Fishermen

Third time.

I have no idea why I keep going back to this particular set of images, I’d shot a few frames of these fishermen on a photowalk in 2013, and I realized yesterday I’d now processed three of them…

one was a cover image for my Facebook page, a second one I had processed as a vignetted sepia image (two years ago):

And yesterday, I clicked on one and felt the need to process it in black and white…

Different but similar images, treated differently, tell different stories.


Click on the images to see them in their respective Galleries.


Smoke Signals

There was this “plume” of clouds in the sky that reminded me of the smoke signals I remember seeing in old Western movies, except that it was more contiguous than the separate puffs that I remember from the movies.

I was trying to get an average exposure, but no matter what I did that day the birds in the boat just “glowed”, the intensity of the afternoon sun I guess was just too much for my camera lens/sensor.

I only looked back at this image today and decided to process it through anyway 🙂


Canon EOS 60D  |  Sigma 10-20mm EX Lens (@20mm, 1/125s, ISO100)


Click on the image to see it in the Black and White Gallery, along with many other of my Black and White images.


Glee and Garbage

It is usually a breath of fresh air to read in the newspapers that some small group of people have embarked upon a “clean-up campaign” along our seawalls; one of the more recent ones would have been the one involving the Ministry of Natural Resources, the EPA (Guyana) along with the Pick It Up Guyana campaign, in the past the Guyana Shines group did a stint, on International Coastal Clean-up Day various NGOs came out in numbers, even the national Football (real football, not that American thing) Team even joined Youths For Guyana on a round of cleaning.

I prefer to re-iterate that cleaning up is an after-the-fact solution, our primary goal should be NOT to litter in the first place, we should be encouraging our peers, and children on a daily basis to do the right thing and put it in the trash!

How hard is it to keep your trash with you until you reach a suitable receptacle (the garbage bin in your yard works marvellously for this) to dispose of it in the right way?

When I take photos along our coast, invariably there is trash within spitting distance, much less within the scope of my camera lens, some of us include it deliberately to make a point, many of us (myself inclusive) try to compose to minimise the presence of the debris and detritus.


When I took this photo two years ago, I dismissed it out of hand as not appropriate for what I was doing at the time, but now, I think it makes a statement.  Why should our children, who look forward gleefully to playing on the seawalls and seashore, be subject to the dangers, physical and health-wise,  of the abundant and widespread disposal and accumulation of garbage on the seawalls?

We shouldn’t have to “Pick It Up” because we shouldn’t have thrown it down in the first place, let us live not for now, but for the future, our children’s future.


Click on the image to see it in the “Streets” gallery

2015

I began using Instagram when I got my hands on a phone using the Android OS, and I like how it challenges the way I look at a scene; after composing images in wider (or taller) formats thinking “square” had it’s challenges, but it’s fun.

And it is almost too easy to use… makes you want to put down your larger cameras and just use the phone… which is exactly what I did on New Year’s Day.

Many of you may not use Instagram, so I’m posting images and the Instagram links here for these select images.

There is a thread running through these images, but I don’t expect anyone to get it, and that’s fine, they are simply photos that I wanted to share.


Chef Vishal


Bush Construction


Welcome


Respect


Here’s wishing you a Happy 2015, one filled with surprises, great expectations, few regrets, fewer disappointments and lots of Love!!


2014 Deck – Week 45

That photo I used for Week 44 was different, yes, I think it’s good, is that what I want to be doing at this time?

So, back to our regular programming…  a high contrast monochrome from the seashore.  I was hoping that the fisherman/sailor would just sit and stare at the sea for a while, at the time I shot this I think he was securing the bow line.

This is a scene that was a no-brainer for me, it had everything I usually want… Jhandi flags, a boat, a fisherman, a good sky and little garbage in sight within the frame 🙂


24mm, 1/1250s, f/5.0, ISO 200


Click on the image to see it in the Gallery along with other images from this year’s Deck Project


2014 Deck – Week 43

Washed clean by the receding tide, the patterned sand drew my attention, the reflection of the sky and clouds in the still foreground waters belied the turmoil and power that the distant waves possess.

In my learnings about landscape photography, I’ve learnt that it is often important to include a point of interest to grab the viewer’s attention, especially when the scene can be described as plain or boring or bland…  I thought so of this scene at first, others may still think so.


Sands – Kingston Seawall, Georgetown.  Canon 60D, Sigma 10-20mm


Click on the image to see it in the Gallery.


2014 Deck – Week 42

Winslow Craig is one of my favourite local sculptors, his work appeals to me more than most, probably because I know so little about the art-form that I cannot appreciate the intricacies of others (particularly those that bested him in the 2012 GVACE; he placed third)

I was at Moray House for his recent retrospective presentation, and took a photo that I quickly grew fond of, and so did someone at Moray House; although I originally processed it in monochrome, they requested a coloured version for their inaugural magazine “Ku’wai”, as a non-profit organisation and one that supports the Arts in Guyana I really couldn’t say no, and I was honoured that they wanted it for the cover of the magazine.

Since I had only uploaded the monochrome processed version to Facebook, I decided that the coloured one worked nicely and I would also use that for the Deck Project.


Moray House, 21st October 2014  |  Sculptures on display by Winslow Craig


The piece on the table was loaned to the presentation by the current owner,  the one in the background is called “Saving Seeds”, it was the piece that placed third in the 2012 Guyana Visual Arts Competition and Exhibition; to my understanding, it is a wire-framed structure covered with a material that Winslow made called Sawdue (sawdust and glue).


Click on the image to see it in the Gallery, and to see Winslow’s current entries in the 2014 GVACE, visit the GVACE 2014 Exhibition which opens on Thursday 18th December 2014, exhibition of pieces are likely to be at Castellani House and the National Museum.


2014 Deck – Week 40

It is not often that I am at the seawalls when the tide is at its highest and the waves are crashing against the sea defences, when that does happen, I usually take some photos, but seldom use any; mainly because I never seem to get one that I think stands out enough.

I think I may have gotten one that passed muster this last occasion 🙂


Crashing Waves – Georgetown Seashore


On this one I did some unusual processing (for me), I “cooled” the lower area with the rocks prior to applying the red filter, without that the details in the rocks were getting lost 🙂


2014 Deck – Week 38

This photo was included as part of my extended Oniabo collection  which I presented at Moray House in a slide-show presentation in October.

The Oniabo collection started as a collection of 6 images, but when I was offered the opportunity to present something at Moray House, I revisited the idea and extended the collection to 16 Images.

I now have a better grasp of the collection and what I want it to be, and by early next year I hope to have concluded the set, omitting some that are there now and including others that are still in the making 🙂

Compositionally I was going for the three layers that I saw; the cloudy sky beyond the horizon, the mud-flats and the receded sea, and the rocky foreground,  it was fairly dark already, but I knew that the some-what even lighting would make a good shot.  A couple being there helped to make this shot even better.


“couple”  –  Lusignan, East Coast Demerara


Click on the image to see it in the Gallery, also the visit the Oniabo collection as presented at Moray House.