Cloth

A trip up the coast, East Coast Demerara that is (at least in my case), and you’ll probably notice that many portions are rife with Jhandi flags. These flags feature in many of my images, and likely in almost anyone’s photographs along the coast, that is what rife means, they are like Kiskadees, they’re everywhere!

I figure many people are tired seeing photos that include Jhandi flags, I still take, but don’t share as many, but sometimes, one will be just different enough to warrant sharing.

Untitled – 20-7202 | East Coast Demerara, Guyana | Canon EOS 60D, Sigma 10-20mm

There were portions alone Cummings Lodge, Industry, Ogle that often had these flags, now its pretty much all Mangroves. Hope you like the image, click on it to see it in the collection, along with other images in the Up East Gallery.

This image had a slightly strange perspective, and I can’t recall why, probably something at the location, I did some perspective correction to align the horizon and the wall a bit.

Keep Shooting.

Footprints and the Flag

I typed the Title line at the top of this post and could not help thinking about the Insurrection in America almost a year ago. I was looking at the photo I am sharing and saw the footprints in the sand/mud that led away from the boat in the distance and headed towards shore using the Jhandi flag as a point of reference and a mark to aim for and pass, without disturbing it, and I think of some of the scenes I saw on television of that insurrection, of the trampling of people, ideals, decency and the flag. I didn’t intend to mention anything that political, but it came to mind, so I put it into words.

This scene is from an area on the East Coast of Demerara, past the large Koker at Hope, its referred to as Hope Lowlands, in the early morning the sandflies and mosquitoes eat you alive (or at least the morning we had visited, later in the morning its better, at least it was this time that I took this photo, I was out there with Fidal from 55 Photography, always good to have a photo-buddy, and the diversity in images from other folks on a walk are always great to see.

Hope Lowlands, East Coast Demerara, Guyana, South America

Hoping I get out more this year to get some photos in, my finger has been itching 😉 Click on the image to see it in the Gallery along with others from my Black and White album


Out There

Some thoughts on the photographic process.

For me, the Photographic Process encompasses several stages, some think of it as simply taking a photograph with a device such as a camera or a phone, but I’d like to just mention the stages that I consider part and parcel of the Photographic Process, all of this just to speak specifically about one part that has to do with some of my black and white images.

The photographic process begins with the Photographer’s Eye, seeing that which is intended to be captured, since we all see things differently, this first part starts the differentiation of one image from the next and “my image” from “your image”.  Secondly, our camera adjustments, for many this is done using the automatic settings, but for others it may entail making several adjustments to modes and setting values for shutter speed, aperture and ISO;  these settings are usually determined by the lighting conditions and the desired “look” of the resulting image.  Next comes the composition, determining what to include in the frame, what to exclude, and a variety of other compositional techniques.  Then we click the shutter button.

In our current digital age, this is usually the end of the process, it gets shared on social media, etc., some may pass the image through a simple software for preset filters etc before sharing.  For photographers, this has only been half the work, the next stage is to process the image, depending upon the ultimate use of the image this can be done in a myriad of ways; for me, I seldom do weddings or portraits, so generally the image is intended as ”art”, yes, it sounds pretentious, but that’s what I usually intend, so I would often process the image through Adobe Lightroom, and for many of my black and white images, I also use DXO Nik Silver Efex for the black and white processing.  Once the image is processed to my satisfaction, it is then shared to my site or to social media.  For me, however, the process ends at another stage, when I actually have the image printed.

Out There - 14-5265
Out There – 14-5265 | Oniabo Lusignan, East Coast Demerara, Guyana | 2014

The size of the printed image is usually limited by a few factors, including the size (usually in megapixels) of the original capture, the content of the frame (composition) and the type of processing done to the image.  Some of my black and white processing can result in things that would not look well if printed large, such as today’s image.  I used a high contrast process and worked to heighten the structure and clarity of the image, in so doing there is a resultant “haloing” in existing high contrast areas of the image, when enlarged this can lend the impression that the image was “edited” that portions were spliced in, when in fact they were not.  So, in short, I most likely would not print this image large, possibly 16” x 24”’ as the largest print, this would retain the integrity of the image for me.

This is not a new photograph, it lay unprocessed in my files since 2014, I went scanning through the archives again this morning and spotted it, wondering why I never processed it (as usual).  It is not the latest addition to the Oniabo Collection.

Click on the image to see it in the Gallery along with other images in the Black and White album.


Jhanda

Possibly the last post of the year.   It seems that there will often be Jhanda (or Jhandi flags) in many of my compositions, that’s because they’re like Kiskadees on Guyana’s coast, everywhere!


Jhanda – 16-2644  |  Canon EOS 60D, Sigma 10-20mm  |  2016


Click on the image to see it in the Gallery


2015 Deck – Week 40

My Jhandi addiction continues, I just find them visually appealing.  Of course, getting a shot of them that doesn’t look like ones I’ve already taken is getting more and more difficult.

This one was a toss up between this coloured portrait oriented version and a landscape oriented BW processed one, but the coloured one appeals to me on a different level, even though I tend towards the BW because I had originally intended the landscape ones as such because of the textures and contrast in the water / foam of the sea.

