Just a photo 🙂
Liliendaal, Georgetown, Guyana, South America.
Click on the image to see it in the Seawall Gallery.
Photography; I shoot what I like, and sometimes people like what I shoot. All photos are copyright to Michael C. Lam unless explicitly stated otherwise.
I don’t want to be the one telling you a story in words, I want to be the one telling you a story in a photo, but who’s story is it?
Are you seeing and interpreting the scene in the same way I do? Does it matter?
The photograph as it was taken tells one story, what that story is may be entirely up to the viewer, after I have processed it, there are some subtle and some not so subtle changes to the finished image (not edited, nothing has been taken out or added), in this manner, I hope to direct the line of thinking in a certain way, whether it works or not is another matter, but in this way I am interpreting the scene my way, and lending to it my feelings; how the viewer sees it is still up to the viewer.
Many people take scenes literally, others concoct long tales based on the elements in the frame, others may just have an emotional reaction but not know precisely why; if it affects you, then I am happy.
At Day’s End – 14-3289 | Lusignan, East Coast Demerara | 2014
Click on the image to see it in the Gallery along with other images in the Black and White Collection.
I like my camera, whatever it happens to be at the time, and I think I care it as I would any piece of equipment I use regularly. I’m not one of those photographers who treats it like a paper-thin piece of porcelain; its a camera, something I use, but I have to tell you that when it comes to salt water, I get a little nervous. I like the waves at the seawall, I enjoy the spray on my face, and the sound of the crash upon the rocks. I really love some of those amazing photos of the waves towering over the wall (I don’t like the resulting flooding though), but I am very hesitant to be anywhere near the actual water with my camera, and since I like my seascape photos to be wide, getting a good photo would mean being right up there in the spray, so for now, I’ll just keep being cautious and get the ones I’m comfortable with 🙂
Spray 14-3416 | Canon EOS 6D, Canon 24-105mm | Thomaslands, Georgetown, Guyana | 2014
Click on the image to see it in the Seawall Gallery
– 1499 –
Imagine that somewhere on the horizon is a line of three Galleons…
okay, fine, Galleons are more impressive looking, but we’ll revert to the truth;
there’s a line of Caravels, three of them, heading from the north-west, somewhere where the clouds disappear into the distance.
If you grew up as I did, you were taught that many of “our” countries were discovered by that fellow Chris, but the leader of that flotilla on the horizon was not Chris, but Alonso.
If you can see the flotilla, imagine now that one of those caravels has separated and is heading our way, in a more south-easterly direction along the coast, the remaining two are heading further west and stopping at the mouth of the Essequibo; Alonso is now the first European to be recorded as seeing and touching our shores… and in that south-easterly heading caravel is Amerigo, who is on his first voyage (second, if you believe a disputed letter), and it is after this explorer that the joint continents of “America” are named.
As for that fellow Chris, this voyage by Alonso, his pilot Juan and navigator Amerigo quite displeased his followers, which resulted in quite a fracas in Hispaniola 🙂
If you stand on our shores and stare toward the horizon, you will not now see those caravels, but in the wake of those voyagers, using the trade-winds and ocean currents, are many ships; and I wonder, what are those sailors thinking as they look towards land? Are they thinking of those days of discovery? Are they thinking of the journey home? Do they see the stars as did those long-ago conquistadors did?
I was processing this image when thoughts of the actual “discoverers” came to mind, hence the long messy thought process above 🙂
“And both that morning equally lay
In leaves no step had trodden black.”
Robert Frost – The Road not taken
Canon EOS 60D, Sigma 10-20mm | Kingston, Georgetown, Guyana
Click on the image to see it in the Gallery
There’s much that could be said, but little that I feel like sharing.
In the meantime, enjoy a photo that has my mind crossing space, time and emotions. I’ve also included this into the extended Oniabo Collection.
.
Canon EOS 60D | Between 15 and 50 | February 2016
Click on the image to see it in the Gallery
.
Where is your home? Is it an apartment, a flat, a house, a condo, a boat, a trailer, a bench in the park? For many, the word home simply means a dwelling place, for me, it is a place where I am comfortable.
My family is my home.
Guyana is my home.
At work, I’m at home.
Certainly, on the seawalls, I am at home.
Home | Canon EOS 60D | Sigma 10-20mm | January 2016
Click on the image to see it in the Gallery
.
Apparently, I took this photograph on the Fourth of July, last year. I remember taking the photo, but the date doesn’t ring a bell; I only know it was the 4th because the metadata says so. Metadata is handy, you can tell a lot about an image from the metadata, from the type of camera used, to the focal length, ISO, speed and aperture settings, to a host of other miscellaneous fields, these days, even the GPS coordinates. The Canon 60D doesn’t have built-in GPS though, so that wasn’t included.
Across cultures we find that the importance or significance we place upon one thing may not be the same that those who live in another country place up a similar thing. Take the Fourth for example; Americans (as in those who live in the United States of America, and not just anyone who lives in the Americas) are very proud of their Independence Day, the 4th of July, it’s a big deal, so much so, that by just saying “the Fourth” anyone in that country knows what you’re referring to. In Guyana, it used to be the case that our Independence Day passed largely unheralded, with more emphasis being place on Republic Day, or as it is more commonly known here, Mashramani. That has changed over recent years, but the emphasis is still skewed that way.
I suppose photography is similar, as a parent taking quick photos of their children, the emphasis is centred on the child (most times literally centred in the frame); as a fashion photographer, the subject is the model and the articles being displayed by said model; as a wedding photographer, the bride better be the main subject or somebody’s not getting paid; I get asked sometimes about my seawall photos, why do I shoot them?, what is it I see that makes me take so many? I figure I have to be a lousy photographer to be asked what it is in the frame that I’m trying to show.
The subjects of my photos are not always front and centre (hardly ever actually, unless it’s people on Mash Day, or that kind of thing), the subject is often the entire scene; the lines, the textures, the tonal variations, the clash or harmony of nature and man; If a photo doesn’t make an impact on you, just move on; if it made you stop for a second, then it was good, if it made you feel something, anything, whether good or bad, then it was a great photo for me.
Meander – 15-9718 | Canon EOS 60D, Sigma 10-20mm | Georgetown Seawall, Guyana
Click on the image to see it in the Collection, along with others in the Black and White Gallery
.
Finding Treasure. That’s what it feels like when you pop a memory card into your camera and realize that it is full of images from a year ago, it was a 4GB card, but it was full of RAW files.
I don’t recall how it is that I never copied off the images, but given that it was not one of the cards I normally use, but more of a backup or emergency use card, it seems that I forgot that I had used it for a few days of shooting.
As is usual for me, it will take time to get to the images, but here is one that I spotted and wanted to share.
Canon EOS 60D | Sigma 10-20 | Lusignan, East Coast Demerara, Guyana
Click on the image to see it in the collection along with others in the People Gallery