought I had gotten past the pretty picture stage 🙂
This man knows what he’s talking about, and if he says that I don’t make the cut, then I don’t, and I am grateful for that honesty, I may never make that transition, but I will surely try.
I processed this photograph last week (I only had this conversation last night with Mr Hazelwood), and I almost chose a different photo, one more in keeping with my seascape series of recent, but this one had a few elements that appealed to me a little bit more, and I wanted the diversity for the Deck Project 🙂
This one probably would not hang in a gallery among great works of art, but I ask myself if I would hang this on a wall, yes I would, but would you?
Seashore – Canon EOS 6D, Canon 24-105, 105mm, f/9.0, ISO200
Click on the image to see it in the gallery.
2014 Deck – Week 41
People write all sorts of things in the sands at the seawalls… and beaches worldwide, from Love Letters (Pat Boone sang about this), to drawings, to directions to the nearest Qik Serv, to Hearts with cupid’s arrows through it and the Lovers’ names inscribed, all to be washed away with the next high tide.
Those messages are as transient to us as we are to the timeless sea; and yet, we keep making those markings and the sea wipes them out again.
I snapped a photo in passing this fellow as he used quite a long stick to mark out something in the sand, I have no idea what it was he was drawing, maybe it was a message to an extra-terrestrial ship 🙂
Midday Markings – Kingston Foreshore, Georgetown.
Click on the image to see it in the Gallery.
2014 Deck – Week 39
The good thing about taking photos of your baby girl is that when nothing else has been shot for the week, you can always use one of those photos as your photo of the week 😀
Here she is at almost 6 months old.
Malina – just about 6 months old
Click on the image to see it in the Gallery
2014 Deck – Week 38
This photo was included as part of my extended Oniabo collection which I presented at Moray House in a slide-show presentation in October.
The Oniabo collection started as a collection of 6 images, but when I was offered the opportunity to present something at Moray House, I revisited the idea and extended the collection to 16 Images.
I now have a better grasp of the collection and what I want it to be, and by early next year I hope to have concluded the set, omitting some that are there now and including others that are still in the making 🙂
Compositionally I was going for the three layers that I saw; the cloudy sky beyond the horizon, the mud-flats and the receded sea, and the rocky foreground, it was fairly dark already, but I knew that the some-what even lighting would make a good shot. A couple being there helped to make this shot even better.
“couple” – Lusignan, East Coast Demerara
Click on the image to see it in the Gallery, also the visit the Oniabo collection as presented at Moray House.
2014 Deck – Week 37
I’ve never been one to do a lot of “dodging and burning” in images, but this image I liked and I wanted to recover some detail in the shadow of the rock, and I didn’t want to tone-map the entire image, that would have been overkill I think.
So I used the brush tool in Lightroom to lighten just that area to get that detail I wanted. the rest of the scene worked to my satisfaction.
This is a stretch of the seawall at Lusignan, and at High tide that rock, which seems to be pointing North, is normally covered.
Click on the image to see it in the Gallery along with other images from this year’s Deck Project.
2014 Deck – Week 35
Exploitative or Journalistic?
The question with regards certain street photographs is usually whether the resultant image and its use are exploitative or journalistic; this is not a question for viewers or critics, it is a question for the photographer; anyone says otherwise is trying to be self-important; yes, a fallacy, I don’t care. 🙂
I saw this chap sitting in what seemed a dejected and sad position, and I “had” to take a photograph, but carefully, surreptitiously, so as not to make him too aware of my intentions; wanted the scene as I saw it to be portrayed as I remembered it…
In the shadows cast by the trees along the avenue, in the bright midday sun, one man, sitting, alone, almost overlooked, in the heart of Georgetown.
I titled this one “In the Shadows”, because that is how I see many of our fellow citizens living; in the shadow of oppression, in the shadow of others who walk along with a brighter present and future than he may have, in the shadow of trees and buildings that have existed longer than he has, in the shadow of a life that could be better, but isn’t (reasons unknown).
Cropped to 3:4 from the original
1/125s @ f/7.1, 24mm, ISO 200
Click on the image to see it in the Gallery.
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2014 Deck – Week 30
Street photography (next to event photography) is probably the least predictive sub-genre in Photography, and that’s one of the things that draw a certain type of photographer to it.
I was on Sussex Street one Sunday and this car parked in front of an old vine-covered shed/shack caught my eye. Behind that scene was the old Gafoor’s warehouse (not sure if it is still occupied by them). I had taken a landscape oriented shot, then thought that I’d prefer more of the building in the background and recomposed a portrait oriented shot when this cyclist pedalled into the frame 🙂
1/400s @ f/5.6, 58mm, ISO200
Click on the image to see it in the Gallery
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