Cyclist on the dam

I tend to take photographs with composition in mind, maybe except when I’m trying Street Photography, but other than that, its usually about how the scene shapes up, where the lines go, how much foreground versus background to use, and sometimes, even where the main subject should fall, although that is not always the case.

Because of that approach, and because I seldom think about the “colour” of the image, I tend to see the resulting image in terms of black and white, shades of gray, more about form and function, lines, elements, etc.

These were just some thoughts going through my mind while processing this image:

Cyclist on the dam | 20-6775


At Lusignan its currently more of a dam than a seawall 🙂

Click on the image to see it in the Gallery along with some others from the “Up East” album


The Carpenter’s Tools

Every so often, I take photos, then never get around to looking at them until long after… I think I still owe someone some wedding photos… oops!  Good thing I don’t do this as a paying job.

Anyway, I took about ten shots of this during the third week of 2012, a few before Vishal put the level next to the tape and a few after.  I felt that there was something there, but don’t think I got what it was… yet, I went back to this today and processed this one…   three years later, I’m regretting not trying a few other angles and perspectives that occur to me now… I’ve learnt a bit since then, hopefully I get to put what I’ve learnt into practice 🙂  Going back to these images, reminds me of what I did, what I didn’t do, what I could do, and keeps me thinking about the next time I come across a similar scene and what I might do 🙂


Canon EOS Rebel T1i, Tamron 18-270


Click on the image to see it in the “Odds and Ends” Gallery in the Collection

Stand

So, words almost failed me when it came to describing this photo for you (not that I need to describe it… you have eyes), maybe the few I could muster will suffice:

Stand to stretch your legs,
Stand to rise above,
Stand to show respect,
Stand to see beyond,
Stand and face the future,
Stand and feel the breeze,
Stand and show defiance,
Stand for who you are.


2015  |  Lusignan, East Coast Demerara, Guyana


Click on the image to see it in the Black and White Gallery in the Collection

Saturday Smoker in Sepia

I was actually thinking Coppertone CIgarette as a title since I actually used more of a Coppertone than a Sepiatone on this one… eventually the actual image remains mostly Untitled, except for the numeric designation of 15-5337.

Taken during the second week of this year, I gave it a single star rating so that I’d remember to go back to it for further attention.

I liked this one, even though I could not line up my composition in time for what I am accustomed to doing, getting the thirds sorted out, the vanishing point more thorough, and my lines running where I wanted…  either in spite of that or because of that, I think it came out well 🙂  As I’ve been told many times by Nikhil, we need to know the rules so that we can know when to break them effectively.


2015 | Ogle, East Coast Demerara, Guyana.


Click on the image to see it in the Gallery along with other Sepia type images in the Collection.

Weed

Well, I don’t think it might be a weed, but the title sounded better than “Plant poking through Planks”, actually, that sounds kinda nice…

I was looking through 2012’s week 3 folder and came across this one, which I thought salvageable.  🙂   Even though the histogram said I was fairly safe I got some blown highlights in the leaves… of course, this was three years ago, I hope I’ve learnt something since then.


2012  |  Canon EOS Rebel T1i, Tamron 18-270

I did some localised brush work on the “weed” in Lightroom, not something I normally do or that I am very good at… 🙂


Liza and Henry

For some reason, I’m going through my photos from Week two of this year…  in processing this one I had originally intended to leave it in the original colour, but then I opted for a slightly desaturated and warmer image…  I think it works…

I was tagging the image with keywords and was tagging it with “bucket” when the title sprang to mind  –  “Liza and Henry”  🙂


1/200s, f/9.0, ISO 200


Click on the image to see it in the “”Up East” Gallery, along with other eclectic images from that side 😀

The title is a reference to an old song… I remember singing it around a campfire… and no, the song isn’t title Liza and Henry… go ahead google it 😉


Men and Boys

I was originally just going to upload the photo and post a link to Facebook, but then I decided I actually had something to say…

Across the globe things are changing, rapidly in some places, slowly in others.  While everyone is striving for an education and a job that earns a high salary, I think we too easily forget the way of life that actually matters; satisfaction at the end of the day’s work, a ready smile for friends and strangers alike, playtime as well as work-time, and actually caring about another human being.

This photo reminded me that we should pass onto other generations the joy of life, of actually living, and not just the drudgery of daily toil that has no reward but a monetary one.

