Out There

Some thoughts on the photographic process.

For me, the Photographic Process encompasses several stages, some think of it as simply taking a photograph with a device such as a camera or a phone, but I’d like to just mention the stages that I consider part and parcel of the Photographic Process, all of this just to speak specifically about one part that has to do with some of my black and white images.

The photographic process begins with the Photographer’s Eye, seeing that which is intended to be captured, since we all see things differently, this first part starts the differentiation of one image from the next and “my image” from “your image”.  Secondly, our camera adjustments, for many this is done using the automatic settings, but for others it may entail making several adjustments to modes and setting values for shutter speed, aperture and ISO;  these settings are usually determined by the lighting conditions and the desired “look” of the resulting image.  Next comes the composition, determining what to include in the frame, what to exclude, and a variety of other compositional techniques.  Then we click the shutter button.

In our current digital age, this is usually the end of the process, it gets shared on social media, etc., some may pass the image through a simple software for preset filters etc before sharing.  For photographers, this has only been half the work, the next stage is to process the image, depending upon the ultimate use of the image this can be done in a myriad of ways; for me, I seldom do weddings or portraits, so generally the image is intended as ”art”, yes, it sounds pretentious, but that’s what I usually intend, so I would often process the image through Adobe Lightroom, and for many of my black and white images, I also use DXO Nik Silver Efex for the black and white processing.  Once the image is processed to my satisfaction, it is then shared to my site or to social media.  For me, however, the process ends at another stage, when I actually have the image printed.

Out There - 14-5265
Out There – 14-5265 | Oniabo Lusignan, East Coast Demerara, Guyana | 2014

The size of the printed image is usually limited by a few factors, including the size (usually in megapixels) of the original capture, the content of the frame (composition) and the type of processing done to the image.  Some of my black and white processing can result in things that would not look well if printed large, such as today’s image.  I used a high contrast process and worked to heighten the structure and clarity of the image, in so doing there is a resultant “haloing” in existing high contrast areas of the image, when enlarged this can lend the impression that the image was “edited” that portions were spliced in, when in fact they were not.  So, in short, I most likely would not print this image large, possibly 16” x 24”’ as the largest print, this would retain the integrity of the image for me.

This is not a new photograph, it lay unprocessed in my files since 2014, I went scanning through the archives again this morning and spotted it, wondering why I never processed it (as usual).  It is not the latest addition to the Oniabo Collection.

Click on the image to see it in the Gallery along with other images in the Black and White album.


2015 Deck – Week 40

My Jhandi addiction continues, I just find them visually appealing.  Of course, getting a shot of them that doesn’t look like ones I’ve already taken is getting more and more difficult.

This one was a toss up between this coloured portrait oriented version and a landscape oriented BW processed one, but the coloured one appeals to me on a different level, even though I tend towards the BW because I had originally intended the landscape ones as such because of the textures and contrast in the water / foam of the sea.

I hope you like it.


Canon 60D, Sigma 10-20mm  |  1/125s @ f/8.0, ISO100 (10mm)


Click on the image to see it in the Gallery

2015 Deck – Week 19

My fascination with Jhandi flags continues…  either that or there’s a severe lack of things to shoot along the seawalls 🙂

We each want to be unique, to stand out from the crowd… the same crowd that we spend so many days trying to fit in with, to identify with, to be a part of.  After years of shooting everything and anything, learning bits and pieces about photography (and still learning), a portion of my photography had developed a style that had become recognizable, and the subject matter in tandem with that style of capturing and processing lead to a project called Oniabo.

During 2014 other local photogs used similar styles on similar subject matter, at first I was flattered that others were also pursuing and experimenting this way and proud of the achievements of these photogs, then I began to wonder if in this manner, I would become just another of the photogs who “also” did things this way, composed this way, processed this way…

For a while this year, I stopped seeking out the scenes which made me so happy to shoot and process, instead looking for other things to try, other avenues of expression.  One of those experiments has borne fruit, but it is not one filled with passion.  I still seek out different ways to express myself photographically, but I also cannot turn off the zeal I have for this particular type of image, so I’ve taken off the blinders that I adopted, chosen to express myself the way I want, they way I should, and I look forward to the rest of the journey with all these talented photogs, who inspire me even as they tell me that I inspire them.


Canon EOS 60D, Sigma 10-20  |  1/200s, f/10, 10mm  –  2:39pm


Click on the image to see it in the Gallery along with other images for this year’s Deck Project

2015 Deck – Week 13

As strange as it may sound, sometimes when I can’t find a paragraph or two to express what I want to say, the words come out as a poem…



HOME

The call of the Kiskadee
on a rain-kissed afternoon
The sung sweet melody
of an old Tradewinds tune,
The shout of a passing man,
“Creketeh! get yuh Crawbeah!”
And the woman just behind
singing “Broom ay, broom ay”
Sundays- dressed, in church,
And the Saturday movie night,
A show for the family,
or maybe one with a bit of fright,
The sweet salty scent
of the breeze on the seawalls
A tasty mouthful
of pholourie or egg-ball,
Walking the water’s edge,
feeling sand, feeling the foam,
It’s where I belong,
this is Guyana, this is home.


Click on the image to see it in the Gallery along with other images from this year’s Deck Project.

2015 Deck – Week 07

Each year I normally do a post on the Children’s Parade, then follow up with one that I’d choose for the Deck, this year, call it laziness, or expediency, or simply a desire to show the one that I was excited about, I will do it all in one post.

This year’s parade was marred by some rain, and when I say marred, I mean for me and my equipment, most of the children seemed to quite enjoy themselves in the changing weather 🙂

I got a few good photos, more than a few “eh” photos and maybe one or two better than average ones…

The one I chose for the Deck may not have the same impact on the viewer as it had on me as I am still fresh with the emotion and excitement of the moment…  the rain was still falling, my sister Mary was trying to hover near me with an umbrella (she knows how expensive camera gear is) and the young man who was pulling the main float of the Ministry of Amerindian Affairs had seen me and was dancing and heading straight for me performing all the way.

I don’t normally chimp, but soon after he had passed and there was a short lull in the parade I scrolled back to see if I got anything that was usable, and even on the on-camera screen I could tell, it was about 85% good.  🙂


Ministry of Amerindian Affairs, 2015


Click on the image to see it in the Gallery along with the other images for this year’s Deck Project.


The other images I have from the Children’s Parade are in the Mashramani 2015 – Children’s Parade Gallery, click on the image below to see them all in the Gallery

mashkids2015