Glee and Garbage

It is usually a breath of fresh air to read in the newspapers that some small group of people have embarked upon a “clean-up campaign” along our seawalls; one of the more recent ones would have been the one involving the Ministry of Natural Resources, the EPA (Guyana) along with the Pick It Up Guyana campaign, in the past the Guyana Shines group did a stint, on International Coastal Clean-up Day various NGOs came out in numbers, even the national Football (real football, not that American thing) Team even joined Youths For Guyana on a round of cleaning.

I prefer to re-iterate that cleaning up is an after-the-fact solution, our primary goal should be NOT to litter in the first place, we should be encouraging our peers, and children on a daily basis to do the right thing and put it in the trash!

How hard is it to keep your trash with you until you reach a suitable receptacle (the garbage bin in your yard works marvellously for this) to dispose of it in the right way?

When I take photos along our coast, invariably there is trash within spitting distance, much less within the scope of my camera lens, some of us include it deliberately to make a point, many of us (myself inclusive) try to compose to minimise the presence of the debris and detritus.


When I took this photo two years ago, I dismissed it out of hand as not appropriate for what I was doing at the time, but now, I think it makes a statement.  Why should our children, who look forward gleefully to playing on the seawalls and seashore, be subject to the dangers, physical and health-wise,  of the abundant and widespread disposal and accumulation of garbage on the seawalls?

We shouldn’t have to “Pick It Up” because we shouldn’t have thrown it down in the first place, let us live not for now, but for the future, our children’s future.


Click on the image to see it in the “Streets” gallery

2014 Deck – Week 52

Another year, another 52 images for the project.  Almost thought I wouldn’t make it this year…  My fascination with Jhandi flags on the shore as well as my focus on seascapes has spurred some thoughts to the cohesion of images into proper collections…  My Oniabo collection is still taking shape and I hope that the new year will bear fruit in similar manner.

The last photo of the year exhibits the theme nicely, in colour, so it would not be a part of my Oniabo Collection, but it is a seascape with Jhandi flags at Lusignan.

After taking a series of images here, with both the Canon 60D and the Canon 6D, I then used my phone to snap one for Instagram, and I rather like that one!


Canon 60D, Sigma 10-20mm  |  1/250s, f/11, ISO 100  |  Lusignan ECD.


Click on the image to see it in the Gallery along with all the images from this year’s Deck Project.


2014 Deck – Week 49

I normally try to get impacting photos for my Deck Project, but this one I wanted to include because of the message…

Our shorelines are collecting more and more garbage and it is getting more and more unsafe for our children.  In this season of giving, this season of Joy, let us think to the future, and with regard for our fellow man, with respect for our planet, do our little part in disposing of our garbage in a responsible way.


1/320s, f/13, ISO 200


Click on the image to see it in the Gallery


2014 Deck – Week 46

I could have just kept on walking, but while I visit the seawall fairly often, scenes like this don’t occur with much frequency while I am there, and the juxtaposition that I noticed in walking could not be ignored, so I shot it, a few times…

In a small print or viewed small this won’t look like much, I really do have to set this one aside for a large print.

And yes, I did keep it in colour, shocking, isn’t it? 🙂


The Open Temple  –  Kingston, Georgetown.  Canon EOS 60D, Sigma 10-20mm


Click on the image to see it in the Gallery.


2014 Deck – Week 45

That photo I used for Week 44 was different, yes, I think it’s good, is that what I want to be doing at this time?

So, back to our regular programming…  a high contrast monochrome from the seashore.  I was hoping that the fisherman/sailor would just sit and stare at the sea for a while, at the time I shot this I think he was securing the bow line.

This is a scene that was a no-brainer for me, it had everything I usually want… Jhandi flags, a boat, a fisherman, a good sky and little garbage in sight within the frame 🙂


24mm, 1/1250s, f/5.0, ISO 200


Click on the image to see it in the Gallery along with other images from this year’s Deck Project


2014 Deck – Week 44

Looking for more meaning.

Although I did not intend for this photo to be associated with these thoughts, this is where Fate stepped in.

I have finally gotten to have a series of photographs that I think embodies an idea that I can convey through a collection, and then I had a very short but enlightening (maybe even a little dampening) conversation with Mr Carl Hazelwood, the chief judge at the 2014 Guyana Visual Arts Competition.  He basically told me that while I have “nice” photographs, the ones he sees lack that little something extra that would make it more than a pretty picture… and here in the last two years I thought I had gotten past the pretty picture stage 🙂

This man knows what he’s talking about, and if he says that I don’t make the cut, then I don’t, and I am grateful for that honesty, I may never make that transition, but I will surely try.

I processed this photograph last week (I only had this conversation last night with Mr Hazelwood), and I almost chose a different photo, one more in keeping with my seascape series of recent,  but this one had a few elements that appealed to me a little bit more, and I wanted the diversity for the Deck Project 🙂

This one probably would not hang in a gallery among great works of art, but I ask myself if I would hang this on a wall, yes I would, but would you?


Seashore – Canon EOS 6D, Canon 24-105, 105mm, f/9.0, ISO200


Click on the image to see it in the gallery.

2014 Deck – Week 43

Washed clean by the receding tide, the patterned sand drew my attention, the reflection of the sky and clouds in the still foreground waters belied the turmoil and power that the distant waves possess.

In my learnings about landscape photography, I’ve learnt that it is often important to include a point of interest to grab the viewer’s attention, especially when the scene can be described as plain or boring or bland…  I thought so of this scene at first, others may still think so.


Sands – Kingston Seawall, Georgetown.  Canon 60D, Sigma 10-20mm


Click on the image to see it in the Gallery.


2014 Deck – Week 41

People write all sorts of things in the sands at the seawalls… and beaches worldwide, from Love Letters (Pat Boone sang about this), to drawings, to directions to the nearest Qik Serv, to Hearts with cupid’s arrows through it and the Lovers’ names inscribed, all to be washed away with the next high tide.

Those messages are as transient to us as we are to the timeless sea; and yet, we keep making those markings and the sea wipes them out again.

I snapped a photo in passing this fellow as he used quite a long stick to mark out something in the sand, I have no idea what it was he was drawing, maybe it was a message to an extra-terrestrial ship 🙂


Midday Markings – Kingston Foreshore, Georgetown.


Click on the image to see it in the Gallery.

2014 Deck – Week 40

It is not often that I am at the seawalls when the tide is at its highest and the waves are crashing against the sea defences, when that does happen, I usually take some photos, but seldom use any; mainly because I never seem to get one that I think stands out enough.

I think I may have gotten one that passed muster this last occasion 🙂


Crashing Waves – Georgetown Seashore


On this one I did some unusual processing (for me), I “cooled” the lower area with the rocks prior to applying the red filter, without that the details in the rocks were getting lost 🙂


2014 Deck – Week 38

This photo was included as part of my extended Oniabo collection  which I presented at Moray House in a slide-show presentation in October.

The Oniabo collection started as a collection of 6 images, but when I was offered the opportunity to present something at Moray House, I revisited the idea and extended the collection to 16 Images.

I now have a better grasp of the collection and what I want it to be, and by early next year I hope to have concluded the set, omitting some that are there now and including others that are still in the making 🙂

Compositionally I was going for the three layers that I saw; the cloudy sky beyond the horizon, the mud-flats and the receded sea, and the rocky foreground,  it was fairly dark already, but I knew that the some-what even lighting would make a good shot.  A couple being there helped to make this shot even better.


“couple”  –  Lusignan, East Coast Demerara


Click on the image to see it in the Gallery, also the visit the Oniabo collection as presented at Moray House.