Tag: pedestrian

Expressions

On By themichaellamcollectionIn PhotographyLeave a comment

Shooting in the streets can be a hit and miss form of photography, especially when you’re doing it “on the move” like I do.  I know many Street Photographers sit and wait for things to happen, and these result in some extraordinary images.  I tend to take photos on the street while I’m walking, either to a particular destination or just walking like a rabid dog in the midday sun (the words of the song go “Mad dogs and Englishmen go out in the midday sun…”, and since I’m not an Englishman, I must fall into the Mad Dog category)

On this particular day, as I walked beneath the midday sun, I took maybe about 19 photos during the space of a half hour, I think a normal day I’d get a lot less.  Of these 19, I had set aside 4 keepers and a possible two others for later consideration.  Of the four, one I posted directly to Facebook, another I gave over for use in a poetry blog, and of the remaining two, I had one that I thought was quite the catch in terms of Street Photography.

I was very happy with the overall capture, but more so of the expressions on the faces of the people within the frame, I hope you enjoy it, click on the image to see it in the gallery along with other images “In the Streets”

2015 Deck – Week 34

On By themichaellamcollectionIn 2015 Deck, Photography2 Comments

I realise that this one might need some context…  which, in the eyes of some, makes it a less successful photograph that it could have been.  Of course, I could just as easily not give context and it could probably be a better photograph for it…

But, I will put in my few words anyway 😀

Canon EOS 60D, Sigma 10-20mm.

Main Street/ High Street, Georgetown.

Basically, I wanted a photo of the pedestrian in the distance with the recently knocked down / destroyed sign in the foreground; the sign that once indicated to drivers and pedestrians that there was a pedestrian crossing ahead.  🙂

But this photo got me to also thinking about the street upon which I took the photo; this portion you see is called High Street, the portion behind me (which is obviously not in the photo) is called Main Street, as you proceed further south it then changes to Avenue of the Republic and then back to High Street.  Why would what is effectively one street have four different named sections?  From what I’ve read, it was possibly once called simply “High Street”; the portion running through Cummingsburg was then named Main Street, and then when Guyana attained Republic status the portion running through Lacytown was renamed to Avenue of the Republic.  Interestingly, after a slight detour around St Saviour’s Church, it becomes Saffon Street, this, however, never seems to be considered as part of the “High Street” issue.

Stretches of streets within Georgetown which have multiple names is normally attributed to the fact that Georgetown was originally built as a number of different wards, and the streets were never meant to be contiguous, then the wards were joined together, the multiple names resulted, along with some streets having a slight turn to continue since the original ones were not in-line.  The wards involved in the High Street issue are Kingston (High Street), Cummingsburg (Main Street), Lacytown (Avenue of the Republic) and Stabroek / Werk-en-Rust – and part of Charlestown (High Street).

Click on the image to see it in the gallery.

How we do it

On By themichaellamcollectionIn Photography1 Comment

A street photograph – as much as I can get one 🙂

It really needs very few words, but what caught my attention was the way the police officer and her companion deliberately walked diagonally off the pedestrian crossing…

In Guyana… is just suh!

2014  |  Canon EOS 60D, Sigma 17-50mm

Click on the image to see it in the Gallery along with some other attempts at Street Photography 🙂

Every Tool

On By themichaellamcollectionIn Photography, thoughts6 Comments

I’m not a purist; I don’t hold the belief that whatever JPG comes out of the camera is the reality that existed in front of the lens.  I do, however, believe that there is a certain amount of “truth” in my photographic work.  Friends and colleagues, other photographers and budding photographers in the Guyana Photographers’ Facebook group have heard me make the distinction between Processing and Editing many times.  And I will briefly make it here again…

Since I shoot in RAW format, the camera does no processing to the file (whenever you shoot JPEG the camera applies certain adjustments to the image, contrast, brightness, etc.) so I have to Process it in software, often referred to as Post-processing.  This usually involves adjusting sliders in a software like Aperture, AfterShot, Lightroom, LightZone, etc., things that are adjusted range from brightness and contrast, to hue and saturation, cropping, temperature, white balance, noise levels and more.  Although this is usually applied over the entire image, some software allows you to do it to parts as well.

