I tend to take photographs with composition in mind, maybe except when I’m trying Street Photography, but other than that, its usually about how the scene shapes up, where the lines go, how much foreground versus background to use, and sometimes, even where the main subject should fall, although that is not always the case.
Because of that approach, and because I seldom think about the “colour” of the image, I tend to see the resulting image in terms of black and white, shades of gray, more about form and function, lines, elements, etc.
These were just some thoughts going through my mind while processing this image:
At Lusignan its currently more of a dam than a seawall 🙂
Click on the image to see it in the Gallery along with some others from the “Up East” album
For me, the Photographic Process encompasses several stages, some think of it as simply taking a photograph with a device such as a camera or a phone, but I’d like to just mention the stages that I consider part and parcel of the Photographic Process, all of this just to speak specifically about one part that has to do with some of my black and white images.
The photographic process begins with the Photographer’s Eye, seeing that which is intended to be captured, since we all see things differently, this first part starts the differentiation of one image from the next and “my image” from “your image”. Secondly, our camera adjustments, for many this is done using the automatic settings, but for others it may entail making several adjustments to modes and setting values for shutter speed, aperture and ISO; these settings are usually determined by the lighting conditions and the desired “look” of the resulting image. Next comes the composition, determining what to include in the frame, what to exclude, and a variety of other compositional techniques. Then we click the shutter button.
In our current digital age, this is usually the end of the process, it gets shared on social media, etc., some may pass the image through a simple software for preset filters etc before sharing. For photographers, this has only been half the work, the next stage is to process the image, depending upon the ultimate use of the image this can be done in a myriad of ways; for me, I seldom do weddings or portraits, so generally the image is intended as ”art”, yes, it sounds pretentious, but that’s what I usually intend, so I would often process the image through Adobe Lightroom, and for many of my black and white images, I also use DXO Nik Silver Efex for the black and white processing. Once the image is processed to my satisfaction, it is then shared to my site or to social media. For me, however, the process ends at another stage, when I actually have the image printed.
The size of the printed image is usually limited by a few factors, including the size (usually in megapixels) of the original capture, the content of the frame (composition) and the type of processing done to the image. Some of my black and white processing can result in things that would not look well if printed large, such as today’s image. I used a high contrast process and worked to heighten the structure and clarity of the image, in so doing there is a resultant “haloing” in existing high contrast areas of the image, when enlarged this can lend the impression that the image was “edited” that portions were spliced in, when in fact they were not. So, in short, I most likely would not print this image large, possibly 16” x 24”’ as the largest print, this would retain the integrity of the image for me.
This is not a new photograph, it lay unprocessed in my files since 2014, I went scanning through the archives again this morning and spotted it, wondering why I never processed it (as usual). It is not the latest addition to the Oniabo Collection.
Click on the image to see it in the Gallery along with other images in the Black and White album.
Anyone who knows me, or has followed my blog or Facebook posts know that I have a particular fondness for the seawalls. Although I haven’t been shooting much in the last few years, I do manage to get in one or two seawall visits and a few images. Many people don’t realise that the artistic process is not simple and certainly not infallible, over the years, I’ve accumulated many images, and I can often go back through images I’ve taken and overlooked to find a gem or two.
These two images were never overlooked, but I simply didn’t quite get the feel I wanted at the time, I suspect my mindset was different and I didn’t see what was right in front of my eyes. I’ve often looked at images I’ve taken and know that I have “something”, but can’t seem to process is the way my mind or my inner eye was seeing it, so its often a limitation of the mind, or the knowledge to get the image from the raw image into what it was that I was intending to capture and to share.
One of the things I’ve learned over time is not to force my way to achieve something “artistic”, it either comes or it doesn’t. What I can do, and what I often do, is to experiment, to play with the software, try various settings and adjust the sliders without thinking too much about it, just adjust on a visual level rather than intellectually anticipate a particular outcome. What this does if expose my mind to more of what the software is capable of, and also to see changes in the tonality and look of the image that I would not have otherwise seen with my usual predetermined mindset.
This does not necessarily mean that at the end of experimenting that I get a pleasing image, often that’s not that case, and I put the image aside and move on, but I would have learnt a thing or two, which I can apply to other images. It is also just as likely that I would return to that image at a later date, with some more clarity, possibly because I’ve since learnt something new, or simply gotten a different outlook on the image and what it could be.
What I have described is one of my approaches to this “art”, and there are many photographers out there who don’t approach it as art but as a profession. The beauty of Photography is that each of us can approach it differently, and come out of it at the end with unique images, because we are all unique, and what works for me may not work for others, and vice versa. Don’t be afraid to experiment, it is how we learn.
I don’t want to be the one telling you a story in words, I want to be the one telling you a story in a photo, but who’s story is it?
Are you seeing and interpreting the scene in the same way I do? Does it matter?
The photograph as it was taken tells one story, what that story is may be entirely up to the viewer, after I have processed it, there are some subtle and some not so subtle changes to the finished image (not edited, nothing has been taken out or added), in this manner, I hope to direct the line of thinking in a certain way, whether it works or not is another matter, but in this way I am interpreting the scene my way, and lending to it my feelings; how the viewer sees it is still up to the viewer.
Many people take scenes literally, others concoct long tales based on the elements in the frame, others may just have an emotional reaction but not know precisely why; if it affects you, then I am happy.
At Day’s End – 14-3289 | Lusignan, East Coast Demerara | 2014
Click on the image to see it in the Gallery along with other images in the Black and White Collection.
Growing up in Guyana, a joyride meant what it sounded like, jumping on a bicycle/ motorcycle and going out for a ride with friends and having fun, but it seems that up north it means and meant a completely different thing… I guess we were wrong.
When I had taken this photo a year ago, I knew that I would like the final result, not perfect, but it has that bit of “soul” that I always want in a photo. Originally I had stopped to take a photo of just the shack, then my daughters and niece came along playing around it, as Christine climbed in and sat, I decided that this was going to work even better.
The title came from some random thoughts jumping around my head, originally I wanted there to be a reference to the type of hut; it’s a fisherman’s hut by the ocean, but no title immediately popped to mind.
As I thought about it, the phrase “Fishers of Men” came to mind (a phrase used by Jesus in the Gospel of Matthew), but with the girl in the photo, that didn’t work, then her name correlated somewhat with that idea, Christine, from the word Christ (as in Jesus Christ), and then it suddenly dawned on me that Jesus was often referred to as the son of a Carpenter, and Christine’s father is a Carpenter, so voila!
It’s a stretch, but it works for me.
This is also one of the photos that sat on an SD card for a year, to think I almost lost it…
The Carpenter’s Daughter | 2015 | Canon EOS 60D, Sigma 10-20mm | Lusignan, East Coast Demerara, Guyana, South America.
Finding Treasure. That’s what it feels like when you pop a memory card into your camera and realize that it is full of images from a year ago, it was a 4GB card, but it was full of RAW files.
I don’t recall how it is that I never copied off the images, but given that it was not one of the cards I normally use, but more of a backup or emergency use card, it seems that I forgot that I had used it for a few days of shooting.
As is usual for me, it will take time to get to the images, but here is one that I spotted and wanted to share.
Canon EOS 60D | Sigma 10-20 | Lusignan, East Coast Demerara, Guyana
Click on the image to see it in the collection along with others in the People Gallery