I hope you like it.


Canon 60D, Sigma 10-20mm  |  1/125s @ f/8.0, ISO100 (10mm)


Click on the image to see it in the Gallery

2015 Deck – Week 19

My fascination with Jhandi flags continues…  either that or there’s a severe lack of things to shoot along the seawalls 🙂

We each want to be unique, to stand out from the crowd… the same crowd that we spend so many days trying to fit in with, to identify with, to be a part of.  After years of shooting everything and anything, learning bits and pieces about photography (and still learning), a portion of my photography had developed a style that had become recognizable, and the subject matter in tandem with that style of capturing and processing lead to a project called Oniabo.

During 2014 other local photogs used similar styles on similar subject matter, at first I was flattered that others were also pursuing and experimenting this way and proud of the achievements of these photogs, then I began to wonder if in this manner, I would become just another of the photogs who “also” did things this way, composed this way, processed this way…

For a while this year, I stopped seeking out the scenes which made me so happy to shoot and process, instead looking for other things to try, other avenues of expression.  One of those experiments has borne fruit, but it is not one filled with passion.  I still seek out different ways to express myself photographically, but I also cannot turn off the zeal I have for this particular type of image, so I’ve taken off the blinders that I adopted, chosen to express myself the way I want, they way I should, and I look forward to the rest of the journey with all these talented photogs, who inspire me even as they tell me that I inspire them.


Canon EOS 60D, Sigma 10-20  |  1/200s, f/10, 10mm  –  2:39pm


Click on the image to see it in the Gallery along with other images for this year’s Deck Project

500

The Art of Photography and Photography as Art


2015 – Canon EOS 60D, Sigma 10-20mm


This blog post is a milestone of sorts, it marks my five hundredth blog post.  It began on a sad note, with a photo from my maternal grandmother’s funeral, it has been more of a photo journey rather than a photo blog, more about myself and the photos than about the photos themselves I suppose, so it’s rather like a journal…almost… of sorts.

On this journey I’ve learnt a lot, with still much more to learn, I’ve met many other people with a passion for photography, and many who love to look at beautiful imagery.

I have learnt that there is a difference between the Art of Photography and Photography as Art, and I believe that it is a realization that comes to most of us who pursue it with an aim for creating “art”.


2010 – Canon T1i, Sigma 18-270mm


It sounds presumptuous even to my own ears to refer to anything that I produce with the camera as “art”, but people like my friend Nikhil would thump me behind the head for even saying that.  Not everything I take can be considered as art, so I humbly submit that I have a few that may be taken into consideration by those who are more knowledgeable than myself and more in-tune with the art world to be judged and pronounced as art.

Nikhil would also tell me that I have had work exhibited once at the National Gallery of Art (Castellani House) and have also been among the finalists in two of the recent Guyana Visual Arts Competitions, so I can’t get away with trying to play modest about being called an “artist”.


2011 – Canon Rebel T1i – Tamron 18-270mm


I began as most of us probably did with learning to use the camera and just snapping away at anything and everything that caught my eye.

After a while it began to be more important to learn and understand the art of photography, to understand how light plays an important part, where paying attention to composition results in a much better photo of the same subject.  The art of photography is to know your camera (whether it’s a mobile device such as cellphones or a larger DSLR) to learn what it can and cannot do, and to know how to use it to accomplish what you want.  Like any craftsman worth his salt, the art of the craft is the union of the person and the tools at hand.

It is good to learn different techniques, different approaches, different styles; that can be part of your arsenal, but it need not define the photograph you take.


2012 – Canon T1i, Tamron 18-270mm


The photograph is an extension of your self, it is a product of your own thoughts and skills, when the photograph stops being just a snapshot and becomes an expression of an idea, a concept, more than just a moment frozen in time, then it is possible that you have created a piece of art.

Photography as Art has to be more than just a pretty photo of a pretty scene or even a technically perfect photo of a dilapidated house, for a photograph to be Art it should have soul, it should convey an idea, elicit a reaction from the viewer, it has to be seen, talked about, appreciated or ridiculed even.


2013 – Canon EOS 60D, Tamron 18-270mm


Not many of us in Guyana can successfully claim to be original in our photographs, most of it has been done before and by better artists than ourselves, Photography as an Art has to overcome the fact that everyone now has access to a device that captures images, and in the maelstrom of images swirling around the internet we have to produce a piece that stands out, that makes people stop and look, but also to have them remember it afterwards, to recall it and speak about it.

Art is subjective, that’s basically saying that beauty is in the eye of the beholder, and it is not enough for the creator of the piece to want it to be art, the viewer has to appreciate the piece, not necessarily from the perspective of the creator but from how it affects them.


2014 – Canon EOS 6D, Canon 24-105mm


All the images in this post are “new to you”, they are from the six years than span this blog, 2010 to 2015, one from each calendar year.  I went through the files looking for images that I have overlooked, or just not processed,  not looking for any subject in particular, but for images I think worth processing, worth sharing and reflect what I would like to show others.

I hope that at least one strikes your fancy.

Click on each one to see them in their respective galleries in the Collection.  Thank you for being a part of my journey so far.