Where I draw the distinction between Processing and Editing, is when the image is altered so as to become a new image, distinct from the original in content.  Simply put, if I add something or remove something from the original photograph, then it is no longer the same, it is now a work of graphic design, not only photography.

Do I Process my images? Always.  Do I Edit my images? Sometimes.  I’ve cloned out trash that otherwise marred the scene (the lone plastic bottle on a grassy stretch), but have often left in loads of trash because it was part and parcel of the scene.  I don’t have anything against editing, but I don’t think its fair to call it a photograph after you’ve added in entire clumps of trees, removed several utility posts and added muscles to an individual… that is definitely in the realm of photo-illustration or Graphic Design.

I am also a big proponent of using every tool that you need to get the image that you saw with your eyes, and in your mind across to the viewer.  Whether its special filters on the lens to get a mood or effect, an angled lens in the developer of a dark room to create a distorted view, using Black and White (Film or processing) for an aged or structured look, using long and super-long exposures for light trails or flowing water, external flashes and reflectors for extra lighting on a subject, gels and filters for colour enhancements, or even doing some of this on the software end, I am for it, but I believe in being true to the original vision as much as possible.

Fancy processing and editing is no substitute for a good original image.  I am no expert or professional, many of my images come out of the camera looking very disappointing, and I often discard or simply not process them.  Yes, you can “save” them, I have even done so on some occasions, simply because I believe that they were worth saving, but they had to have something good in them to begin with; a good composition, a relatively good exposure, and maybe even compelling elements to the composition.

I’ve rambled enough… time for a photo.  This is one of those photos that I “saved”…  The original was good, maybe better than good, but it was not what I wanted….  I wanted more detail in the sky, more of a structured appearance than the original coloured version, and (because of an architectural quirk) more symmetry.

Canon EOS 60D  |  Tamron 18-270mm  |  21mm, 1/160s, f/7.1

I used Lightroom to create five different exposures from the original, each 2 stops apart in exposure, then I used Nik HDR Efex Pro to merge my new exposures and coax the detail I wanted from the overall scene, then I used Photoshop (I know, I’m a horrible person) to skew the perspective ever so slightly to gain some symmetry.

Although I did not add or remove anything, I normally would consider this edited since I used Photoshop to change the original proportions of the image, but in this case I’d let that slide 🙂

Click on the image to see it in the Gallery along with others in the Black and White series.

2013 Deck – Week 23

On By themichaellamcollectionIn 2013 Deck, Photography2 Comments

Keeping a photo project going is not easy, I found that many times I “force” the images by going out looking for things to shoot… and often times I’m not entirely satisfied with the results.  Most of the images that I like are the ones that I just happen to see, being in the right place at the right time  🙂

I was on the pavement near the intersection of Regent Street and Avenue of the Republic when I noticed the reflection of City Hall in the flooded pavement and road near to me, I actually had my camera in hand and tried to compose a few shots between people walking by me, and vehicles splashing the waters occasionally.

Some people can go out and “make” the photos, others are just the instrument that is manoeuvred into the right place at the right moment to see and capture what is shown to them  🙂

Canon Rebel T1i  |  Sigma 17-50mm  |  17mm, f/8, ISO400

Click on the image to see it in the Gallery along with the other images in the 2013 Deck Project.

