Bootleg

On February 6, 2023February 6, 2023 By themichaellamcollectionIn Commentary, PhotographyLeave a comment

Guyana, as well as the wider Caribbean, has long had problems with pirated or bootlegged music, software, and movies; I know its a worldwide problem, but I can only speak to a localized perspective.

I like to think that its lessened in recent years, with the advent of streaming and subscription services, etc., although I suspect I’m wrong. Dave Martins, leader of the famed Tradewinds band, wrote a song called Copycats, and although it dealt more with the West Indian habit of adopting foreign habits, accents and mannerisms, it nevertheless pointed out our habit of copying. Dave himself is very disillusioned since copies of Tradewinds music can be found all over, and this, of course, means little income to him in terms of sales and royalties.

In Guyana, the idea of robust Intellectual Property (IP) legislation has been floated, toyed with, promised, and neglected by several administrations, and this not only lends to the piracy but somewhat emboldens it. Without IP legislation it is extremely difficult to enforce copyright, and the government knows this, and the artists feel it, every day.

Despite a good and productive music sector, a dynamic visual arts sector, and a growing performance arts sector, IP Legislation seems but a spectre on the horizon, as seen at midnight, in a mist shrouded rainforest. As photographers we see a regular “appropriation” of our images in the local media, some photographers are lucky enough to get back from those agencies who did so, but others do not. I’ve been asked many times, and have often allowed the use of an image for no monetary recompense, but with attribution, I’ve sometimes gotten a small fee, its that kind of world.

As time has gone by, many agencies seek out the photographers, and ask permission, and offer to license the image, a positive sign in a dismal marketplace. One instance that still rankles with me is when one of my images was used for a local publication, and when the publisher was approached, I was told that it was not my image, and that I had nothing to get; I was eventually urged by a lawyer to not pursue it, as it was unlikely to net me anything in the long run.

The Bootleg Scene – 23-0001 | Shot with DXO ONE Camera

In the meantime, we can still stop and get the newest or oldest, favourite songs and movies from an assortment of vendors; and in my favour, this particular one made for a decent street photo.

Keep Shooting folks! Click the image to see it in the Gallery along with other Street Photography Images.

In the Key of “D”

On April 10, 2012July 15, 2015 By themichaellamcollectionIn Commentary, Photography8 Comments

I took a photo almost a month ago with the intention to write a blog-post about two Guyanese musicians who have touched my soul through their music. I know I can easily come under criticism for picking out just these two, especially when there are many more out there, then and now. I can even mention some that have made me proud to be Guyanese at one time or another, people like Bill Rogers and Terry Gajraj, EC Connections, Mingles Sound Machine and The Ramblers, Eddy Grant and Natural Black, Concert Pianist Ray Luck and local saxophonist Sweet Sax Kilkenny, and there are more. The two men I had in mind are Dave Martins of Tradewinds fame and Dennis DeSouza.

I decided last night to limit this post to Dennis DeSouza who died this last weekend, sorry Dave 🙂

As Caribbean people, music is in our bones, it is not something we listen to, it is part of who we are. I grew up listening to a wide variety of music, at home it was everything from Slim Whitman to ABBA, my father has LPs (vinyl records) from a variety of genres, I listened to reggae from Pluto and Marley, instrumentals from Ace Cannon and Victor Sylvester, and loved music from Ray Conniff and his Orchestra. On the radio I got my dose of the 80s as I grew older. Among those records in my father’s collection were albums by Dennis DeSouza.

Dennis was born in Guyana, more specifically Mahaica on the East Coast of Demerara. He later made his home in Trinidad & Tobago, and in Canada. I was once told my by mother that while learning to play, Dennis practiced the piano at the house they lived in on Broad Street, Charlestown, Guyana (I wish I had known this when I met him some years ago).

I like instrumental music, especially when they do versions of pop-music, but I also appreciate the classics to some degree and also the individual’s own compositions. Dennis DeSouza had a style of playing that I could pick out easily from any other pianist, I would always say he had very nimble fingers and you could feel the joy that he felt through his playing.

When I started buying CDs and realised that he had started recording on CDs I quickly bought the first one “Caribbean Paradise” at 3H CD and Video Club (now closed), and on a visit to Trinidad I bought his “Best Of” CD that I saw in the airport shop.

On one visit to Trinidad with my wife, we had heard that he was playing at the Lounge at Cascadia, it was a toss-up between going there or going to see Maxi Priest in town, since I had already been to a Maxi Priest concert I chose to go hear Dennis play (much to my cousin’s dismay, he was practically asleep at the table). We not only heard Dennis and the band perform, but Maureen and I took to the floor to join other couples to dance, it was a beautiful experience for us. There was a break for the band and I went over and spoke with Dennis for a minute and, to take pity on my cousin, we left shortly after.

His music really touches my soul, from his rendition of Phil Collins’ “Another Day in Paradise” to his own compositions like “Pakaraima”, from his playful key-taps on old Latin pieces on his own albums to lending his skill to accompaniment in Byron Lee’s seventh installment of the Soft Lee Series.

I won’t dwell on the loss of a musician, I will rejoice in the music he has given us in his lifetime. To Dennis DeSouza; a Guyanese by birth, a Caribbean Man at heart and a Musician to the World.

Cricket, lovely Cricket!

On March 1, 2011March 1, 2011 By themichaellamcollectionIn Photography14 Comments

In the Caribbean and Guyana, this is our game, Cricket! Played by more countries than baseball, but less recognised by the “west”, the only thing played more and enjoyed by more around the world is probably football, NO, not that thing played by Americans, where they hardly use their feet except to run (with amazing speed actually), I’m referring to the real football, also called Soccer worldwide.

In cricket there’s variations of the game,there’s the one called Test Cricket, where everything is tested from the players endurance to the spectators’ patience over several days, usually five but it could be seven, then there’s the One-day Cricket, or standard 50-over matches, the World Cup for which is actually being played now. The newest forms of the game have been Twenty 20, or a twenty over form of the game, shorter and more exciting, and adopted by the governing cricket body, the ICC, as a new standard form, and here in Guyana, we have the yearly 10/10 games now sponsored by local telecommunications company GT&T. But those are the structured forms, as children growing up, other than the usual school-yard cricket we knew of three types of cricket, Cricket-in-the-street, Cricket-in-the-rain and the one that none of us could play but loved through the Dave Martins and the Tradewinds song, Cricket-in-the-Jungle!

As much as I’d love to catch a photograph of Monkey batting, the Elephant bowling, the umpire Parrot and the rest, I have to settle for the ones I can find, and I was fortunate to recently see a group of youngsters playing Cricket in the Street, in the Rain! Can’t beat that combination! I would have gone down to get closer photographs, but two things held me back, the camera isn’t weather-sealer and I hadn’t walked with the zip-lock bag as suggested by others, and if they saw me taking photos, it would lose some of the natural feel to it.