2014 Deck – Week 37

I’ve never been one to do a lot of “dodging and burning” in images, but this image I liked and I wanted to recover some detail in the shadow of the rock, and I didn’t want to tone-map the entire image, that would have been overkill I think.

So I used the brush tool in Lightroom to lighten just that area to get that detail I wanted.  the rest of the scene worked to my satisfaction.

This is a stretch of the seawall at Lusignan, and at High tide that rock, which seems to be pointing North, is normally covered.



Click on the image to see it in the Gallery along with other images from this year’s Deck Project.


2014 Deck – Week 32

As I was titling this photo I was somewhat reminded of the TV Series “Bones”, maybe it was a recent discussion on the show that prompted the title “The Wood in the Frame”.

I saw this discarded wooden frame amidst the rocks on the seawall. and by contorting myself and peering through it I could see that I might be able to frame some of the Jhandi flags within it…  I could not get both my head and the camera into the space available (and I didn’t really want to move the frame), so I know my focus might be spotty, so I was fully prepared for some crazy images to come out.

I had angled slightly down to ensure I got the base of the frame, so it was expected that I’d most likely get the wood lying across the frame in focus.  🙂

I think it came out nicely.  (Yes, I know, most of you would have moved the frame so you can get the angle right, the focus right, everything right…  I like the experimental method over absolute perfection sometimes)


1/250s @ f/10, 24mm, ISO200


Click on the image to see it in the Gallery.

2014 Deck – Week 31

I don’t often do HDR images, mainly because I think it’s a technique that has it’s uses in specific circumstances, and also because a basic RAW file out of the camera now has much more dynamic range than before and can be adjusted in post process to utilize that content without the need for multiple exposures.

But I like doing HDR images, to pull and prod at the dynamic range in a scene and get it looking as I remember the scene as my eyes could see it.   Shooting into the sun is tricky, most times all you’ll get are silhouettes, so adjusting exposure to balance the scene is one way to try compensating for that great ball of light, or shooting multiple exposures and using HDR techniques after can also work towards the desired goal.

This one, I went for an HDR, but I didn’t want that wide a dynamic range, so I only bracketed very narrowly from 0ev.  I wanted the colours from the sky and the city below to come through, and I wanted the light and shadow to be there but with more detail than the standard exposure was giving me.

I hope you like it.


HDR Image from 3 exposures.


High-key Bird

Just about two years ago I had taken about four photos of a bird sitting on a branch, he was against the brighter light (sunlight) so the portion of him directly facing me was in shadow, not having a flash to fill-in with, I had thought at the time that I’d use post-processing with the sliders in Lightroom to retrieve the detail I wanted.

I was checking for some other images today when I came across the set and decided to process this one, I had now changed my mind slightly about the processing and was not thinking of a high-key style, giving some delicacy to the image, I think the light colour of the bird, the leaves behind him and the textured bark of the branch gave me the idea.



Click on the image to see it in the Black and White Gallery.


2014 Deck – Week 30

Street photography (next to event photography) is probably the least predictive sub-genre in Photography, and that’s one of the things that draw a certain type of photographer to it.

I was on Sussex Street one Sunday and this car parked in front of an old vine-covered shed/shack caught my eye.  Behind that scene was the old Gafoor’s warehouse (not sure if it is still occupied by them).  I had taken a landscape oriented shot, then thought that I’d prefer more of the building in the background and recomposed a portrait oriented shot when this cyclist pedalled into the frame 🙂


1/400s @ f/5.6, 58mm, ISO200


Click on the image to see it in the Gallery

2014 Deck – Week 29

Sometimes, subjects are so imposing that you just have to use them, you walk past them and they just beg to be photographed.

Take this truck, for example; we had walked past it and I noticed it’s unusual form, you just don’t see a truck like this around Georgetown every day, I kept thinking that there’s a photo there somewhere…  On the way back I kept glancing at it, then noticed it’s swivel up windows and it’s snorkel-like exhaust system, and all the other rough-and-tough parts at the front, all of this set against a comparatively delicate victorian/colonial styled wooden building in the background.

Of course, including the policeman in the frame was deliberate 🙂



Click on the image to see it in the Gallery

Photographs and Memories

Karran Sahadeo recently did a presentation at Moray House with this title, when I chose this photo for this week’s entry for the Deck Project, it popped into my head.

Often, all we have of moments and events of our younger days are memories… with the current deluge of photos being taken with various cameras, smartphones, tablets, webcams, etc., the current generation may have a different take on it in 20 years.

I can look back at what might be considered a relatively large amount of photos from my younger days, relative to the general population at the time in Guyana at any rate, and I can sometimes remember the moment, the event, the atmosphere, the sounds and other tiny things that made the moment memorable, but there are many more points in my life that have no such record, and all I have are memories.

I was out on the seawall on the way to work one morning when I saw the sky to the south as I approached the portion of the wall right behind my old school ground (Saint Stanislaus College), as I stopped to take the photo, memories of times there came back to me.

I’m not a sportsman, never really was, but I do remember trying a few sports, simply because the teachers said you had to “try”…  I remember being left behind in the 100m sprint, I remember being lapped once in some one of the longer runs, I remember wanting to try the shotput, but being a small fellow, no one would let me, I remember trying the long jump and not doing too badly (as in, at least one other person fell shorter than I did); I also remember getting sunburnt, falling in the grass and bruising my knees, climbing the pavilion steps, eating snow-cones and icicles, and drinking Blackcherry Soda… (Both Banks DIH and DDL had lost their Cola franchises, Banks brought out the ICEE Blackcherry to fill the void), I could go on, but my point is, I can look back on “this” photo and have those memories renewed even though I don’t have photos of any of those moments to look at.

While this photo can mean that to me, for you, it may just be a very plain, very empty black and white photo; for me, the field is filled with students; the pavilion with teachers, students, parents; the gateway and fence lined with vendors selling snow-cones, tamarind syrup and green-mango 🙂


Canon EOS 60D, Sigma 10-20mm | 1/100s @ f/7.1, 10mm, ISO100


Click on the image to see it in the Black and White Gallery from the Collection, while there, take a look at the other images in the growing Black and White Gallery.


2014 Deck – Week 26

For those of you who were there at the presentation at Moray House (9th October 2014) or have subsequently seen the video that Fidal did and posted to his YouTube Channel, or even saw the images from that presentation which I posted to my site in the Oniabo Gallery, you’ll have gathered that I spend some time at the seawalls.

I was about to say that I think it’s “a magical place”, but that just reminded me of Coleson’s line in the “Marvel Agents of S.H.I.E.L.D” series where he keeps saying that Tahiti is a magical place….

But… maybe the seawall is magical, I don’t spend a lot of time there, but when I do I enjoy it, every moment of it… and I do get some lovely images…

In a way, I go there to unplug from the daily work, the constant access to and intrusion of technology… If anyone saw me while I was taking this photo I am about to share, they would have seen a huge grin on my face… because I was thinking just these thoughts when I saw this:


Click on the image to see it in the Gallery along with other images from this year’s Deck Project.