2013 Deck – Week 21

On By themichaellamcollectionIn 2013 Deck, Photography3 Comments

I was perusing my takings for the week and I had pre-selected 16 photos that I was thinking of using for the Deck Project, some street photos, some seawall photos a few bird photos… you get the idea…  Maybe it’s the mood I was in or just that most of them seemed “normal” to me, but I ended up choosing one that I knew was not necessarily a great composition, and then in processing I also did some unusual work with the sliders 🙂

All that being said, I don’t expect many to appreciate or like the final result, but to me the entire thing was so off-kilter that I ended up titling the image just that… “Off-Kilter”, and it grew on me.  🙂

Canon Rebel T1i  |  18-55 Kit Lens  |  1/200s, f/11, 30mm, ISO400

Processing notes: Selective desaturation and hue adjustment.

Click on the image to see it in the Gallery.

Working With Wides

On By themichaellamcollectionIn Photography12 Comments

Well, I wanted to say “Playing with a Wide-angle Lens”, but I couldn’t resist the alliteration. 🙂

The word wide is relative, so I’ll describe how I use the terms, these are probably not industry accepted descriptions, so don’t quote me 🙂   Your basic entry-level DSLR usually comes with a kit lens that has a range of focal lengths from 18mm to 55mm, this I consider to be a wide telephoto lens, at the widest end (18mm) you get a nice wide view and at 55mm you get closer to close up of the subject, I consider somewhere around 33mm (on the crop-sensors) to be somewhere around “normal” (mind you, I’ll be talking from the stand-point of an APS-C sensor or crop sensor, a full frame or micro-four-thirds is an entirely different scenario)

Since this is the standard kit lens that most people get, we don’t often see it as wide, so that’s when we go Ultra-wide.

My favourite wide-angle lens (OK, the only one I have in the Ultra-wide category) is the Sigma 10-20mm, this produces pleasing images for me, and I love working with it.  You get some amount of distortion at the wider end (understandable) but this tends to be good in certain circumstances.

Often, in architectural photography, you can use wides and ultra-wides to capture more of the interior, and convey more of the sense of space and more of what encompasses the room.

At other times, you can use them closer to the subject to give an increased sense of distance, even accentuate the distortion by being close (do this with people’s faces, and you’ll get some weird effects)

I used the ultra-wide to capture the corner of this building (New Building Society), along with parts of the sidewalk and sky (and a pedestrian) 🙂

There are many things you can do with a wide, many of which I don’t do, I don’t normally put it right up to people’s faces and click, but I’ve seen those photos, and it’s a neat effect  🙂

What I did in this next image was to use the ultra-wide to adjust the sense of scale, I used a fire-hydrant in the foreground to dwarf a three-story building in the background.  One thing that I liked about this shot was that I didn’t have to worry about electricity wires!

The best way to see what your wide-angle lens or your ultra-wide angle lens can do is to put it on the camera and go have fun.  Sometimes it makes compositions tricky as it tends to include everything, even things you may not want, but like working with any focal-length, it’s up to the photographer to adjust framing and composition for these things.

I mentioned using wide-angle lenses for interior architecture, well I doubt if a tent falls under the category of architecture, but I suspect the engineers who came up with the idea for this tent would appreciate the use of the wide-angle for impact  🙂  And would you look at the view!  🙂

All images above were shot with the Sigma 10-20mm on a Canon body, Click on the images to see them in the Collection along with others in their respective Galleries.

2012 Deck – Week 20

On By themichaellamcollectionIn 2012 Deck, Photography1 Comment

Aday.org had come up with an idea to present “A day in the world” through photographs, they wanted photographers worldwide, from amateurs to professionals, basically anyone with a camera, to take a few photos on May 15th and upload them to their site.  They had so many uploads they quickly got problems handling it and I am still not sure if my photos are there and if they are eligible for the final project, I think a lot of the information went AWOL during the upload.  At the time of writing this blog-post, they are still sorting out everything to relaunch the website.

I took a few photos within the city to contribute, and I am choosing one of those to share as my photograph for Week 20 of this year.

Its a very familiar scene in Georgetown, this was “after-work” and these people are most likely workers on their way from their jobs to get transportation home, and I used City Hall as a backdrop for some added familiarity 🙂

Click on the image to see it better in the Gallery.