Work hard, but enjoy the benefits of your labour, be able to say “I did that” with pride and with satisfaction; play easily without the need for satisfaction, but able to enjoy it for what it is, human interaction and the joy of Life; cry for joy and for sadness, because sadness means you were once joyful.

Look towards the horizon, curiosity is a good thing, but remember your roots, remember Home.


Canon EOS Rebel T1i, Tamron 18-270mm  |  1/125s, f/8.0, ISO 200 (46mm)


Click on the image to see it in the “Up East” Gallery (it only has 14 pieces so far) 🙂

Glee and Garbage

It is usually a breath of fresh air to read in the newspapers that some small group of people have embarked upon a “clean-up campaign” along our seawalls; one of the more recent ones would have been the one involving the Ministry of Natural Resources, the EPA (Guyana) along with the Pick It Up Guyana campaign, in the past the Guyana Shines group did a stint, on International Coastal Clean-up Day various NGOs came out in numbers, even the national Football (real football, not that American thing) Team even joined Youths For Guyana on a round of cleaning.

I prefer to re-iterate that cleaning up is an after-the-fact solution, our primary goal should be NOT to litter in the first place, we should be encouraging our peers, and children on a daily basis to do the right thing and put it in the trash!

How hard is it to keep your trash with you until you reach a suitable receptacle (the garbage bin in your yard works marvellously for this) to dispose of it in the right way?

When I take photos along our coast, invariably there is trash within spitting distance, much less within the scope of my camera lens, some of us include it deliberately to make a point, many of us (myself inclusive) try to compose to minimise the presence of the debris and detritus.


When I took this photo two years ago, I dismissed it out of hand as not appropriate for what I was doing at the time, but now, I think it makes a statement.  Why should our children, who look forward gleefully to playing on the seawalls and seashore, be subject to the dangers, physical and health-wise,  of the abundant and widespread disposal and accumulation of garbage on the seawalls?

We shouldn’t have to “Pick It Up” because we shouldn’t have thrown it down in the first place, let us live not for now, but for the future, our children’s future.


Click on the image to see it in the “Streets” gallery

2014 Deck – Week 19

Buildings with character always fascinate me, but often I will look at the scene as I am passing and think, “it doesn’t feel right”; that has worked against me a few times already when one day I pass by and the building has been demolished.  If it were just for a record of the building, then any photo would do, but I don’t just want a record, I want a photo that speaks to me.

There’s a mosque / masjid at La Bonne Intention (LBI) that I often pass, and consider that there’s a photo there somewhere, but I seldom see what it is that I should be photographing, I’ve stopped to photograph it twice, the first time I was trying to force the photo, but the second time, I was about three villages away and saw the skies to the south and thought that this was a good opportunity to try the photo(s) that I wanted.

Even before reaching the mosque I knew that I’d be using multiple exposures for some HDR processing after.


Canon EOS 60D, Sigma 10-20mm  |  HDR from 3 Exposures.


Click on the image to see it in the Gallery.

Perception

Lately, I’ve been very busy, although depending on your point-of-view I might also have been giving priorities to the “wrong” things; for my myself, I say I’ve been busy.

I tell people that I’ve been busy, so I haven’t updated this blog, and updated the Deck Project, they look at me askance and think I’m either lying or stretching the truth, but it’s a matter of perception I suppose.

Often, what we see in a photograph is also a matter of perception, this image is one I overlooked when choosing my photo for week 9 of the Deck Project this year; when I say “overlooked”, I mean that I did not see then the potential that I saw when going back through the images the second time.

I was looking at a photograph recently of what appeared to be a woman holding a young girl lying limp across her arms, I later realized that it was a young man in her arms, but the combination of dark hair and a dark material near the head gave the long hair I usually associate (firstly) with girls, the features of the youth were very smooth and “pretty”, and he was attired in a hospital gown, all adding together to skew my perception.

I’ve also been trying to look at scenes differently and change my perspective, also altering my perception of the scene itself.  Anyway, all of this preamble is just to introduce you tot he image that I had also titled “Perception” 🙂


12:55 pm  |  Red filter  |  Canon 60D, Sigma 10-20mm lens

1/320s, f/11, ISO 100, 10mm  –  Processed in Lightroom and Nik Silver Efex


Click on the image to see it larger in the Black and White Gallery of the Collection.